Kunlha Incense: Jetsun Dolma, Lotus Pema, Shing Tsa, Pangpoe, Loong Pö

These are produced by Kunlha Incense, which is a small family business. They are made without any animal materials and also seem to be made of very high quality herbs and woods. They are also pretty much “non sweat sock” or “funk note” in style. At the same time they are very approachable to a pretty broad range of people if you don’t demand the above two stylistic elements. Other than Loong Po there do not appear to be any oils used. At this point I have re-ordered three times so I am pretty sure I like them 🙂

Jetsun Dolma (Green Box): I think this is modeled after Green Tara as it is listed as “curative and healing incense”. The scent is a bit heavier then any of the other sticks, which might be valerian or mugwart. It is also very relaxing (to me at least) and is great later in the evening. This one seems to be herb heavy with some wood notes in the background. I find it fairly pleasant but not something I would use just for the scent.

Lotus Pema (Yellow Box): This is the wood scent one hopes to find when trying out anything that says “cedar” or “juniper”. It is beautiful, subtle, and very clean with no off notes at all. Really a great stick of incense in the pure wood style. This has become my “go to” woods scent. Highly recommended and I have yet to find anything comparable to it.

Shing Tsa (Blue Box): The cinnamon, rhododendron, and juniper in this blend seem to inter weave themselves yet at the same time you can sense each separately, which is a pretty good trick in incense or perfume. It can be very entertaining to sense them as they play out in the room. Great for mornings and afternoons. Really a well-rounded incense, almost Japanese in style. Uplifting and not overdone.

Pangpoe (Red Box): This is along the lines a of a fairly traditional “red stick” Tibetan incense. Lots of herbs and some woods totally blended into an overall combined scent profile. Classic but at the same time maybe not as much a standout like the three above. IMO, as always.

Loong Pö (White Box): This one seems to be designed as something to use for post work chill out. It has a mellower background scent then the Pangpoe with the addition of a perfume note added into it. Since my box is at least two years old and the note is still there (somewhat reduced) I am assuming there are some synthetic aspects to the scent. Essential oils or Absolutes, especially any floral’s do not tend to last that long unless tightly sealed, which these were not. However it is an interesting scent, like a light floral mixed with (maybe) aldehydes, pretty classic in style and not overwhelming at all. A nice mix and a pretty good stick that should appeal to many people.

-Ross

Mermade: Cyprian, Xochi, Luna, Naga’s Nest:

This is the first of about three different reviews I have put together, the other two will come out later this coming week.

Cyprian – Agar-Labdanum-Rose: This is an altogether wonderful blend that uses three of my favorite materials. As a mood setting or meditation blend it is perfect as it works for both moments of reflection as well as warmth. Best on an electric heater, it can last quite a while and has a long “hang time”.

Xochi – MesoAmerican Visionary Incense: Fresh, bright and alive is how I think of this one. The Copal’s and other resins mixed with the assortment of herbs and flowers is a great and lively scent on the heater that works really well at the end of the day. It does help one to relax and let go, which is not a bad thing at all. This has become one of my favorite scents and is quite different from what I normally go for. Nice for Spring and Summer times.

Luna – Lunar Resin with Jasmine: So, using real Jasmine in incense is really kind of an art form. It can be very difficult to get it to smell right, the blend of materials with it is all important as are the quality of the materials. This one has it all working together and is sublime. It is not overwhelming as many of the Indian or Japanese style Jasmine incenses can be, it just sort of takes a place in the room and lets life go on in a much more pleasant fashion. Highly recommended as a true floral incense. Best gently heated.

Naga’s Nest – A Himalayan Fantasy Incense: I really like the Rhododendron in this mix, it adds an honest water note that is very unusual and quite fascinating and rides over and through the different woods, herbs and frankincense notes. Something very different from Mermade that will appeal to a lot of people. On a hot day this might be just the thing to cool things down a bit.

Kyarazen’s Artisinal Incense: Song of Rain and Sea of Clouds

Sea of Clouds

The unlit sticks of Sea of Clouds smell dry, bitter and woody with a hint of borneol that adds its customary energetic uplift. I think I smell a sprinkle of dry white pepper and a hefty amount of sandalwood. The burning stick initially smells vanillic sweet. Then creamy sandalwood waltzes in, smooth and wavy and very light on its feet, smelling of mellow woods and coconut. It’s so strange that I can’t smell the camphor at all. I imagine it’s the invisible charioteer, content to drive the gently drifting and weightless wood skyward without contributing a scent of its own.

When I smell sweet agarwood incense I’m always charmed and feel as though I’ve rediscovered something very wonderful, however the bitter sticks are the ones I come back to again and again and again. Sea of Cloud’s bitterness is tempered by age-earned ease and gossamer grace, a welcome, unburdened bitterness that makes me feel determined and secure as I enjoy it’s meditative flight.

Sea of Clouds is an agarwood kiss, a breath of wood spirit, a floating puff of sylvan stillness. It takes me away, not on a wild adventure or a child’s fanciful daydream, but on an intent, silent pilgrimage made in earnest joy.

 

Song of Rain

As soon as I removed Song of Rain from its plastic sleeve I was really surprised! I wasn’t expecting to smell such strong, thick, sweet spiciness! The unlit sticks smell very ambery- lots of caramel (is that benzoin?) – accompanied by cumin, turmeric and cassia. A bittersweet chocolate makes me wonder if patchouli is the source of the herbal element. Before it’s lit, Song of Rain reminds me of a gourmand-smelling zukoh, but while it’s burning the sweet and spicy notes recede and woody and subtly animalic notes become much more prominent.

This is not the song of a suburban Spring shower. I smell the rainforest after a stampeding downpour, the sweet loaminess of sodden earth, the sour bitterness of fungus-laden bark and the damp thickness of heavy air. It’s easy to imagine green crested lizards scurrying beneath sinking rocks, birds of paradise seeking shelter under the spreading canopy and the drenched gray coats of squirrel monkeys glistening silver with sun-warmed droplets. While many amber incenses are way too sweet for my personal taste, Song of Rain balances sweet spiciness with herbal, earthy and plum skin agarwood notes. It’s a rain I’d happily sing in and a song I’d happily sing!

 

 

Kyarazen’s Artisinal Incense: Enko, Old Sage and Zen Moon

Kyarazen has spent the last two months creating a trio of luxury incenses. Each embodies a unique character and personality and creates a different mood and atmosphere. That an artist can compose olfactory poetry, using nature’s raw materials, is truly amazing and inspirational! Thank you, Kyarazen, for sharing your painstakingly crafted reflections. I feel very privileged to have had the opportunity to try them.

ENKO

Kyarazen’s Enko is a larger than life scent- one that unabashedly fills a room with its hypnotic presence. It immediately reminds me of the interior of a traditional Chinese medicine shop where the mysterious scents of roots, barks, herbs and fungus, seashells and mineral extracts, and animal and insect components, are compounded into remedies that have been used for over 2000 years.

Enko has a rustic vigor that settles on my shoulders and burrows into my clothes with confident persistence. It is primarily a bitter scent, whose liveliness and energy are enhanced by warm herbs (turmeric, spikenard), woods (sandalwood), spices (pepper?) and salty mineral notes (shells).

Rather than unfolding note by note, the elements fuse to create a very dynamic and dense scent. This combination of vibrant buoyancy and weighty substance is unexpected and intriguing. I find myself inhaling it’s unfamiliar, medicinal aroma more and more deeply, and feeling invigorated by its penetrating presence.

To me it is very much an earth toned scent- russets, ochers and ambers; the scent of rugged escarpments and expansive plains. Although it is a quintessentially Chinese scent, Copeland’s Fanfare For the Common Man celebrates the same strength and openness that Enko, more humbly but not any less passionately, encapsulates.

OLD SAGE

Old Sage is an exceptional sandalwood incense that continues to perfume the air with the sweet scent of Santalum album long after it has finished burning.

Held breaths of silence punctuate this milky, opalescent fragrance that wraps its user in a haze of tranquility and mellowness. The fragrance is so intoxicating that I long for its reappearance during those vacant, scentless intervals.

Old Sage is more restrained than Kogado’s Hoshinohayashi, and its creamy notes are tempered with a hint of dry bitterness and salty mineral odorants. Inhaling the smoke has a strong physical effect: lured into a complacent daze, I’m happy to drift away, my chin nodding to my chest, my shoulders limp, my mind a puddle of blurred and melting images. Perhaps this smooth, undulating incense has already become an addiction? If so, it is one I willingly and wholly embrace.

Mutton jade; an anniversary pearl; a carnelian snuff bottle with sloped shoulders. Massenet’s “Meditation” from Thais. Golden mercury.

ZEN MOON

Zen Moon is delicately transparent. It is luminous, ethereal and elegant yet it radiates dignity and calm. The scent drifts in and out of my consciousness, dry and aloofly bitter, a cool, crescent moon sickling crystal waters. Intermittent surges of resinous sweetness, wavy lines of lactones and wisps of earthy herbs add complexity, dimension and depth to the scent, but the composition is, above all, a reverent homage to the stately and austere woody scent of agarwood.

Unlike Enko, a sustained note that never vacillates, Zen Moon is a fugue, its shadows and overtones embellished adornments of Aquilaria’s meandering melody.

Silver solitudes, a wooden box embossed with almost forgotten memories, the permanence of impermanence, Bach’s Partita No. 2 in D minor.

Kyarazen wrote “What I had wanted to achieve with Zen Moon is to create a special space, a hollow, omnipresent clear quietness, and the incense presenting itself in that background, weaving through the air, allowing the perceiver to experience wafts of scent like the clouds that drift slowly past the full moon in stainless light.“

He has certainly succeeded.

For more information about these incenses please see:

http://www.kyarazen.com/making-incense-sticks/

Mermade Magickal Arts / Abramelin, Cyprian, Dark Forest, Dark Goddess

So just as I was wrapping up the previous Mermade review, another surprise batch of new creations showed up at the door. It’s funny but I’ve probably never mentioned what boxes from Katlyn look like, although customers are surely familiar, but even the presentation of the arrival has the same care everything else does. It should be noted of course that Katlyn’s talent at art matches the same talent involved in the incense creation, so part of the fun is seeing the labels and stationery that comes with each box. As someone who gravitates towards the motifs of western esoterica, I find the way each incense comes packaged to be a delight and in fact anyone who has been involved in the western mystery schools to some extent will be delighted at the symbolism just on the tiny jar of the first incense to be reviewed here and even the bag the jar sits in. There is an attention to detail that rewards the attentive.

For example, check out the amount of research and information provided by Mermade on their newly created version of the legendary Abramelin ceremonial incense blend. This is a historically documented incense associated with the occult work, “The Book of the Sacred Magic of Abramelin the Mage,” a guide written to teach a student how to converse with their holy guardian angel and largely associated with Aleister Crowley’s philosophy of Thelema. Of course much has been written elsewhere on this subject and so we’ll stick to the incense itself. Katlyn has chosen to create this incense with one part green frankincense, a half part mix of myrrh and storax and a quarter part aloeswood powder. While this seems like a simple recipe the quality of ingredients can have a massive effect on what the final product will smell like and this is I’m sure the first of its kind used with the powerful and lime-like green frankincense. I know this isn’t Katlyn’s first attempt at such an incense and different attempts and styles can make them all quite different from another. This work has a maturity that has allowed for quite a bit of subtlety most of which seems to float around the beautiful and heady myrrh and storax combination in the middle. The frankincense is definitely powerful in this but once heating gets underway all of the parts merge very nicely together with the aloeswood providing a subtle and more fleeting sort of presence. I also love the color of this incense, it tends to a lovely golden like shade which reflects rather perfectly with the intent behind the incense. One wonders if the original creators behind the incense ever envisioned or formulated the incense with such fine ingredients.

Also a simple, lovely and almost overwhelming incense is the labadanum, rose and agarwood combination found in Mermade’s new Cyprian. This mix strikes me as quite different than a lot of the other Mermade incenses. It’s as if the ingredients are all adding up for something very spicy, alluring and somewhat vigorous. The rose scent in particular is beautifully calibrated and reminiscent of some of the old rose and resin mixes, somewhat veiled by the incense’s spiciness, but still very authentic and gorgeous. The labdanum and agarwood are all finely balanced and the whole thing works perhaps because of its simplicity as a combination, allowing the nature of each ingredient to bring life to the blend. Strangely there is a beguiling earth or clay tone in the mix, as a result of the incense’s combination and the fresh incense itself almost seems to have a complex level of hoppiness to it. I was quite taken away with this blend and highly recommend it as a deep intersection of floral, resin and wood.

I reviewed Wild Woods in the previous Mermade installment and Dark Forest is another in Katlyn’s long and distinguished line of forest and woods incenses. This one is definitely a bit closer to center than the ambery Wild Woods and has a very pungent foresty green presence that is practically unadulterated with any note that might move this off center. I’ve admitted my almost unconditional love for this kind of scent before and this one is no different. It’s not complex in a wider sense, but there is a lot of activity within the greenness, made possible by juniper, black spruce, cypress, fir and cedar with strong backing from the black frankincense. There’s a slight note of patchouli on this that fills in around the edges, not to mention and even more fleeting glimpse of vetiver, both elements that just give different kinds of greens to the whole. As always, there’s a bit of sweetness to the evergreen and resin combo. As always, these incenses are bullseyes and tend to be as user friendly as anything on the market.

Dark Goddess is a new vintage of a previously named incense with some similarities, but overall I think this new blend is quite a bit different in scent. For one thing, the patchouli was a big note in the previous incense, here it’s much more subtle and blends with greater balance. As someone who doesn’t mind a healthy bit of good patchouli, and by that I don’t mean the cheap stuff that can overwhelm a drum circle, I love both the old and new Dark Goddess, but certainly like all of Mermade’s work, the most recent vintage is always the mature work. This mix, which includes ingredients that tend to the polar opposite of the blends based in green frankincense, such as black Ethiopian resin and black frankincense, is a very complex incense where the parts interlock like pieces of a puzzle making it just that more difficult to pick out the single elements. All of the resinous material gives the incense hints of molasses, caramel but also something a bit more dry with the herbs, especially the vetivert, giving it all an earthly feel.

As always, these are just a segment of the wonderful work going on at Mermade and it’s always a distinct pleasure to be able to share my impressions. One thing I often notice is later on I tend to pick up new things as I use the incenses, further giving testament to the depth of the art at play here. And so once again I highly recommend newcomers to Olfactory Rescue Service to visit the site, grab a heater and try out some of the luxuries in the Mermade catalog, as they’re all limited editions and vintages that eventually give way to new ones.

Mermade Magickal Arts / Naga’s Nest, Wild Wood, Scentuality, Kamiwaza, Ensense Antique

Receiving a new Mermade batch is one of my favorite parts of running Olfactory Rescue Service, in fact I can’t really think of too many other companies where I would be hard pressed to come up with a blend they created that I didn’t love. The whole spirit of the operation from the incense to the artwork to Katlyn Breene’s generosity and support makes reviewing the incenses a total joy and as the years go by, the sheer art and experimentation involved, now stretching into actual Japanese and Tibetan style incenses, never fails to elate. If you read this site and have not had the pleasure of checking the Mermade operation out, I’d consider it one of the first stops an incense lover should make. Everything created here is managed to the last detail and the ingredients used are top quality, only to be worked into something of even higher quality. Every chance I get to dish out the hyperbole I relish it greatly and with no reservation. And to see the line incorporate newer incense creators like Gregg King or our very own Ross Urrere only underlines the spirit behind the incense underground. Once I thought that high quality incense could only be found on the other side of the planet, now I know it’s made here too.

Mermade’s Naga’s Nest is a true original. One of the things you’ll notice about Tibetan incenses, particularly the ones sourced from Nepal or India, is that so many of the aromas you’ll find are embedded in very inexpensive woods, often the kind that smell like burning tires and make your eyes water. So imagine if you were to take a Tibetan rhododendron or lawudo incense, strip away all of the cheaper ingredients so that all is left is the aroma itself, and mix those ingredients with good resins and sandalwood adding just the right foresty touch so that the rhododendron ingredient isn’t suffocating anymore. What you have left is a gentle and unique scent floating like a mirage on the top of a good base. The scent is then recognizable from Tibetan incenses but allowed to flourish, and that it does in this blend, which lasted for hours when I put it on the heater. There really is no other incense like this in any market, in fact even the occasional powder incenses don’t sing like this one does. One only hopes Mermade will try their hand at some of the other Tibetan ingredients in a similar fashion.

Wild Wood, on the other hand, is another in the long lineage of Mermade’s forest blends. It’s probably no secret by now that I’m a huge fan of Katlyn’s work in this area, she knows how to craft them in a way where the aroma always tends to be perfectly green, just like you’d smell if you were walking in a forest. This art of using evergreen ingredients and using resins to intensify the scent always makes these a rare treat, and an incense style that might even crossover to friends that can’t abide by strong Indian incenses or heavy woods. Wild Wood is something of an evergreen mix with amber floating in the background, but like all of Mermade’s forest incenses, the green is still up to 11 on this one, with lots of fruity citrus from the combination of two frankincenses, the copal blanco and the pinon resin. The amber subscent acts to give what could be similar to a lot of resin blends a nice richness, and I’m assuming some of this comes from the two balsams in play. Naturally this also comes highly recommended and if you have never tried one of Mermade’s wild nature blends, there’s no better place to start.

The last three incenses here turn over to Japanese styles, with one slight exception. All three of these incenses start with a base of high quality sandalwood and agarwood, but the third element sends all of these to unique destinations. Readers may remember Gregg King’s fantastic Ali’s Roadside Lozenges. The newest variation of it is Ali’s Rare Incense Powder. I have not had the chance to try the latest blend on its own, but recognize its scent from the lozenges, it is an incense created from a staggering number of high quality materials.

Katlyn has managed to take some of this powder and create a meta-incense with it by combining it with the aforementioned base as Scentuality. This blend takes a while to get going on a heater, but when it does, it gets more impressive as it goes and lasts several hours. The mix of ingredients doesn’t tilt in any particular direction, which to my nose creates a kind of bewitching merging, particularly where the spicy and deep qualities of the agarwood intertwine with the complexity of the Ali’s. This creates a lot of rich and wonderful subscents that remind me of the kind of sweet, quasi-kyara candy scents you can find in some of the good Shoyeido wood and pressed incenses. The early scent is powdery and gentle before the agarwood really kicks in. Overall, it’s a fairly mellow incense, more akin to where a Baieido incense might sit and it’s a tribute to both Mermade and King that they’ve created a Japanese style incense of very high quality and complexity with all of the similar grace and subtlety you’d expect. It’s an excellent example of how incense circles and collaborations are improving the work year after year. And for just under $20 it’s quite price conscious and better than a lot of Japanese incenses in that range.

Kamiwaza is an incense in the same family as Scentuality, starting with the same or similar base but using clove, cinnamon, patchouli and borneol from Japanese sources as the “third element” in the incense. These ingredients have deeper aromatic qualities than you would normally find if you were to source them elsewhere and they merge with the base in a rich and spicy way that is a complete delight. The agarwood really pops in this blend, balancing all of the multiple sweetness and spiceness with a solid resin note. If you have ever tried any of Shoyeido’s speciality incenses whether wood chip mixes or pressed incenses you will recognize notes like a fresh roll of Sweet Tarts or a spice tea mix. But like with Scentuality this will likely be at a much more affordable price point and it all works without the use of perfumes and oils. One tip, however, the balance of the scents is probably best achieved by turning the heater a bit lower so the aromatics don’t volatize too quickly, particularly as the woods will go for quite a while.

Ensense Antique also uses a sandalwood/agarwood base, but the third ingredient here is an oud oil called “Encense Angkor.” As such, I would suggest, like with Kamiwaza, to apply gentle heat to this incense in order to not burn off much of the oud oil too fast. This oud oil is of the rich and spicy variety and it melds quite perfectly with the woods and it often seems like the scent dances somewhere in between them. It reminds me slightly of Ross Urrere’s sandalwood and ambergris or souked aloeswood in that the general aroma is woody dry, while having some very complex top notes resulting from the ingredients being very high quality. In particular the sandalwood comes through nicely on this one. All of these blends, as usual, come with the highest recommendation and it has been so much fun to see how Mermade is working in all sorts of incense world traditions, all of the blends created with such a deft and careful touch. And of course all of them are graced with Katyln’s terrific artwork, spirit and presentation, it never feels like any stone is unturned in reaching the final released work. And good news, there are even more blends in queue for review, including a carefully recreated Abramelin incense, an agar/rose/labdanum mix called Cyprian that absolutely wowed me last night, Mermade’s newest forest blend Dark Forest and a new “earthy blend” called Dark Goddess (I’m excited about this one in particular as the description references the old Mermade blend Hecate, an incense I still miss). Stay tuned!

Runcato / Copal, Palo Santo

Runcato is a small Peruvian company who provide ethnic/multicultural arts and crafts, essential oils and a couple of incenses from the Amazonian rainforest and the Andean highlands of Peru. The company radiates with the spirit of ecological sustainability and the holistic earth-based spirituality that gave birth to it. In the United States this tends to be represented under shamanism and sold by companies with such an affinity, in fact you can not only purchase these incenses through Runcato’s main site, but also through sellers in the Amazon marketplace.

The Copal and Palo Santo incenses come in two forms, sticks and cones, these reviews are for the stick versions that the company provided samples of. These could be considered premium incenses of a sort, they’re created with a clean and natural mix of ingredients, with very thick sticks that burn for quite a while. Runcato’s Copal is actually one of the few stick Copal incenses you will find on the market. Copal varies widely in scent and style, so it must be stated that the copal in this incense is from the Amazonian rain forest and will differ slightly in scent from copal found in different geographic regions. Those who have sampled Fred Soll’s Copal incenses will know that there can be problems with using this resin in stick form, as the sheer stickiness of the resin can cause it to stick fast to its packaging. Runcato have sidestepped this problem by grounding the resin in a wood base, a style similar to a particular Shroff line (such as their Patchouli) where the main ingredient is mixed with a wood scent similar to the aftermath in a wood shop. The balance between base and the resin is nicely achieved, although obviously this will not be the same thing as copal resin on charcoal. The mix of the two main scents creates a cooling scent that isn’t overtly complex, but the combination does have a slight creamy note, not to mention a strong forest scent with a clarity and power that would make this good for clearing space. If you love the resin, this incense is well worth checking out.

The Palo Santo incense is similarly constructed, however this time the main ingredient is a wood itself rather than a resin and as such the combination of the two pushes this over into a much drier space. The wood base seems to be very similar to the one grounding the copal incense, with a wood powder scent that reminds me of a woodshop after a saw has been active for a while. Given that the Palo Santo is so much closer to the scent of the base, the individuality of the wood’s scent is a little more buried, but having sampled Palo Santo in other incenses, the main scent, which is unique and spicy in a way that’s difficult to capture in words, can definitely be sensed with little difficulty, which tells me that the main ingredient hasn’t been overdiluted by the base. And really if you’ve never tried Palo Santo at all, it’s worth checking out as it has a character and uniqueness that can’t really be compared to anything else.

Given that so much world incense comes from very familiar corners of the world, it’s good to have a couple entries from South America that bring forth the aura and sense of place in a way that is so respectful of its indigenous cultures and I can imagine anyone trying both of these will find them to come with a strong sense of personality and clarity.

Shoyeido – Nijo, Shirakawa, Genroku, Muromachi, Tenpyo

Nijo on first impressions is a heavily perfumed sandalwood stick, on first light I get a strong floral top note of jasmine and wisteria, with a mid note of fruit (maybe apricot or green grapes?) and a slight hint of vanilla amber and talcum.

Shirakawa is a stick with a rich, full bodied scent of vanilla and amber, with a hint of floral and dry sandalwood in the background. There is also a tiny base note of talc hiding out in the burn.

Genroku is quite diffrent from the first two, in that it has no overt perfumes or oils that I can tell, and insteads seems to be composed of a blend of aloeswood, with a top note of cambodian or vietnamese aloeswood and a base note of sweet agarwood.

Muromachi seemed to have a sweet spiced scent to it, with a blend of agar and dry sandal at the base.

Tenpyo is straight vietnamese agarwood, with the rich resiny aroma associated with such.

Mermade Magickal Arts/Gaia Tree

When I first started getting into blended incense, I was fascinated with church and forest blends, in fact over the years I’ve gathered more of them than I know what to do with. Many who have spent some time in Catholic churches know the basic scent of frankincense and some of these blends could be quite fine, having that amazing citrus scent as a base. The forest blends often went deeper than this and I’ve run across several whose fruitiness tends towards the scent of green apple mixed with pine, spruce, fir and other evergreen scents. In fact while around here we talk a lot about the wonders of aloeswood and sandalwood, I’ve always really prized the much cheaper and easily accessible forest blends, they’re a great way to scent your space.

Katlyn Breen is turning out to be a master of the art of earthy, foresty scents, in fact I’d probably have to do a bit of research to create a list of all the wonderful blends that have come out of Mermade over the last decade in this vein. And these blends are in many ways much more carefully crafter and deep than the average forest resin blend and many of them go in all sorts of neat and interesting directions. Gaia Tree is one of her newest, listing black frankincense, storax benzoin, arbor vitae, green cedar tips, black spruce, green myrtle, fir, and benzoin and tolu balsam essential oils as ingredients. This is a very rich and powerful forest scent, starting with the citrus of the frankincense base, moving towards the evergreen and apple mix I mentioned earlier, adding a touch of spice that is reminiscent of Mermade’s amazing Mahjoun incense, an almost confectionary level of sweetness and a really strong touch of amber that comes from the essential oils, in fact it’s one of the most wonderful amber notes I’ve experienced in an incense. This is all well rounded with a distinct greenness that comes from the spruce and fir tips, highlighting the name of the incense itself. While so many forest blends tend to scent fairly clean, there is a rich, creaminess to this one that gives it a wonderfully decadent note.

As always if you haven’t made your way over to Mermade, it should be one of your top incense stops. The Golden Lotus incense heater is an absolute must for blended incense and Gaia Tree couldn’t work more beautifully on it.

Yamadamatsu Shihou Kyara

Where to start. A note on the name, Shihou in Japanese means ‘all directions’. I put some prep time in before I lit this coil to take notes on it, cleansing my olfactory senses with coffee beans and ensuring the room was free from other scents, etc etc.
This coil is all wood. It immediately hits you with concentrated, pure aloes wood scent, with a rich turpentine backed up by a light rosy cedar sweetness, mixed with a hint of ozone. This is by no means a 100-paces style incense, even though it comes in a coil. You will definitely want to sit down and listen to this one on a personal level.

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