Gokula Incense / Marigold & Juhi, Musk & Amber, Musk & Champa, Musk Heena, Musk & Patchouli, Pink Rose

Agarwood & Musk, Agar Sandal, Aloeswood & Jasmine, Amber & Frankincense, Celestial Fruits, Chocolate & Vanilla
Flora Fluxo, Floral Bouquet, Gold Sandal, Jasmine & Lotus, Jasmine & Nag Champa, Lotus & Kewra

This is the third of four in a series of Gokula Incense reviews, please see the first installment for an introduction to the company.

In the latest installment I wrote about three very good floral incenses, some of which used marigold and/or juhi in the aromas. However the Marigold & Juhi as an incense on its own is probably the first Gokula incense I’ve come across I found actively unpleasant. Floral charcoals often have pitfalls of having bitter, sour or other off notes and this one seems to have the middle quality. The lemon or citrus qualities (described on the site as citric floral) are a too loud and while the charcoal often isn’t too bad in Gokula incenses, it’s unwelcome in this sort of combination. Perhaps this is just my own feelings about citrus floral mixes and I admit I don’t usually like them so if you do you might like this one better.

Then we go from maybe the worst to probably the best incense in the catalog that I’ve tried, Musk & Amber. In the last year I’ve sampled a number of great Vedic Vaani musks and this one is akin to those that lean more in the animalic direction rather than the sweet. Amber always seems to pair really well with musk and there is a thickness to this scent that a lot of the catalog doesn’t have as much. There’s something about amber that brings out some balsamic qualities in the middle that really compliment the musk so it’s almost a perfect merger. The site also describes this as having frankincense, hina and sandalwood in the mix and while I wouldn’t expect any of these notes to be loud they certainly help with the complexity. I know this is one I would bulk up on with a repeat visit, it’s just extraordinary so I’d certainly recommend adding this to an order.

The Musk & Champa incense is a scent that I’ve gotten really familiar with through the Vedic Vaani catalog. VV have a gigantic host of sticks that are dark brown colored and usually have some level of halmaddi in the mix. They’re a faint cousin to some of the darker flora/fluxos but in something like 8 out of 10 cases the top note is something that doesn’t quite come together with the rest of the stick. This note often kind of reminds me of crayon or an oil used in a candle. For sure whatever the musk here is very different to that used in Musk & Amber and is much moved over to the sweet side but I’d guess that element is either synthetic or created from a combination of elements. This probably includes the agarwood and saffron given as side notes. Where the champa is soft and powdery in the florals I described last review, everything in this incense blots out those gentle elements. Don’t get me wrong, this is likely to be something ORS readers will like, but I will admit these sort of incenses are heavily fatiguing me. But I have tried a couple that got the balance right outside of Gokula, although I will have to discuss those another day.

One of my new favorite aromas of late is heena (also hina), the leaves from the tree that impart a lovely green note very different from western trees. Like amber, and sometimes included with amber, heena imparts a really different characteristic to incenses that tends to make the aroma a bit more complex, because being fairly unique it tends to broaden any profile its put in. While I’d love to see what Gokula imports could do for a Musk, Amber and Heena incense, the Musk Heena here is still a really lovely scent with the heena sorta of tempering the animalic qualities of the musk. It keeps a sort of bitter but somewhat evergreen meets herbal freshness to the scene that a lot of these other musk incenses don’t quite have as much. So this is a yummy goody as well, well worth checking out.

It’s strange that with some of the Gokula musk incenses being so powerful that the Musk & Patchouli would be such a mild incense and not really be strong in either ingredient. Perhaps some of this profile is because of the additionally listed ingredients of sandalwood, frankincense and neroli. It seems more like this was going for a champa-ish incense without really evoking musk or patchouli all that much. The incense is instead cooling, camphorous, powdery and has quite a bit of vanilla. So it’s a relatively mellow scent but seems to have a bit of resolution nonetheless. The incenses tilts largely over to a dusted charcoal but even some of these that are quite firm seem to have a bit of halmaddi in them. I wouldn’t really get this for the musk or patchouli, and nor would I recommend this as a starter incenses but there’s little wrong with it. It just doesn’t leap out and grab you and I would guess it doesn’t end up being particularly memorable.

Finally, we have the Pink Rose with a similarly colored masala. All roses these days are usually created from something else as it’s rarely been an affordable oil. This often results in incenses well off the aroma and some can be painful. Gokula have the right compromise which is basically something of a sweet floral hybrid, a very common take on a recipe (think Krishna Rose at Absolute Bliss for example). This is certainly a pleasant version of it and while it’s not really all that near rose, it’s likely to be well appreciated as long as you’re not overstocked in this area.

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Holy Smoke / Bloom, Cardamom, Dammar, Free Spirit, Nag Champa

Holy Smoke is the name of a domestic incense creator that can be found on both Etsy and its own website. The company states, “All our ingredients are natural and directly from nature. We try to source the best ingredients to produce the finest products. Our incense sticks are hand-rolled using honey, gum resin, botanicals and pure essential oils. Each stick will burn for an hour or more.” This in particular got my attention because even some of the best Indian incenses (and Holy Smoke sticks are Indian-style for sure) out there can be completely charcoal based which has never really been one of my favorite bases for a scent. And one must admit Holy Smoke present their incenses in a very attractive way at their sales sites. So I was very interested in checking out some of their scents.

First of all I was a bit disappointed in that the incenses I received did not have the bright colors that the presentations on line hinted at. This is of course not a deal breaker for a scent, but it IS part of what had me scrambling for a purchase. The incenses do vary a bit in color but one must come to the impression that the lighting may be bringing out what you see a bit more than the reality and in fact if you look at my own pictures in this review, the flash is definitely helping some on that account. In my experience a lot of Indian sticks that use colors may not impart any scent variations through the colors themselves but there is often something psychological about using them and I once raided the Vedic Vaani catalog trying to find the brightly colored ones and this often led to some of their better incenses. So be sure to temper one’s expectations from the pictures.

So that lovely purple color on the Bloom picture at the Holy Smoke website I don’t really see at all in the actual incense, it turned out to be much redder. This is described as a mix of rose, musk and patchouli, but what you immediately notice is just the overall blast of scent coming from the stick, it’s literally drenched in perfume oils. In fact I did not mind at all letting these sit for a while hoping to temper the power of them a little and even in doing so they still strike me as strong and powerful, perhaps even too much. So it’s probably worth setting one’s expectations that a stick like this at an hour burn and this powerful is likely something you don’t want as close to your space. The other issue, which not all of the sticks have, is that the combination of the oils being used often reminds me of air freshener type scents rather than any of the specific ingredients. As we know getting a legitimate rose oil from an essential is virtually impossible at this price range, but the overall floral scent does seem to be largely drowning out whatever is being used as the musk and patchouli. You can certainly sense both in the mix at some level but the combination still adds up in a way that reminds me if your levels on your CD are too high.

The Cardamom is very different to the Bloom. It was actually nice to see this rarely represented spice in an incense and the overall levels turned down a bit. Cardamom is a fairly unique spice but tends to appear as drier in incense which matches a bit better with the honey and resin base. But it does appear that there is more in play than the just the spice (as well as the question of how much of the spice is the actual spice and how much is in the oil). I wondered a bit about some of the natural resin in the midst of it coming through as it seemed somewhat basic quality, perhaps a touch gravelly, but it wasn’t ultimately problematic with the top note. There is some level of a floral feel to this as well as if the base or additional ingredients contribute quite a bit to the overall aroma. It’s an interesting and fairly unique aroma overall, very different to the others I sampled from the catalog. But once again, the sheer strength of the overall stick feels like it gets a bit overwhelming during the burn, something that might be mitigated by burning half sticks.

Part of the issue with incenses whose essential oil mixes are this loud is they tend to resemble household products and that’s the main issue with Dammar, an incense with a resin whose lemon-like tendencies push the overall aroma into furniture polish territory. The thing is, where in the Cardamom I could detect some level of actual resin burning here, the lemon characteristics supposedly coming from this resin all seem to be on the oil level. The issue is that it feels a bit chemical on some level in the sense where fruitiness in an air freshener or cleaning product ends up being too cloying. This also runs into having a bit of a bitter edge to it. Unfortunately, it has probably been a while since I tried the actual resin to see how close it is but it seems like here there’s much more going on than just the resin. I don’t mean to doubt the creators claim that these are all natural but sometimes the mixes can still perhaps not work quite as well.

Free Spirit is a blend of Nag Champa, Lotus, Jasmine and Ylang Ylang. One thing that originally struck me about this mix and the plain Nag Champa (below) is that it seems like the company may use a Satya-sourced Nag Champa oil or something very similar as it has an extremely familiar scent to it. The difference in base, then, is made more obvious by contrasting it with this oil which does make you notice the honey and resins a bit more. This is a bit of a drier mix but it still feels a bit crowded with florals and one starts to come to the conclusion that not unlike Madhavadas sourced incenses, the base of these tends to be aromatic enough to be part of every aroma in a way that makes them all somewhat similar. There’s a fruity sort of scent that seems common to all of these incenses that tends to mute all of the specific named notes. And so the mix ends up being quite a bit different from any one scent and in a largely generic sort of way.

Nag Champa on its own is a lot more familiar, and maybe here you can mostly sense what this base is all about as it’s easier to mentally isolate that one note. What it probably does the most is show what this sort of oil smells like outside of the usual halmaddi and sandalwood mix, that is, it’s quite a bit different without those notes and with what is the unique Holy Smoke honey and resin mix. But like the Cardamom, not having the extra oils is a bit more pleasant to my nose. But overall this doesn’t really smell all that much like a traditional Nag Champa so much as the use of that scent in this format.

Overall, with all of these incenses getting some idea of whether you like their base is going to be key where you fall with any of their aromas. But even if you like the base, the predominance of certain oil mixes is very likely to overwhelm if you are not careful. So I might recommend checking one of their samplers first, if available.

Mermade Magickal Arts / Kyphis, Incense Cakes; Espirit de la Nature / Giroflee Ordorante

It seems like with the new kyphi mechanism in play that there’s been a substantial creative outburst at Mermade in the winter months. Combine that with ORS being in something of a downtime, it can be really hard to keep up and deeply go into some of these new and wonderful scents that Katlyn has been whipping up in winter months, so I thought I’d do my best to try and do some sort of overview to catch up on some things. As I’ve mentioned before, the catalog window for a lot of Mermade goodies is short and often ORS reviews can shorten them a bit more, and even when I start a review page in draft, I have to keep tabs on what is still live or not by the time I’m ready to publish something. And this too, of course, goes for the Espirit de la Nature incenses that show up. It’s often like watching a car zip by.

So let’s start with the Mermade kyphis. I covered Kyphi #2, Goddess Temple, here. I believe the #3 was the green Emerald Temple variant and the #4 was the Amber Kyphi (pictured left), all of which are now gone, at least for the present. If you read the #2 review then you will realize these are largely intriguing variants of the same sort of kyphi base with a new front. All of them are wonderfully etched in detail and I’m just generally of the opinion that if you see a Mermade kyphi go up for a sale then it’s a good idea to start planning an order. The amber variant did not last long at all and it is a really wonderful incense, with the back half connected through this kyphi lineage and the front a wonderfully perfect amber scent, distinct and almost definitive. And I think the #5 variant here (coming soon, will link when live) will be Goddess Temple with Oud (pictured right). I just have a few early samples of this one from Katlyn’s last package but I might have to separate this one from the “usually special and magnificent” to the “particularly special and magnificent” category. I love the way the oud in this one sort of tinges and modifies the kyphi lineage of all these previous incenses. It does so in a way that might create the most significant change of this line of incense. It feels less like it has a new top note and more like the oud has just deeply infused itself into all aspects of the scent. When you think of kyphi as this sort of aged melange of ingredients that all add up to something like an aromatic vintage, the #5 seems to be a really cool leap sideways that might make you feel like you’re trying kyphi all over again.

Another project Katlyn is working on is “incense cakes.” There are three different ones that are all very recent, Cakes for the Queen of Heaven, Rose of Isis and Dionysos. These are all essentially a mix of resins, woods, herbs and spices that are all formulated into small little discs with a stamp applied and mostly mixed in with another natural ingredient. The first blend is subtitled a Mesopotamian incense and includes cedar wood and essential oil; Suhul and Yemeni myrrh; Iranian galbanum; styrax – liquidambar; labdanum resin and absolute; black frankincense; and juniper herb and berries. Not sure if my botany is up to this guess and it’s not in the ingredients, but the cakes look mixed in with eucalyptus leaves or something visually similar. You can actually really suss out the specific ingredients in this mix and one thing I like about it is that a lot of these are not as common in available incenses so you really feel like the styrax and labdanum are quite forward here and the evergreens give it all a more herbal quality than a green one. It all adds up to a nicely mysterious mix that reveals a cool creative take on a regional scent.

Rose of Isis is a bit more straight forward a blend, with the rose and sandalwood mix out in front. The rose comes from three different absolutes, and the sandalwood is the quality Mysore, but in addition there’s Sahul myrrh, Saigon cinnamon, Hougary frankincense, and benzoin; the mix dusted with agarwood powder. I’ve long understood Katlyn to have a really deep connection with Isis energy and have experienced a number of her crafts in this vein both on and off the market to know she is a vessel for it. The rose here is lovely and powerful, redolent even in the fresh tin, in the way that a friendly rose absolute can lead to it being a bit like valentine’s day candy. But there’s not just that element, but a really genuine scent of the actual rose flower that is paired with that. As the heat continues the rose note will tend to fade into the background more, with the myrrh and cinnamon comng in louder towards the late heat. The sandalwood seems a bit milder than you might expect, mostly due to the powerful rose front, but it tends to tie everything together in the background.

Dionysos is something of an incense cake version of one of Katlyn’s older incenses with the same name. In fact this review is still probably fairly spot on in many ways and here you can get this almost vintage spirits sort of vibe just over the fresh cakes in the tin. Part of this I believe is the black currant bud absolute. As a kid who grew up in England in the 70s, black currant was almost ubiquitous in sweets and I loved it. Here it’s modified by some of the other ingredients into kyphi-like age, like a fine intoxicating spirit. There’s classic incense resins (undoubtedly part of what carries the currant), agarwood, juniper berries, sweet tobacco absolute, cassis (also black currant), galbanum and a pinch or two of sativa. I sort of roughly classify this kind of incense into Katlyn’s later summer blends, there’s this sort of feeling of heat and harvest at work, ripe berries, hay and herb. One you definitely would want to pull out at a party, an event much richer with the god of wine in attendance.

There were also a couple new Encense du Monde incenses in the Mermade catalog of late but one blew out incredibly fast and the other might be gone by the time I get this incense live (3 left! Going, going..). This last one left (well they both were!), Giroflee Ordorante, is naturally up to Bonnie’s incredible talent, an incense that boasts a very involved ingredients list: “Matthiola longipeta ssp bicornis enfleuraged [night-scented stock] while still on the stem into benzoin, palo santo and tolu balsam resins, propolis, rose extract, palo santo wood, sandalwood, rosewood, cloves, cinnamon, vanilla, patchouli. Bound with reduced organic honey. Powdered with monarde fistulosa- rose variety.” What I immediately notice with this Nerikoh style blend is the mintiness and balsamic qualities combined, but it’s sort of the layer a lot of complexity sits on, a complexity I am not sure I’d even have the time to get into before this very original blend disappears. I’m not even familiar with what appears to be the main note, the night-scented stock, so I can’t place it in the aroma exactly. So in many ways Giroflee Ordorante is certainly unlike any nerikoh style incense I’ve tried in a Japanese catalog, but it stretches the form in quite the innovative way. These little pellets pack both a massive and quiet aromatic punch with that almost trademark creative touch Bonnie has that feels like fractals disappearing into infinity.

And I’d be amiss to not mention that the latest batch of WildWood is in stock, and while I haven’t tried this latest one yet, it’s certainly in a lineage where I have loved every single one and it is something you’d have to consider a Mermade evergreen classic.

Yamadamatsu / Gancho Koh

I think of Yamadamatsu’s Gancho Koh as something of a lateral step from their main “color box” line incense Kumoyi or maybe even the Shoyo coil. Although we’re given a fairly sizable ingredients list on this one with aloeswood, clove, patchouli, and cinnamon, this incense seems to pack a seriously syrupy wallop with a great deal of musk, caramel, chocolate, sandalwood and some level of decadent perfume that is not only rich but unusually spicy as well (ambergris? operculum?). In fact this incense could probably fit into the main Yamadamatsu line if it wasn’t for the box and label being slightly different in style. I’m not sure if this means this is a relatively new Yamadamatsu incense, but one thing I would note right away is that this has something like about half the sticks that most of the color boxes have, in fact the inner cardboard box is a bit nested in the same way Ouju is to account for the smaller roll. So even at a $34 price this is a more deluxe incense per stick than Kumoyi is, although this still strikes me as a terrific buy at its price range just because it is so thick and exotic. In fact one of its real features is that mix of all this decadent candy sweetness with that almost peppery (cayenne or otherwise), turmeric-like spice in the mix, in fact I’d guess the patchouli leaf plays a part here as well. It’s yet another fine example of Yamadamatsu’s commitment to quality and their independent stamp of creativity.

Incense Works / Rare Essence Incense Collection / Frankincense Deluxe, Lavender Fields, Moon Goddess, Patchouli Supreme, Rose Absolute, White Lotus

Incense Works is an incense company in Salt Lake City that has a banner “celebrating 50 years in the world of fragrance,” but strangely if you look at any of the individual incenses sold on the site there doesn’t appear to be a shopping cart system anymore, nor any indication of whether it still survives. Rare Essence is also sold via Sensia and Incense Warehouse (I’m including Sensia links, but if any are unavailable I’d check Incense Warehouse or even start there if you’re inclined, both have always been reliable), so perhaps Incense Works has gone purely distributor. Way back in 2008, I reviewed four of Incense Works’ own Rare Essence Incense Collection here. Before I reopened ORS earlier this year, I made a couple orders to grab some Indian sticks and managed to get most of these again, including some of the ones I previously reviewed and I honestly notice no substantial differences from what I remember last, except for one in this bunch. Even when I first started with the Incense Works incenses I felt that they had some reminiscence to incenses I liked in other lines, although even by 2008 any semblance to the old school composition was gone and what you end up here is something like a Bangalore masala lineage a la Satya but maybe slightly higher quality. This has always made me feel there is a Satya factory or something similar that contracts with US companies to create incenses that are a little higher quality than they offer in the usual boxes. When I wasn’t sure what was left on the market, these still felt like old standbys, maybe not the best Indian incense you can buy but certainly not unpleasant (I actually might start with the incenses in the first review over these). I only include a picture of the boxes because quite frankly if you’ve seen one Bangalore provenance masala you’ve practically seen them all except for some thickness or shading changes.

As an example of an incense that reminds me of the old days, Frankincense Deluxe is really the only remaining incense I know of on the market that resembles a stick that used to be called something like Frankincense Champa or Golden Frankincense back in the earlier Mystic Temple and Incense from India lines. Those had a sort of crystalline, resinous but somewhat peppery top aroma on the old halmaddi base and of course this is just a more modern shifted version of that stick, because it feels from touch that it’s still a heavily dusted charcoal or masala hybrid. As always the bases these days aren’t quite like they used to be, but this is aromatically way different from frankincense sticks in any other line. There’s about the same amount of real frankincense as any of these others, and while it may not be as true to the resin as Happy Hari’s King of Frankincense, I like it more because it’s also trying to be a bit of what passes for a champa these days and it doesn’t have the King’s more bitter tendencies. This aroma used to be a great incense and isn’t maybe quite that good anymore, but I still find the general aroma to be enough to my liking for this kind of style. And there’s enough for me to enjoy the nostalgia of it too.

Having the superb Temple of Incense Lavender Supreme on my mind lately, it’s going to be fairly unlikely to find one that beats it for a great lavender scent. I’m not sure if Rare Essence Lavender Fields is going for the same profile, because again it feels like its really going for a more lavender-fronted, champa-like scent. In comparison to the Lavender Supreme this doesn’t seem like it has as authentic a lavender scent, although saying that it’s possible this box is old enough to have lost some of the oil on top. Overall it feels less lavender themed and more of a muddier floral blend that is fairly typical of modern Bangalore-provenance champa-cum-charcoals, at least on top. In the middle there seems to still be a lot of spicier qualities you don’t often find matched with lavender that makes it slightly more intriguing. At least in terms of its lack of definition it’s not super unpleasant (it has a slight off note on it that’s mostly buried) and has a bit of tanginess I like, it’s just not really doing what it says on the box too much. It’s one of those sticks that makes me wonder if it would be more balanced in a halmaddi base.

Moon Goddess appears to be the only incense in the line that doesn’t really list a note of any kind. Given the sort of haziness of blends at this price point it’s actually fairly difficult to describe because like the Lavender Supreme this is sort of a mix of floral oils and spicy qualities. It feels a bit softer to the touch and more masala-like, and has some powdery and perhaps jasmine-like qualities to it. There’s the usual underlying woodiness to it as well, the usual bit of sandalwood sticks like this come with and overall it’s actually quite pleasant and you do feel on some level there’s an attempt to give this a bit of a nighttime feel to it. However, it has virtually no resolution when it comes to ingredients and I’d guess there is some use of synthetics in the perfumes. Overall this is one of those “decent enough” sticks in that the positives and negatives sort of balance themselves out.

I’m not sure if I’m misremembering this, but I seem to remember that the Patchouli Supreme used to be fairly old school and resembled sticks that were called Patchouli Champas except it wasn’t as sweet as this current stick. Once again I am wondering if there’s some old stock where the note has faded off the stick as this barely smells at all like patchouli to me, although it may be there in the background a bit (it’s more noticeable if you walk out and back in the room). It’s a reminder that expectations can often be the guiding hand at evaluation because if this was named something else I might think differently about it, but as a patchouli it’s just working in a completely opposite and muddier direction. There’s something a bit cloyingly sweet about the overall aroma that I’m not even sure would work on its own if it had a different name. Only a bit mind you as this isn’t entirely unpleasant, but again, it’s a good example of an incense that maybe doesn’t know what it wants to be.

It’s something of a truism that a $4 box of a rose incense is either going to attempt to imitate a rose and fail miserably or blend some minor rose note into a floral backdrop and if lucky come up with a pleasant incense. Rose Absolute probably leans a bit more to this latter option and relies on the base with its sweetness and bit of spice to come up with something approaching a fruitier rose. If you’re willing to spend a few dollars more and go for a Temple of Incense of Absolute Bliss/Happy Hari incense I’d just say stop reading and do that. But for a $4 box this isn’t a bad incense, but even for that there are still some edges that feel cloying or overly perfumed, just not overwhelmingly so.

Finally there’s the White Lotus which has a lot of the same issues the Rose Absolute does in terms of having very little in the way of an identifiable floral note. Like if you were to compare it to the AB White Lotus Oudh Saffron you just wouldn’t notice it had anything in common. Again, you do wonder if maybe the incense is just old and has lost its oils, but even so you’d still notice some stamp here. Instead what’s most notable is the masala base with the vanilla and sandalwood feautured most prominently. Now this doesn’t have any of the overly perfumed issues that the Rose Absolute does but where I can’t really notice a lot in the way that’s unattractive, I can’t think of much to say to promote it. In this sense it’s not unlike a lot of Satya incenses except without the fairly common off notes.

Anyway it’s hard to tell if this is just a line at the end of its stretch, given that you can still find these fairly easily still. But it feels like they largely rise or fall on the strengths of their top perfume and many of these feel a bit faint.

Prabhuji’s Gifts / Chakra Series / Muladhara, Svadhisthana, Manipura, Anahata, Vishuddha, Ajna, Sahasrara

The Western tendency to create correspondences with Eastern spiritual systems seems largely a side effect of systems like the Golden Dawn where everything from colors to astrology signs to elements to Hebrew letters to tarot cards were lined up with one another to link things up and create one sort of universal spiritual system. This has long permeated new age culture and you can see it here in this seven incense chakra line where all the packages have different colors and so forth and the scents have been created to match up with each chakra, as if working with chakras was a simple as burning incenses and holding the right crystal. But hey, marketing right? (There’s a new Facebook ad equating using their groups as a method for transcendence that is currently annoying me, but I digress.) For sure the packages are quite nice on these, and if we can reference the many gems of the Ramakrishnanda incense line (scroll a bit down after this review), then I was hoping there would be treasures to be found in these as well, as Prabhuji’s Gifts has created a lot of memorable and inexpensive incenses that have become favorites of mine. They have such a wide variety of scents and lines now that there should nearly be something for everyone. So anyway let’s start from the root chakra and bring the energy up, or at least see if these smell good.

The Muladhara Chakra incense lists sandalwood, khus, patchouli and clove. This looks to be of Bangalore pedigree with a heavily dusted, somewhat hybridized masala with charcoal, very similar to what you’ll find with Satya incenses. However, like most of the Prabhuji Gifts line the perfumes tend to be better. I think the idea here is that earthier herbs like patchouli and khus are meant to be grounding, but the mix of all four of these ingredients really tends to blend those types of earthier elements out. You end up with a sort of budget quality woodiness from the sandalwood with a bit of a cooling vibe, not at all what I’d expect from the “cover.” As the incense burns you realize it’s going for a sort of mild stabilizing effect and that you do get the clove and patchouli as milder notes in the background and so overall this is pleasant if not quite exciting. But that may very well be the point.

Svadhisthana Chakra is all about the sacral (aka tummy) chakra. It has a similar style to the Muladhara, but is perhaps a bit softer. The list here is vanilla, rose and vetiver. I’m always a bit skeptical of incenses with rose notes at this sort of inexpensive price range and the one here seems a bit odd in the mix. The company also tags this chakra with the water element where something like jasmine seems a better fit and it’s kind of odd to see something like vetivert here as well. So it’s a bit of an odd duck. Like most of these incenses there’s also an inherent woodiness to it that isn’t listed and you can certainly smell the vanilla, although it leans a bit to the less sweet. I can’t really identify anything too unpleasant or odd about the notes, but the mix of them doesn’t sit particularly comfortably for me. It ends up being close to a lot of incenses you find at this range where the perfumes didn’t quite make it.

So, up to the solar plexus level with the Manipura Chakra, this time with a more simple blend of lavender and sandalwood. The consistency here brings it back more in line with the Muladhara. The simplicity makes this a much more satisfying incense. It’s interesting after sampling the lavenders in the Happy Hari/Temple of Incense axis to sample this as the sandalwood presence gives this a much different feel that those, perhaps less obviously lavender but still soft and pleasant enough to not be offputting like in the Lavender Fields variant. It’s more that it just sort of moves the sandalwood over into a more pleasantly general floral range. So it ends up being probably the best incense in this line. But again I find this interesting on a correspondence level because lavender more often tends to be thought of as air element here and because of that it doesn’t feel like it matches with the fire correspondence listed in the back. For fire you’d likely want something spicier like cinnamon in the mix.

Anahata Chakra at least keeps the rose (and maybe geranium) associations of the heart chakra in place, although it does so with patchouli as the first note listed. It reminds me a little of the Temple of Incense Om Masala, although perhaps not quite as deluxe. For listing a couple of big floral notes, it feels like they’re dialed back in comparison to the earthy and spicy notes and there’s some level of halmaddi to it as well. But the price difference between this and the Om Masala is probably a bit telling in that this has less definition, especially in the perfume area, it is pleasant but in a somewhat muddier way. It’s the kind of incense that would have had a bit more presence in the “halmaddi era” but without the full recipe, it leaves it feeling pleasant but a bit generic.

The “oriental woods and amber” of Vishuddha Chakra create an incense not terribly different from the other sandalwood prominent incenses in this series. It’s quite dry with very little in the way of sweetness and doesn’t have as strong of an amber note as you’d like. Without any real definition of what woods are included, it actually matches the profile fairly well and doesn’t seem as sandalwood-heavy as the others, but this pushes it into a somewhat generic and somewhat personality-less area. I like that it’s a bit different and the cooling feel of it does seem to fit the color scheme here but again, this falls a bit more into the way Satya incenses can be kind of hazy in terms of what scent they’re trying to reach. It’s perhaps that feeling that this is reaching for levels of expense it couldn’t possibly reach at its price.

It’s hard to get enthusiastic about the jasmine and tulasi that matches up with the Ajna Chakra. Ideally when you’re moving up into rarified spheres you’d like the quality to bump up quite a bit, but after the Absolute Bliss/Temple of Incense Vintage Jasmine/Jasmine Blossom, this one falls quite flat. Whatever is going into this mix frankly isn’t cutting it and the perfume is off in a way that’s distinctly unpleasant. It could be that this is old stock and it has faded some but I’m not sure I’d risk another go with what’s left. This stick is more like something you’d expect out of Satya, either factory. And honestly I’ve tried one of Satya’s jasmines (I think it was the Bangalore “Jasmine”) that’s actually more defined than this one, so maybe part of the issue is the Tulasi? Hard to tell for sure, but simply nope.

And finally we get to the crown chakra with the Sahasrara Chakra and the lotus blossom that often signifies the mandala here. But just like with the previous incense, I’ve had Queen of Lotus/Lotus Flower, Floating Lotus Flower/Shiv and of course the devastating White Lotus Oudh Saffron out frequently of late, so I perhaps was not in the economy section when I sat down to review this. Fortunately it’s a bit nicer on its own than the Ajna, and there’s at least some level of attempt to get the floral notes right, but it’s not the same class, not by a long shot. It does have a bit of sweetness as a masala hybrid that helps it a bit, but it also verges a bit sour sometimes. Overall it’s really worth paying a few more bucks for something closer to the real deal, this is something I’d say is nearly always true when it comes to florals.

Now keep in mind as I close this that there are a few incenses in the Ramakrishnanda line I still like a lot, although one of their finest seemed to have been discontinued for a different recipe. But these days I’m fairly sensitive when I pick up a new line that doesn’t seem to be quite as up to the standard I remembered in terms of wondering if the original catalog might have shifted as well. While I might have put the Ramakrishnanda line ahead of say the Designs By Deekay line by a hair with some overlap, I’d put most of the chakra line a bit lower and maybe a step ahead of the Satays in most cases. We’re talking about the same sort of masala-charcoal hybrid style in the Satya family here, but for sure I’d stick to the Ramakrishnandas first. However, it’s worth checking out some of the enthusiastic reviews of these incenses at the specific incense’s web page, to get some different perspectives. After all at $3.38 a package there’s not a lot of risk here.

Shoyeido / Overtones / Frankincense, Patchouli, Palo Santo

Many years ago I did reviews of quite a few of the more affordable and baseline Shoyeido incenses. When I first started with most of the dailies, I liked quite a few of them, but found by the time I got to the end of the box I was fatiguing on every single one, top to bottom. Part of the reason for this is that most of Shoyeido’s more inexpensive incenses are sweetened up considerably. Whatever delicate notes any Daily (or Zen or Kyoto Moon etc.) have, they are nearly guaranteed to also have this sugary or candy like addition. Benzoin is usually ascribed to this sweetness and it shows up as a substantial ingredient in many of these incenses, including the first two of the three in question here. I’ll leave it up to the reader if they find it cloying, but I wanted to mention it here as well since it seems to be an element of the entire Overtones series as well. Strangely I don’t find a lot of benzoin resin particularly sweet (or at least as sweet as budget line Shoyeidos) so I wonder if its an absolute or essential distillation that intensifies it.

Anyway, in this case I started with an Overtones one stick sampler and then bought boxes of the three I liked the most. Right now these feel a bit of a break when I burn one, but I can easily see the fatigue coming because they’re all very sweet. But, unlike the line’s more thematic and traditional recipes, the Overtones series does appear to be going for single notes. For the most part they do get something fairly reasonable especially while retailing for just under $5 a box/roll.

Frankincense, then, is much sweeter than equivalent sticks at Minorien or Tennendo and a lot less truly frankincense as well. If you’ve ever tried an Incense Road Frankincense or maybe even a Xiang Do variant, you’re more likely to be familiar with the Shoyeido Frankincense profile, it’s a bit less like the resin and more like a sort of candied variant of it with a bit of cinnamon toast spice (both sandalwood and benzoin are also listed in the ingredients). Most users of the resin use it for its citrusy qualities, but you’re not really likely to find those here, it’s actually a bit more like a tea in some ways. It is very sweet and somewhat ambery as a result and is likely to be initially friendly to most users. I find it pretty pleasant as long as I don’t overdo it, but it’s like I said earlier, I worry a bit about how I’m going to feel by the end of the box. But so far so good, and it is fairly inexpensive enough to make it a low risk try. However if you have the budget to justify it I’d definitely go for an Incense Road first.

Palo Santo seems to be all the rage in incense these days, something I’m not sure you’d find if you go back ten years or so, but the wood seems to have made its way so far into incense scent profiles that you even see this South American wood in Japanese and Indian sticks now. It’s a fairly low cost wood overall, so you can rest assured almost anything is going to have some level of real note to it, but once again the Overtones line assures that even a sort of dry, resinous wood is going to be sweetened up a bit. Cinnamon and benzoin are also listed and it seems both are used to compliment or even out the wild notes of the palo santo to some level, but fortunately neither overshadow them and what is left probably entirely relies on whether you like palo santo and don’t mind the sweetness. The only thing really missing are some of the top notes of the more premium graded wood. Like with the Frankincense I’m still in my enjoyment phase, and feel that judicious use might not eventually overwhelm me. But I also like some of the cinnamon highlights in this, more actually than the Cinnamon Overtones stick itself.

It may not suprise you that the Overtones Patchouli is also sweet. However the thing I like about this stick is it doesn’t lose too much presence of the real herb. It might be that in saturating myself in Temple of Incense Patchouli Woods and the Absolute Bliss equivalent Patchouli Khus had tilted me way over to the experience of a less sweet earthy patchouli and so coming back to something sweeter may be not noticing or caring if its too sweet. But it also allowed me to recognize the real thing in this scent too, after all patchouli isn’t terribly expensive. So yes, as a designer, affordable patchouli, the Overtones is pretty decent. But like with the Frankincense, whatever sandalwood that’s in the incense is fairly well subsumed under the general aroma.

Overtones also include Sandalwood, Cinnamon, Vanilla and Tea Leaves. None of these really worked out for me in the end, but I didn’t out and out dislike them. It was more that as incense notes you’re not as likely to recognize the main ingredient as much, they felt a bit more like variations of the aroma. For example, you’re just not going to get a reasonable good sandalwood aroma out of a $5 box, it’s just going to be generically sandalwood-ish. You’re better off trying a Yamadamatsu low end for a few dollars more. The cinnamon felt like an affectation, the vanilla a bit too sweet and where I often like tea incenses this one just wasn’t for me. But hey there’s always a 7 stick sample, although one might need to directly request it from Shoyeido with an order.

Temple of Incense / Patchouli Woods, Pineapple, Rose Absolute, Saffron

Temple of Incense Part 11
Temple of Incense Part 13
The entire Temple of Incense review series can be found at the Incense Reviews Index

So we’re coming down to the final few Temple of Incense reviews. Our second to last installment is a mixed back of floral, wood, fruit and herbs.

Jumping right in with Patchouli Woods, this stick is very similar in look and smell to Green Patchouli (aka Patchouli Khus) that Absolute Bliss sells. This is a handmade charcoal blank that appears to have been dipped in scented product due to how the bamboo sticks appear to have been treated as well. While I’ve talked about not liking dipped styles of incense, this one is another case where the quality of the product stands out. The scent is a very soft, herbal patchouli that feels like it’s muted with a bit of something else like saffron. Due to there being this secondary note in here, it gives plenty of interplay. If they had just stuck with patchouli this might have turned into a cloying drone of a scent.

The other thing that makes this interesting is that most of the time Indian style patchouli comes with a lot of sweet and vanilla and similar, this does none of that, which makes it almost seem like this is a more serious and down-to-earth type of stick than the typical patchouli. If you collect patchouli, this is definitely one to add because it’s a more mild and muted interpretation and not so sharp and ostentatious as other patchouli agarbatti.

Pineapple! This is a very sweet stick, opening the box and pulling one of these handmade agarbattis out, I am met with a very sweet pineapple smell, though it has a scent that I would normally associate with pineapple candy. The sticks are finished with a soft tan powder and have a natural bamboo core. When you light them up, the candy pineapple turns into multiple different pineapple scents, but none of them smell exactly like fresh cut pineapple, but you DO get pineapple flower, pineapple plant, pineapple candy and something that reminds me a bit of the guava stick, perhaps a sweetener?

As Pineapple continues to burn, I realize that I am no longer smelling pineapple at all, that the guava smell has taken over and I think that this overlaps in scent with guava. I ran off and lit a Guava Guava stick and there is definitely a big difference as Guava Guava has more of the guava smell in it than Pineapple, but Pineapple ends up being less pineapple to me, only because after the initial hits, it fades into the background and takes a back seat to this more sweet ‘candy’ scent that I noted the unlit stick smells like.

Rose Absolute is another rose entry from Temple of Incense, and this one doesn’t seem to have an analogous stick in Absolute Bliss/Happy Hari as I compared this to Queen of Roses and Krishna Rose to make sure. This is a pink bamboo stick with handmade charcoal masala with a brown finishing powder. The smell of rose is heavy in the packaging. After lighting, the scent is pleasant but not the kind of rose I would expect. It smells like marzipan to which rose water has been added. It has a sweet kind of ‘bread made with rose’ as the rose here is not exactly a fresh rose but also not a candied rose and not the hand lotion rose either. This is exciting primarily because it kind of smells like a fancy cookie to have with some high tea.

When I focus just on the rose to try to say what it is, it does have a little edge of cosmetic-type of smell to it, like rose scented rouge. If I had to ‘rank the roses’ that Absolute Bliss and Temple of Incense do, I would rank it: Queen of Roses, Rose Absolute, Krishna Rose, Indian Rose.

Saffron is difficult to place. I can’t tell if it is a extruded dough agarbatti heavy with charcoal or if it is a charcoal blank dipped in solution. Either way, the bamboo core has a color similar to the stick which tells me it got soaked in the same solution. I’m guessing that they used either saffron oil or a saffron absolute to make this stick because it has a depth many saffron scented sticks lack. When I add saffron to rice or something neutral, there is a bright, grounding scent I associate with saffron that if you spend time listening to it like you’d listen to incense, you’d get a deeper spice that is warming. All that is in this stick and I’m impressed because the style generally is not something to impress me.

I didn’t initially like Saffron, but I bought a box anyway after getting a sample because I know that the company it keeps is impressive so I gave it a second chance and now I think I’m halfway through the box. It is a good starter incense for the early morning, giving you space to work up to something stronger and more pungent.

Temple of Incense / Amber, Amber Supreme, Benzoin Absolute, Big Cleanse

Temple of Incense Part 6
Temple of Incense Part 8
The entire Temple of Incense review series can be found at the Incense Reviews Index

I am a relative beginner in the world of Indian incense. While in my incense journey, Indian style incense was the first I encountered, it was during that time period in 2013-2015 that, for the most part, Indian style incense was mostly overly bombastic with shrill single notes that chased me out of the room or had me putting it out hastily. Smells like burning hair and cheap cologne would have made many of my descriptions back then.

So recently, I encountered Happy Hari for the first time, years after the founder died. This opened a door and I quickly began searching for more, almost coinciding with Mike reopening ORS. Learning about Temple of Incense sent me in a scramble. My first order was for one of everything. I have not been let down by this exciting journey and I decided to share the reviews in alphabetical order, leaving out the ones that Mike has already reviewed.

Our first stop is with Amber. As someone who first encountered King of Amber, this is exactly the same. For those who don’t know King of Amber, this is an extruded resin stick. It has a thickness and a heaviness to it that makes it stand out from most other masala sticks(other than other resin sticks like it). It also takes a while to light, showing that there is more resin than oil to make this stick.

I’d love to call this ‘Amber Absolute’ or ‘exemplar’ of the amber scent but it is more like ‘Egyptian Amber’ in that it comes across more like the soft Egyptian Musk type of smell you can get in attars and even in multiple brands of incense sticks. However, I don’t want you to imagine the cheap and artificial smell that can come from those $5 perfume bottles. Rather, this is more that they took actual resins and oils to create this from natural sources, and the result is this amazing, bewitching, soothing scent that everyone in the family comments on when I burn it.

The best thing about this compared to so many other incenses with ‘amber’ in their name on the market, this never crosses the line into cloying. It maintains a atmosphere of mystery with the soft amber scent. Since amber is common in so many western perfume blends, my nose always picks up amber in many Indian incenses as ‘perfume’ yet here it remains solidly like I expect honey amber resin to smell, with that touch of something else that grounds it a little bit, perhaps labdanum or similar, and it adds that mystery and musky type of note that keeps this from getting too sweet.

Next is Amber Supreme. Instead of being a thick, extruded resin stick, this is a handmade masala finished with a light brown dust. The name makes me imagine that this is going to be stronger, faster, better than Amber, but supreme can mean other things, like restraint, discipline and regimen. In this case, this is a much more muted version of the amber smell, it is less sweet and has a little more of the ‘baby powder’ note of amber in it, but again, none of this is the artificial amber or perfume amber. This doesn’t cross into cloying, or sweet, it remains subtle and restrained, which is two words I rarely trot out in a review of anything Indian style. I also want to a address how different the sweetness is between the two. Amber has a sweetness like honey and this one has a sweetness more like confectioners sugar, which helps support the more bitter aspects of it’s scent.

I would suggest Amber Supreme for anyone who finds Amber to be too strong for their tastes, this also lacks less additional ingredients so it is more like ‘pure amber’ or ‘amber absolute’ than the previous entry. Definitely do not burn this on the tail of Amber because you will barely notice it.

Similar to Amber, Benzoin Absolute is a thick resin extruded onto a bamboo core. As someone who has loved Meena Supreme in the past, my initial hit off this was ‘Oh, so ToI renamed Meena Supreme to Benzoin Absolute’. But that lasted for just a moment as I realized this lacked the other perfumes and finishes of Meena Supreme and instead has a scent profile that would represent maybe 50% of the Meena scent.

What you get here is what I call the ‘Indian’ interpretation of benzoin, as this doesn’t come across as the burnt marshmallow note I associate with the plain benzoin, so either the locality or the processing is different here and this benzoin is less sweet and has a few more metallic and maybe even confectionery notes, like a bitter marzipan.

Big Cleanse is a thick charcoal stick with oils and maybe a bit of resin. The website sells it as a smudging stick and I think it might be good for exactly that sort of thing. It has a very herbal smell, reminding me of the German bitter teas like 7×7, and because of that, I like how this smells, though many who I have burned this with have commented on how they don’t like the bitter and acrid notes coming off it.

If the three sweet incenses reviewed here are yin, this has enough yang bitterness to balance all of them at once. While the purpose of this blog isn’t to wander as far into the spiritual nature of incense, this is clearly more for intention and cleansing than for sitting and pleasantly enjoying. However, I’m also someone who has spent years drinking bitter Chinese teas and similar kinds of things from Europe and so I don’t mind a little bit of bitter here and there, especially if you consider some of these sweeter incenses like Amber dessert.

Absolute Bliss / Floating Lotus Flower, Oudh Saffron, Patchouli Khus, Red Blood Dragon, Vedic Lavender, Vintage Jasmine

Before I start to go through the large amount of treasures that Corey Topel has recently stocked at Absolute Bliss from the same Indian group that makes the Happy Hari line, I just wanted to make the note here that the use of Absolute Bliss in the subject headings at ORS is meant to indicate the importer of the following incenses rather than indicating that it is a branding and so I will not be adding this as a category. But other than this group of incense’s similarities to those in the Temple of Incense line, Absolute Bliss is the western point of origin. Also, there is no current plans to actually put these incenses up at the Absolute Bliss website so it is highly recommended and encouraged to contact Corey directly using the methods at his contact page. My experience is that you can find what you want and ask him for a Paypal invoice. I will also encourage those who are interested by saying that my experience is that many of these scents are at peak freshness and well worth trying as soon as you can.

This first group of incenses that Corey sent me samples of I wanted to get up first because I’m already aware of their matches with Temple of Incense lines. Please note that when I say this, the match ups are not 100%. Indian suppliers who use natural ingredients in their scents will also find fluctuations in those ingredients that are generally enough to cause some slight variation in batches. But I do want to note that these incenses are still similar enough that it’s likely customers in the US will find better prices with Absolute Bliss and avoid the shipping costs from the UK (as well as vice versa with Temple of Incense). And of course just as inversely true with Temple of Incense, there are some AB incenses here that are not in the Temple of Incense catalog, many of which we will get to in further installments. But these six are a match…

Floating Lotus Flower is more or less completely identical to Temple of Incense’s Shiv which I have previously raved about and recommend oh so highly, although it feels like the dusting on this one is more consistently applied, perhaps as if it was added when less dry (or maybe the dust gets shaken off a lot crossing the Atlantic). In fact you could almost compare the lotus in this description with the amber, patchouli, musk and rose listed in the Shiv review, as if, perhaps, that combination of ingredients tends to point the way at a lotus type of scent. And if you were to compare this to the Happy Hari Queen of Lotus or the TOI Lotus Flower then the similarities are pretty much immediate. But make no mistake, this rich, luxury thick stick is a big step up on that scent and about as good as it gets, well worth putting out the extra money for. Like all thick sticks, they’re easily put out to relight for a different session. It’s just tremendously beautiful with an almost amber-vanilla-frangipani sort of scent that is lovely, warm, and gentle. Truly one of my 2021 favorites in either version, the quality of this incense during the burn is consistently striking.

Oudh Saffron [9/16/21 – Upon revisit I thought the differences between the Wood Spice and Oudh Saffron to be much more different than I originally noted down here. So I rewrote. – Mike] is a somewhat similar incense to Temple of Incense’s Wood Spice although for my nose it felt like the oudh is much more noticeable in the AB stick, in fact it’s more comparable to both lines’ Oudh (Masala). The TOI stick also does not list saffron and nor did I really notice it as much, but it’s certainly very noticeable in the AB Oudh Saffron. I would also say that the TOI Himalayan Spikenard is also fairly close when it comes to this sort of family of incenses. They are basically lightly dusted charcoal sticks with a tremendously rich, woody and spicy oil. I will say that all of the incenses in this family are the types of scents where you may notice the charcoal base more, as if some of the more hardy ingredients compliment it. But on the other hand the ingredients are still truly impressive and this is a whole area where some of the best uses of aloeswood in Indian are apparent. After spending some time with the White Lotus Oudh Saffron, while that is an incense on its own level, it will also make you appreciate just how great this blend is on its own.

The AB Patchouli Khus (aka Green Patchouli) and ToI Patchouli Woods are nearly exact matches. Unlike the previous two scents, as of writing this I do not have a review up for the ToI Patchouli Woods, but suffice it to say this patchouli/khus mix is one of the driest, least sweet and almost herbally dank and green patchoulis you will find on the market. Where so many patchouli incenses are sweetened up for western noses or resemble the sorts of patchouli oils you used to be able to smell at Grateful Dead shows, the oils in this seem to portray the most earthy aspects of the oil, the vegetable and sort of clay mix of both of these herbs. As such, even if you’ve tried other patchoulis, this is very likely to be different from anything you own. I was almost startled when I first tried the Patchouli Woods because the initial hit is so unique and not super user friendly, but over time as I acclimated to the scent, I found it as interesting as any other patchouli I’ve tried and probably one of the most authentic. If you want to learn this scent, this is well worth checking out in either version.

AB’s Red Blood Dragon is an almost exact match to ToI’s Dragon’s Blood, the latter an incense that also has not been reviewed yet here yet. Both have that incredibly fruity, red dusting on charcoal aroma that seems to be a lot more stylized than what you might think of with the classic dragon’s blood resin. As a charcoal, the fruity aroma is quite a bit more intense than it is in some of ToI’s more gentle fruit scents, but at the same time this is probably what you would call a very user friendly scent even to those who may not be familiar with the usual arsenal of incense aromas. And perhaps not surprisingly there’s some level of spice content, for example cinnamon, that probably help to bolster the incense’s redder and firier qualities in order to help provide a bit more reason behind the name. It should be said that there really is no other incense quite like this unless you go into dipped incenses and those aren’t nearly as likely to have as pleasant of a perfume mix on the stick. And so if you’re looking to expand your collection’s range this is a good stick to have, but do keep in mind this is the kind of aroma that can get a bit cloying in too high quantities. It’s very much almost like a berry or fruit punch sort of aroma, not unlikely say opening a pack of powdered Kool Aid.

Vedic Lavender is a very close match with TOI’s Lavender Supreme. This is another one of those cases where you have a particular ingredient whose natural oil distillations can vary a little bit depending on the batch. Language can be a little difficult to capture the differences when the general style of an incense is more or less the same. But essentially the lavender oil mixes in both the Vedic and Supreme are very pleasant to my nose, certainly a step ahead of cheaper lavenders that often smell more like what you would get in bad, synthetic air fresheners (the low end TOI stick and cone both fall into this category). A decent lavender mix has a nice bit of complexity to it and is a little warmer and less sickly sweet, with some hints of the actual herb itself. I would guess, of course, that your affinity for a stick like this comes entirely from whether you like actual lavender itself, which I definitely do when it’s right. The Vedic I think actually probably leans a little bit more to reminding you its an oil than the TOI does, but both have a nice sort of freshness to them that really don’t have any off notes. Nonetheless it’s likely this may remind you a little of air freshener or cleaner products anyway since lavender is used so commonly in them.

And finally the Vintage Jasmine is super close to the TOI Jasmine Blossom, although I would descibe the AB as being a wee bit fruitier and the TOI being a little bit more dry flower in comparison. But other than that they are virtually the same stick and it would not surprise me if it’s just because the AB is a bit fresher. But I am finding myself increasingly enjoying this style of masala, it kind of feels a bit like a jasmine infused champa to some extent (no halmaddi though, just the sweetness in the oil mix) and it presents the floral in a beautiful way, one of the best I’ve experienced in a stick to be honest. Outside of the way Mermade weaves in jasmine into loose incenses, this is about as pleasant a jasmine experience as exists.

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