Ganesha Incense/Nag Champa, Jagannath, Agarwood

Ganesha Incense is a new company creating traditional Indian incense and based on my review package, ships from Thailand all over the world. Their incenses come in 100g containers, large tubes with easily removable lids that are really nice, you can actually set them on their base and they stay upright and are very easily accessible. There is no inner packaging (they’re essentially cardboard), so I’m not quite sure if the incense is protected over time, but based on what I sampled, I’m not sure it’s necessary as the lids fit snug and everything smelled nice and fresh.

It’s never stated on the packaging but I wouldn’t be surprised, based on some of the offered incenses and the base of the incenses if these were sourced in the Madhavdas family, the same venerable incense creators behind the Primo, Pure Incense and other lines. If not, there still seems to be a similar base at work, a mix of vanilla, sandalwood and charcoal. But like most of the incenses sourced through Madhavdas, Ganesha incenses do differ in overall scent and aren’t just the same incenses being sold under different names. As we have found out, this base can be solid for connoisseur and high quality incenses.

Based on the three incenses in the package, Ganesha seem like they’re off to a very good start. But first of all, a bit of a preamble as I haven’t reviewed a Nag Champa in a while and there is some history behind the style. Nag Champa incenses today are generally better than they were ten years ago, but if you go ten years earlier you go back to a time where they were much more impressive. One of the things I remember about the older Nag Champa is that the sticks were very gooey, it wasn’t uncommon to find smashed sticks where the consistency of the material was still quite wet. This has been attributed, sometimes from myself, to the use of halmaddi in the stick, a material that keeps an incense in a sort of state between wet and dry. However, I haven’t seen a single new Nag Champa incense since Olfactory Rescue Service has been active whose consistency matches the “historical” Nag Champa (not even Dhuni’s) and so I’ve come to the impression over the last few years that something in the mix has been lost since Satya Sai Baba changed hands and that it could be something more than just halmaddi. Halmaddi was (or may still be) on the CITES endangered species list and for a while it was very rare, and the Nag Champas during this period were very dry and mostly downright unpleasant. Fortunately incenses have been popping up since this dry period that clearly contain it and thus we’ve had a bit of a renaissance with the blend such as with the Mother’s wide range of champas. Halmaddi tends to give champas a uniquely balsamic middle which tends to balance nicely with the oils being used.

There is one important difference in the newer blends, however, and that is most of these are quite a bit skinnier than the “historical” champas and so the actual materials being used often don’t overpower the scent of the bamboo stick in the middle and this tends to cut through sometimes. I wanted to mention this as it’s not specific to Ganesha’s Nag Champa, all the new ones have it. But I also wanted to mention it because Ganesha’s version is very very good and I know the owner has made a strong effort to release a really authentic scent and even with the history given above, I’d easily think about this as the market’s go-to Nag Champa. It has a nice halmaddi base, a good balance between the sweet and dry and a touch of depth that all the good incenses in this style have. And unlike some other types of Nag Champa, I actually found myself enjoying this MORE with every stick, rather than less, which is not often the case. Overall I do wonder what a thicker stick with similar materials would be like, other than obviously more expensive. And I have been informed that as the company goes forward there will be more attempts at connoisseur level scents, which of course we look forward to with great anticipation.

Ganesha’s Jagannath is a Nag Champa variant and it’s a sweeter mix of spices and ingredients that is vaguely reminiscent of styles like Vanilla and Honey Dust as well as Maharaja, but unlike either lineage Jagannath is not a clone. This one has been exciting to try as where Nag Champa is an old familiar, Jagannath has just that right amount of newness to keep me pulling for it and learning more about the scent. Like the Nag Champa, there’s something stately and restrained about Jagannath, and my experience with it was that after a few sticks I started to notice a bit of depth to it, something that a lot of sweeter incenses can easily overwhelm. Ganesha’s incenses are true Indian style but don’t seem primed to overwhelm you with perfume like a lot of Indian incenses, their claim to natural scents really seems to bear out. Even last night I pulled out another stick and was even more impressed, like all good incenses you notice more with increased use and this one really does have a lot of subtlety to it.

Nag Champa and Jagannath are two of Ganesha’s Silver incenses so it’s perhaps impressive at this point to note that they also have a Gold line as well (4 different incenses so far). The Gold incense I was sent was the Agarwood. As noted before when reviewing Indian agarwoods, they are very different from the Japanese scents. And there aren’t really that many of them, only Pure Incense’s blends come to mind at the moment. But I am really impressed with this one, it has a really astounding depth to it and seems quite superb especially for its price range. Given how expensive Agarwood is, to keep it at the 100g/$19.99 price there has to be some clever trickery involved in the makeup, and I was quite impressed by not only some of the spicy oud-like characteristics here but the authentically woody scent that pops up, some of which I would expect to be from the sandalwood in the mix as well. The combination of the base and all of these elements adds up to a very complex incense with some of those dark fruity notes you find in some ouds. It’s also very different from any of the Pure Incense Agarwoods. Like the Nag Champa and Jagannath, the more I sample the Agarwood, the more I like it.

Overall I’d say Ganesha Incense is off to a very good start and I’m certainly looking forward to trying any of their other incenses in the future (these were only 3 types out of approximately 15-20). The scents, presentation and solid price range have obviously had a lot of thought put into them. I’m not sure if the company plans on releasing smaller packets in the future or samplers, which I would think would be key to success and longevity, but I can also imagine that most Indian incense fans sampling these would wish they had 100g if they didn’t. We have a new winner on the market here.

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The Rising Phoenix Perfumery / Musk Rose Bakhoor, Resin Bakhoor, Ambergris Souked Sandalwood Powder

I’ve been really looking forward to writing about Rising Phoenix since I started corresponding with JK DeLapp some months back. It may not be known to all readers but there’s really an amazing community of incense artisans in the United States now and often even when it looks like I’m posting about a new company with new incenses, I’m actually posting about veteran work in the field. We’re talking about high quality incenses on the level of Katlyn Breene and Ross Urrere but with a distinctly individual direction and focus that is expressly JK’s. Two of three of these incenses are intended to be in the middle-eastern Bakhoor style and yet while they carry forward the qualities of this style of incense, they avoid all of the trappings of the cheaper stuff and instead move closer to what might be considered mid to high end Japanese incense quality. The other incense, while not a bakhoor, has a similar level of quality. All three are fabulous incenses made with numerous high quality aromatic ingredients covering multiple levels of activity whether one heats or uses them in charcoal and those who have enjoyed the work of other artisans we have featured here should immediately line up at Rising Phoenix Perfumery’s Etsy store before the incenses are gone.

The first of these incenses is called Musk Rose Bakhoor. Like all three incenses, this one comes in a 3.5g sized glass jar wrapped in Japanese Washi paper. The incense is a fine earthy powder that is immediately redolent of the finer materials in incense. I remember a day when you couldn’t buy a good rose incense, but even fresh from the jar you know you’re onto a good thing here. The ingredient list is impressive with the wood base combining sandalwood and four different kinds and origins of aloeswood. On top of this blend we have a mix of Russian Centifolia Rose (an attar I assume), Champa and an all natural and extremely fine Hina Musk. You would think almost any one of these top ingredients could suffice for a great incense, but all three of them together make for an exceedingly complex and heavenly blend of scents that deliver an aromatic epiphany over and over again. These are the types of fine scents whose descriptions couldn’t possibly live up to the billing, the kind of subtlety lost in cheap floral incenses. There is one caveat here though, this is the kind of aloeswood heavy incense that the Golden Lotus incense most of us use from Mermade Magickal Arts isn’t quite hot enough for even at maximum and so in order to fully experience the whole scent, I had to experiment with the blend on charcoal as well (good news though, I believe there will be new methods of heating on the way in the near future from MMA that should allow the woods to come out more). It is truly hard to encapsulate how much goodness is going on with this blend. The rose hits you first as any good rose scent does, but the finer ones have personalities that transcend the usual experience of walking through a rose garden and this one is a scent you could just fall into. The champa will bring back memories from the years when champa-based incenses were at their best, I had multiple hits of deja-vu with every use of this incense, I’m not sure any other word could describe it better than awesome. One wonders just how much the champa and musk ingredients modify the overall scent as I also seem to pick up more of it a bit later in the heat when the sandalwood starts to come out. I’ve always found it interesting as well how Sandalwood can work so cleverly in an aloeswood heavy mix, although this may have been the way it works with a low heat. Needless to say there’s so much going on this incense that it will take many uses to really explore all the directions its going. It’s quite simply a masterpiece.

Rising Phoenix’s Resin Bakhoor is something of a high-end take on frankincense and myrrh resin mixes.  I was charmed to learn that this incense actually started as an Abramelin incense because you can actually sense that this is the origin, particularly from the way aloeswood and frankincense are mixed. This has a similar type of base to the Musk Rose Bakhoor, although in this case even if the aloeswood mutes a bit at low heat it doesn’t affect the scent quite as much as the previous incense, simply because the resins here are really arresting. There’s a real melding of scents here to create something quite new and special, a real eye to how each ingredient modifies another. Frankincense and myrrh are kind of the peanut butter and chocolate of the incense world anyway, but I really like the way the limier aspects of the green frankincense meld with the good quality Ethiopian myrrh here, it’s as if they were one resin with multiple faces. Some of this is due to the benzoin and labdanum in the mix, both of which seem to intensify the overall fruitiness going on at the top. And what a fruitiness it is, not just the typical lemon or lime qualities you usually get with resin mixes, but a sense of age and subtlety as well, which is a nice trick that is enhanced when the method of burning or heating makes sure to bring out the deeper qualities of the aloeswood and sandalwood. It’s actually somewhat rare to see a resin blend formulated with such a wide array of fine materials and even rarer to find one where every ingredient counts in the mix.

Rising Phoenix also offer various types of aloeswood and sandalwood, and offer as an option with their Indian Sandalwood Powder, An Ambergris Souked Sandalwood Powder (scroll down). Those who have had the pleasure of trying Ross Urrere’s take on this theme will recognize the style, where the crystalline, high-end scent of fine, fresh sandalwood is modified by the salty and sublime scent of ambergris. However, Rising Phoenix’s version of this uses (Golden) Irish Ambergris, rather than the more common New Zealand sourced material, which makes me want to eventually compare the two. I find this style of incense to be simple in terms of getting a two-scent, highly clear aroma, which is a good thing as the materials being matched here contain enough complexity in their own right that they would be drowned out in a more complicated blend (ambergris in particular does not shout, it sings). And of course if you’re only familiar with sandalwood in stick incenses, then experiencing what fine powder is like is a must as its better qualities are always revealed in a heat. In fact I would even think this would work quite at well at lower temperatures as a little goes a long way.

It is good news to see these incenses on the market and better news to know that even more styles are planned! Those of us who await every new Mermade blend with that sense of pre-Christmas anticipation will likely start finding themselves doing the same thing with Rising Phoenix. But this company doesn’t just have us awaiting the next blend, it encourages people to learn about and create their own aromatic products. You can find informative videos at this link. To see more than the introductory video, all you have to do is sign up with your name and e-mail address. And with new methods of heating and burning on the way, there should be more informative videos to share with you all in the near future.

Mermade Magickal Arts / Dionysos, Icaro +

One of the things I’ve been noticing of late is that I can often have a Mermade incense in queue to review (the latest two are the fantastic Heart of the Sun and Honey (Amber Champa) incenses) and then they’re already gone by the time I make a move to writing about them. So it should be said that in general Mermade vintages are going out to higher demand, so it behooves oneself to move quick on these things, perhaps even quicker than waiting for our reviews as unfortunately we can’t get to everything in time as much as we’d like to. Olfactory Rescue Service is of course well pleased that more and more people are experiencing Mermade and Katlyn’s bountiful creations as I can’t imagine a time where we wouldn’t have good things to say about them. The latest creations could be gone by the time I get this posted and it would be a shame as both of these are comparatively unique to the roster and well worth checking out.

Another thing I’ve been noticing is how Mermade’s linking of myth and magick to the incenses give them a sort of power in their own right. Dionysos is one of these and the label immediately puts in mind the feral Greek wine God and his intoxicated entourage. When the first notes of the incense arise from the heater, the scent is grape, berry and wine all of some mysterious vintage. But woven through this central note is the wildness you’d associate with this God, an evergreen, balsamic and grassy mélange that speaks of remote pagan locations. Two of the incense’s notes are Greek Aleppo pine resin and Bay laurel leaves, both of which work with frankincense, myrrh and labdanum to give this scent a noticeably different feel to it. It’s a brave creation and has that touch of the weird to it that helps to get these images rolling.

Icaro moves across an ocean from frankincense and pine to copal blanco, elemi and Breu Claro, from European forests to the rainforests of Brazil. The comparison between these two incenses shows how different scents can be. It is something of a hot, dry incense especially in comparison to the liquid resin-like qualities of Dionysos but it’s also defined by an intense cactus-green scent that likely comes from the ground ayahuasca that is buried in the copal-heavy mix of ingredients. This combination speaks to the shamanic myths of the area and strangely enough I’m also reminded of how close to the word Icaro (defined at the Mermade link), the Greek figure Icaros sounds, and how both speak of long voyages and journeys. Once again, we’re seeing new directions being assayed by Mermade and this is a heady combination that has an impact similar to the Dream Snake of many years ago.

I was sent other current samples of Mermade works, including two variations of a stick version of Pan’s Earth, one an aloeswood version thereof. I had enough to know these were beautiful and heady blends that speak of how strong Mermade’s stick incense has been getting with new variations (and this goes for the Honey/Amber champa sticks to which I’m looking forward to more of after I rocketed through my tube of the amazing things). Mermade is also selling Styrax Benzoin, which comes looking like a fragile geode of dark crystals sparkling in part due to the added tincture/essential oils. This nurturing of the natural brings out a very gentle amber-benzoin scent on a heater, mild and unassuming and avoiding some of the harsher qualities of cheaper benzoin.

I also received a sample of small disc-like lozenges of Deep Earth, but when I opened the little package, I lost one of them as it shot out of the package into that same dimension lost socks go. The other landed on my heater where its familiar but variant scent reminded me of how much I love the lineage of this incense, I believe I still have samples going back at least five vintages.

In summary, it’s just always a joy to go through Katlyn’s latest work and share it, but don’t forget these incenses are getting more and more fleeting as people learn about this venerable company, so it doesn’t hurt to grab a vial or two right away. Also, next review I should have some incenses from a new entry into the nicely growing US field of incense artists, a “newer” company I have really been looking forward to talking about…

Pure Incense / Tuberose, P-Gokula, Pushkar, Pavitra Vastu; Revisits / Connoisseur / Agarwood, Blue Lotus, Parijata, Rosewood

Pure Incense have been kind enough to provide lots of samples for Olfactory Rescue Service review and I recently received a new batch, including four old sticks previously reviewed in order to give a taste of where these classics have been heading as ingredients and recipes change over the years. In my opinion this kind of transparency is to be highly lauded when so many companies just change things completely without notice and I believe it to be a true acknowledgement of the art of incense in that change is inevitable in this field and that your favorites will probably not be around forever. It is good to see that even with changes that new formulas are being added and experimented with and that Pure Incense really do have a way with the perfume notes in their incenses. So let’s start with the new and previously unreviewed formulas.

When it comes to certain floral incenses, a lot of Indian incenses tend to a high level of charcoal in them, after all you can’t really burn rose petals and have the scent smell like roses and so there is a high level of oils in incenses like this. Tuberose is one of these scents and I’m probably not alone in not being a fan of this format of incense. But just like when you compare Pure Incense to their US cousins Primo, the quality level seems to be a lot higher with Pure Incense and I found the base to be, if not pleasant, and least not offputting. I seem to remember Primo’s version being a lot harsher and eyestinging. The oil on the base, of course, is quite nice and while you can still sense a bit of the vanilla floating behind it in the base, the Tuberose is a soft, rounded and cushy floral, somewhat powdery and quite feminine.

The Pavitra Gokula scent, which seems to be a subline of Pure Incense’s Premium collection, appears to be a new riff on their classic Blue Lotus scent. And like anything even remotely similar to the Blue Lotus, this is a very beautiful and bewitching incense, almost like a caramel-tinged floral. It has some similarities to one or two of the Vrindavan incenses elsewhere in the line, and there’s that wonderful hint of sweet and crystal pink that these incenses are topped off by. The Gokula has an almost candy-like middle, giving it a real complexity (especially when you consider how complex the Blue Lotus perfume is on its own). Perhaps its only weakness lies with the base, but its likely most readers will already know if they’re OK with it or not. And if you’re not sure I wouldn’t let it put you off as the base layer actually adds more than detracts from the complexity. It’s really the kind of direction you want to see a company take, experimenting with their formulas for new takes.

The Premium incense Pushkar also riffs on the Blue Lotus incense, this time combining it with the Vrindavan Champa scent. I believe it is with some modesty that Pure Incense hasn’t ranked this with their Connoisseur level, as the crystal pink floral scent mixed with the Blue Lotus oil is really a product of master craftsmanship. The mix has some similarities to the line’s brilliant Rosewood incense as well in that the scent seems to have a bit of woodiness in the middle to give it a nice breadth. It’s almost like a mix of pink florals and evergreen foresty scents. It’s truly well worth checking out, a really fine entry to their line.

The Pavitra Vastu is notable for not having any flower oils in the mix and is instead a mix of herbs. The result is a spicy, tangy herb and wood heavy blend with a hint of citrus in the middle. It’s a very robust and hearty incense that has more than a hint of orange tea in the mix, although it really doesn’t get too spicy. After a couple of sticks, I wasn’t sure about how complex this could be, but it is nicely balanced and has a nice clarifying affect on one’s surroundings.

As could be expected the Connoissuer line has changed in scent in the few years since I reviewed them last. It would still be a good idea to revisit the reviews here and here in order to see where these new reviews get their basis from. I only had a stick of each of the new version to sample and so I can only really approximate the changes, but none of them are particularly severe, which leads me to speculate that the changes are mostly via the ingredients.

The Connoisseur Agarwood has, unsurprisingly, changed the most, which is what you’d expect. Of course it’s important to note again that Indian agarwoods differ a lot from the Japanese, but the Pure Incense version from a few years ago was easily the best of the Indian agarwoods, with a wonderful deep and resonant foresty camphor like note that gave it a huge amount of dimension. This new version (marked Autumn 2013) doesn’t strike me as being quite as woody and I wasn’t sure with just one stick if that note was as strong as it used to be, but the incense really hasn’t lost the agarwood scent at the center. It just seems maybe a little more concentrated, and it isn’t overshadowing the vanilla note in the base like it used to. But I think if I was coming fresh to this I’d still enjoy it a lot, there is really no other Indian agarwood on the market with this kind of scent. It doesn’t have a perfume based scent like other Indian agarwoods, and so it’s still quite dry and stately.

The new (Sept-Dec 2013) Connoisseur Blue Lotus is quite close to what you might remember from my original review and in a way is a lot more difficult to describe since essentially what has changed is the perfume oil(s). None of the subtle notes have disappeared so much as changed in just the way you’d expect from the flora the oils were distilled from. The overall scent still has the soft and floral notes the original did and honestly I don’t think this has changed for the worst, it’s at least as good as the stick I previously reviewed. And this is really a special incense, there’s no other like it on the market.

The Connoisseur Parijata seems to be a much milder incense this time around and seems to lack a bit of the punch and personality of its predecessor. Keep in mind again I’m only evaluating one stick and the nose has the ability to close up on some occasions. But this one strikes me as light and airy and so the base comes through quite a bit and seems to render it a bit more generic than I had remembered it (I still need to dig out the old stick as I’m going mostly on memory here). It’s a bit powdery, woody and sweet but ultimately I found the burn a bit too mellow to get my attention.

On the other hand the Connoisseur Rosewood was an improvement to an already excellent incense and I found this new version to be absolutely superb in every way. It’s hugely rich, floral and fruity, having those fine wine-like qualities all good perfume oils have. And like all good oils, the scent has lots of subnotes, all of them red or pink. It’s hard to quantify why this is much better than most Indian rose incenses, maybe the hint of wood or spice in the background helps to make up for the bitter notes often found in these sticks. Nonetheless this is superb and the biggest upgrade in an already fine group.

It’s good to see Pure Incense still going in what has been something of a difficult market of late and nice to see they still have a commitment to quality and connoisseur level scents.

Shroff Channabasappa / Soft (Semi-Dry) Masalas / Apsara, Exotic Petals, Little Woods (new version), Orange Blossom, Pride, Raja Yoga, Silver Bouquet, Suganda Mantri, Tapasya, Yatra, Yogi Bouquet

Shroff Channabasappa Part 1
Shroff Channabasappa Part 2
Shroff Channabasappa Part 3
Shroff Channabasappa Part 4
Shroff Channabasappa Part 5
Shroff Channabasappa Part 6
Shroff Channabasappa Part 7
Shroff Channabasappa Part 8
Shroff Channabasappa Part 9
Shroff Channabasappa Part 10
Shroff Channabasappa Part 11
Shroff Channabasappa Part 12
Shroff Channabasappa Part 13
Shroff Channabasappa Part 14
Shroff Channabasappa Part 15

Shroff Channabasappa Part 16

I’ve been wanting to write about this group of incenses for a really, really long time now, in fact it should be a measure of my appreciation for them that I’ve restocked every single one once. If there can be one string that ties all of these incenses together is that they’re (almost) all very sublime in terms of their mixtures of notes, the kind of quality that’s like a lure or siren’s song. When I first started to use them, I found it fairly difficult to get a really good impression that I could turn into words and then before I knew it they had sucked me in and I fairly rocketed through all of my initial packages before I could even put words down on paper. So then I ended up restocking them again a few months ago and was a bit more careful and methodical with them. By then there was a new blend called Silver Blossom and some of the original soft masalas were starting to change in recipe. One of these is here, the new version of Shroff’s classic Little Woods.

While Shroff don’t tag these as wet masalas, it’s kind of difficult to really tell what the difference is between the two categories, except, perhaps, that the wets are a bit stronger in terms of perfume content. There’s perfume in these as well but they are much quieter in terms of how much the scent comes out of the boxes when you open them. Think of Darshan or Saffron and how potent they are, these are something of a step down from those. But most of this group is also different than the original group that Little Woods came in, and what they tend to smell like on the burn is quite a bit different from what they smell like in the box. But in all of these incenses’ cases, the more you get to burn them, the more you come to love them and some of these I’d find difficult to do without, especially with all the changes and bad news on the market at the moment. With Dhuni closing up shop, Shroff are now the predominant incense in the Indian export field and the reason why they are is part to do with the subtlety and quality of the last couple of groups.

Apsara lists balsam, jasmine and musk as part of its ingredient list and you’ll see musk pop up at least a couple more times in this group. In particular this is a really crystally perfume musk that really works well with these incenses. With Apsara it’s married to a really sublime and gorgeous floral champa scent with a terrific spicy finish. It’s somewhat reminiscent of pink or even royal amber incenses at times and the mix of what seems like cinnamon (but is probably partially the balsam) and the champa base is perfectly done. As such, it is fleetingly similar to some of the better Japanese florals with a high quality perfume scent at heart. Gentle and seductive, like nearly incense in this liine, this has a subtle quality that always keeps me coming back to it.

With lavender, sandal, and palmarosa in the description, Exotic Petals is a mix of lemon and citrus with a floral and fruity type of center. This is the type of scent I always find reminiscent of air freshener or furniture polish, it’s bright, intense and almost impossible not to get the huge palmarosa hit in front. But don’t let comparisons to these household products scare you off, this is much more well done than a synthetic fragrance, and it has a unique atmosphere that is well worth checking out, particularly for those into “desert flower” type mixes. It has a bit of sandalwood in the mix that grounds it nicely and it has a really cleansing vibe that is good for lifting the atmosphere of your burning area. In fact this one seems quite perfect for summer.

Little Woods has been reviewed here before and has shown up in previous monthly top tens for me, I’ve always stood behind it as one of the best incenses India has to offer. So I was a little tentative to realize that the group it came in has rumored to have changed in scent. The new version is definitely different but the good news in this case is that it’s at least as good as the old version. When I originally reviewed this, I found it slightly reminiscent of the incense known as Woods that started out brilliant and then really took a dive with the recipe changes. However, I’d say the new version might even be closer to that original classic and this seems to be less perfumed in some ways and more evergreen or resinous in scent. As a result it doesn’t feel like we’ve lost another old favorite so much as gained a new one (even if the perfumed version was brilliant). Little Woods is still an evergreen and evocative wonder.

Orange Blossom lists orange and ylang as ingredients. Like an orange cream soda or popsicle, this fruity-citrus champa is one of the best and most unique of its type. It’s not only that it gets its scent right (too many bad memories of off orangey incenses makes me hesitant to approach these), but it does so and manages to be subtle as well. The blossom part, if you will, is nicely defined and gives the scent a lot of sunshine, it’s still distinctively gummy and balsamic at the same time with a touch of the powdery. The combination of elements makes this one perfect overall, but do note these are thicker sticks than the rest of the line and thus the stick count will be a little lower.

Pride sticks out of this group quite a bit by moving away from obvious floral scents and using sandal, aloes and musk as its ingredients. It’s probably the driest in the bunch, stick and scentwise and reminds me a little of Shoyeido’s Haku-Un, a woody blend with a nice touch of aloeswood in the mix. It’s quite different for a champa or soft masala, with peppery hot notes mixed in with the woody/spicy blend. At the risk of repetition, it has a great balance like all of this line. The whole scent has a spicy richness that makes this an earthy classic and could easily be used as a temple incense. Don’t expect this to have any sort of whopping Japanese style aloeswood note in it, but you can tell the ingredient is part of the mix nonetheless.

Raj Yoga is an earthy champa of a different type, and lists rosemary, olibanum and oakmoss among its ingredients. It’s very close to what I’d call a patchouli champa variant with a green, herbaceous character (the oakmoss I’m sure) that is reminiscent of vetivert as well. The middle seems sandalwood heavy and there’s a touch of spice/floral to give it some individual character. It’s all extraordinarily fresh and original, and a great example of why these are all such impressive hybrids, incenses that only work because all the moving parts are in their right places. It’s tough to pick a favorite in this group, but for sure this would be in the running.

Silver Bouquet is one of Shroff’s very recent blends and is a really excellent entry that reminds me of the older champa days. It’s not so much that it reminds me of one scent in particular as it evokes a combination of older notes in a newer blend. Hints of Maharaja or Incense from India’s Silver Temple, a touch of Lotus, a bit of Incense from India’s African Violet fill the mix as well as a bit of nuttiness and a thread of spice permeate. It hits the kind of sultry end you want with a “silver,” with the perfume revealing some cool subtleties through the burn. Amazing, like a quality spiced tea.

When I restocked Suganda Mantri, it was the one incense in the group I bought two boxes of. It’s one of this line’s brilliant pieces of art, a rich, sultry Eastern perfume in champa form. The scent is quite woody (musk and sandalwood are listed) and the subtleties are many and difficult to list. There’s a bit of chocolate, some earthiness, some sensuous florals, especially rose. It has a depth to it all the best Indian masalas have, where the plurality of ingredients come together in all sorts of sublime ways. It may be the best of several examples of why this batch of Shroffs is so good. Perhaps a bit similar to desert flower blends but if so the most superior version of that scent on record.

If there’s one incense in this group that I might have slipped a little bit with, it’s the musk, sandalwood and amber blend Tapasya. It’s a bracing, fruity blend with the usual sandal, orange peel and spices, in fact this could be considered something of an alternate version of the old Maharaj scent. The main issue with it is that either the bamboo stick or part of the aroma cuts through with a slightly rough woody scent that gives it some bitterness. It gives an abrasive note to the scent that prevents it from working properly. Like Pride, it’s quite dry, but not in a good way. In fact as I took notes down on this I went through several sticks just to try and capture why it wasn’t working as well for me anymore and mostly it just doesn’t pop like the rest of them.

Yatra, a mix of jasmine, sandal and musk, is an excellent blend of fruity and floral with a really powerful and crystally musk presence, this is really what this line does well, balancing several ingredients in an unusual and clever fusion. The wood and champa base sits in the middle and they seem to ground both the jasmine and musk so that both are distinct in the bouquet. Sometimes jasmine can be overwhelming, but like with Apsara it is placed rather perfectly in the scent. Very nicely done, fresh with a touch of evergreen in the mix.

Finally we have Yogi Bouquet which lists citrus, musk and balsam. Like Yatra, it has a distinct and noticeable musky quality, although where it’s more crystalline and perfume-like in Yatra, it shows up a bit more sultry here, meshing perfectly with the balsam. The citrus is nicely mixed in and doesn’t kill the incense like it often can when the essential oils are over accentuated. There’s a bit of sawdust in the mix as well and it’s perhaps a touch rough, but the combination makes it quite worthwhile.

This article more or less catches up with the Shroff line to date, although after trying the new Little Woods, I’m curious to revisit some of the other incenses in the group that have probably changed. I tried Pearl again but it’s close enough to the old version to be redundant and reports elsewhere on the site evince that Jungle Prince might not be up to the standards it used to have. Another big change is that Shroffs are now being packaged in 50g packages, which seem a good balance between not having enough and having too much. Let us know in the comments section what your current favorites are in this thread and if you’ve noticed any changes, any observations will be highly worthwhile to our readers.

Mother’s India Fragrances / Nagchampa / Aravind, Chakra, Govinda, Pavitra, Radha, Rishi

The initial batch of five Mother’s India Fragrances proved to be a line popular enough to expand, with fourteen new incenses hitting the market about two years ago. The company has chosen to expand the line once again with not only these initial six incenses, but I believe there are also six more, although I have not received samples of these yet. Mother’s nagchampas in some ways are a style of their own, featuring halmaddi, sandalwood and additional ingredients in order to create scents that are unlike any other incenses on the market. For one thing, while these aren’t low smoke, they do tend to be a bit mellower than the incenses put out by Shroff and Dhuni and I know there have been times switching back to these sticks where I’ve found them a bit hard to pick up. So I tried to spend a bit of time with these in order to let them open up.

In essence you could almost call at least four out of these six sticks an expansion in the floral/rose direction. This is an interesting move by the company as I don’t think this niche had been quite as worked out yet in the  previous expansion. However, scents like these are usually considered more modern and less traditional and so I think a lot of these are likely to appeal outside the incense crowd and only those within that crowd who can deal with a lot of rose, geranium and jasmine scents are likely to go for most of these. And so I should probably state outright that geranium tends to get on my nerves quite a bit, so keep that in mind in cases where it pops up that this is a reflection of taste and not artisanship.

Aravind Nagchampa is something of a Lotus Nagchampa (Aravind means Lotus) and it combines jasmine, gardenia, rose and champa flower for the first of the florals here. This is the first of four that takes the Mother’s nagchampa center into a pink, “floral bouquet” direction, perhaps for the first time. All four of these incenses share a very delicate and light floral touch. Like a lot of incenses using low cost floral oils, the mix of oils tends to a bit of a generic quality, yet perhaps the surprise is that the overall stick comes off kind of dry and not drenched in perfume like you’d expect for this kind of style. In fact one thing to realize up front is it often takes a stick or two before the bouquet starts to unfold and in this case the results can occasionally be reminiscent of the actual flowers. In fact, this is actually reminiscent of some of the more affordable and better Japanese florals. As to whether this is reminiscent of other Lotus incenses, I’ll leave up to you, as they all tend to vary quite a bit.

Perhaps the biggest surprise in this first bunch is the Chakra Nagchampa which is one of two here that doesn’t go in the pink and floral direction. Well, you wouldn’t know it from the description, which lists fruits, spices, jasmine, tuberose, cyclamen and lily. Once again, this feels like a distinct move to a more modern and mainstream friendly type of incense and it’s reminiscent of one or two of the Nippon Kodo Yume no Yume blends in the way this combines florals and fruits with spice around the edges. Of course the cyclamen note is almost immediately evocative of NK’s Aqua, but seated in the Mothers’ halmaddi base, the results to my nose are a lot more successful. In fact without the spicyness this might not have worked too well, but instead we have something fascinating. This is possibly the first in this group I’d recommend without hesitation, especially as it’s quite unlike previous incenses in the line.

Govinda Nagchampa returns to the floral (sub)style with a mix of sweet champa flower, neroli, ylang ylang and sweet roses. During my first sticks it was instantly noticeable how similar this is in style to the Aravind, except in this case it feels like the halmaddi/sandalwood center seems to come out a bit more. Govinda isn’t quite as dry as Aravind and the overall scent is noticeably sweeter. But like Aravind this is a noticeably more floral and “flower mix” type of scent than previous installments in the line and so when you look at the overall expansion it makes sense to move in this direction, giving the brand quite a bit more breadth. Like the Pavitra, I found that this mix starts to take off with use and like most of the incenses in the line increased use makes you feel like the creators really sat down and made sure they got the balance right. So if you want to try one of the florals I’d either start with this one or the Pavitra, but be sure to try one before expanding to the others as they’re all variations on a theme.

Pavitra Nagchampa might have been the floral in this group I liked the most, if, perhaps, because I spent the most time with it. At this point in taking notes on these incenses you start to run out of descriptive qualities when the incenses still fall into a pink, rosy, “feminine,” floral bouquet category. Certainly they all vary in scent within these qualities, but how to describe this one is difficult because my initial take was that the the top was a bit too strong with the florals of jasmine, rose, neroli, ylang ylang and balsamic orris. But after a few sticks it started to hit me from outside that such a mix works really well with the champa base, perhaps here the balsamic orris is triggering the halmaddi to bring out some more foresty qualities. Anyway if I was to choose one of the floral bouquet champas here to start with it would be the Pavitra, if only because I think it underlines how clever some of these blends are.

Radha Nagchampa is more dry and robust as a floral and includes white rose and spicy geranium. Anything with geranium tends to lose me and this wasn’t much of an exception, but putting aside the personal preference, you’d have to discuss this one in terms of its rosyness. As such this is perhaps the least bouquet-like as a floral, but it moves in the type of floral direction that I tend to find a bit harsh. It does have the same sort of clever balance the rest of the incenses in the line does in terms of the oils matching up with the base, but as this was the fourth incense so close in style, I was started to really run out of ways to separate this from the rest. In the end I’d probably say start with Pavitra, if you really love it follow it up with Govinda.

It’s perhaps a tribute to how modern this latest batch is that Rishi Nagchampa is described as an incense children love, and sure enough this mix of red roses, fruity jasmine  and blue violets puts this square in the inoffensive and fruity berry category. Generally anything this reminiscent of stawberries or raspberries will tend to be fairly popular but as most incense lovers know, you can only approximate these kinds of scents and in doing so the results often come off a bit generic, sure you won’t offend anyone but the results won’t be particularly exciting either. As a result even though this strikes me as a natural incense, the mix of scents leaves this feel a bit synthetic or dull. It’s lightly reminiscent of the smell of a big vat of gumballs at a candy shop or berry candles. It actually is quite well done overall in that it’s a lot better than most incenses this style, but like most of this new expansion it feels tailor made for people with only a casual interest in incense.

Anyway I hope to follow this up eventually with the other six. It should be said that Mother’s has always been incredibly generous with what they send, in this batch I also got a set of essential oils and absolutes they appear to be selling. All of the ones I sampled seemed to be of good quality (I particularly enjoyed the various cinnamon and cassia oils) so if you’re an incense creator this could be well worth looking into. Overall despite that some of these incenses aren’t to my personal tastes, I think this is a pretty clever expansion with every single one of these not repeating the type of scents we’ve already seen. And if you’re a fan of roses and other florals there’s probably some new favorites waiting for you.

myInsens / myJoy, myMantra, mySensuality, mySerenity, mySpark

myInsens is a new company in the US offering natural and premium Indian incense. The owner, Kaivan Dave, contacted me last year about the project and after samples of the incense, I’ve been pretty excited for a while to announce the company’s presence, their web site went live not too long ago.

One of the things you start to notice with Indian incense over time is the distribution structure. It is quite possible to think of several incense companies having separate product, but often certain incense companies in India market incenses outside the country and so, for example, the Madhavadas family provide incenses for Primo, Pure Incense and others.  I mention this because myInsens is definitely providing a new scent profile with their first six incenses, one that will be similar to other Indian incense companies, but with variations that make them well worth checking out on their own. Kaivan has struck me as very careful in the quality and styles he is releasing first and as such all of the incenses in the line have done nothing but open up since I started using them.

But not only are the incenses good, the packaging and presentation is particularly notable. The first thing I thought of when I got my first samples and box was simply why hasn’t anyone thought of this before? Because the box the incenses come in is wonderfully crafted for travel, a hinged box with a compartment for an incense holder. Even if you’re the Japanese incense type, I can imagine you’d love a box like this, with just a little bit of arrangement you can load the case for travel and not really have to worry about broken sticks. The only downside to any of this is that $19.99 for 24 sticks of incense and the box might be considered too steep for some, and I might agree if we weren’t dealing with what is essentially a connoisseur level of Indian incense. But I’d still maintain it’s almost worth it for the box alone, it’s that cool.

myJoy is the first of two reddish colored sticks, both essentially florals. I’m often the first person to complain about how poor some Indian florals can be, so I’m also going to rave about them when they’re great. And in many ways what myInsens has done with the floral incense is one of their selling points. myJoy is the type of floral that many companies attempt and few get right, and it is a real credit to myInsens that this is so beautifully balanced, because a hair outside of this balance can really hurt a floral. In the description, we’re given crushed rose petals and olive oil, the latter perhaps being the first time I’ve heard of the ingredient in an incense. The perfume that centers the stick is just incredibly well conceived, with almost real essential oil quality definition. The beauty of walking through a garden is the subtletly of scent, not some sort of perfume drowning session, so it’s so easy to recommend this, its powdery and feminine sweetness has a true delicacy and sense of nature in it. Pure Incense’s Pink Sayli is perhaps roughly in the same style, but I’m not sure anyone’s done it better than this.

The ingredients given for myMantra are ground patchouli leaves and frankincense powder. I also notice a strong sandalwood presence as a base, and the patchouli holding the center. The patchouli tends to the sweet, I’d guess due to the frankincense powder which gives the overall scent a fruitiness you don’t tend to find in most patchouli incenses. Due to so many elements at play the overall bouquet has hints of vanilla and orange in the mix, which remind me of spicier teas as well as certain colognes. But like all the incenses in this line the effects are quite gentle and always subtle and you never forget their are organics at work, all of which wonderfully unfold duing the burn.

While the whole line is good, if there was a standout in it it would have to be the absolutely world class mySensuality. Talk about raising a rose (and, as the description unveils, raspberry) incense to a new bar. How the company managed to get a rosy incense this authentic at a reasonable price is quite frankly almost miraculous territory. Like with myJoy this has floral definition that you usually only see in the high end Japanese lines (like Shoyeido Floral World). While other incenses in the line have a bit more halmaddi, this is still essentially something of a champa style, balanced to the point that criticisms fall away. The rose/raspberry mix is a real triumph for the company, so rich it almost has wine-like notes. Make sure this one’s in your first sample pack.

mySerenity moves back to familiar territory. This is definitely a champa incense, with what seems like a very nice halmaddi and honey mix. We’re given both lavender and vanilla as ingredients, although the former is certainly not very loud, which I generally think is a good move. The style is quite similar in many ways to Satya Natural, Honey Dust and others and thus is perhaps a bit on the generic side as a scent while still nailing the quality end of it. In fact if there’s any criticism to be made, any stick this thick with gum can be slightly problematic on lighting, but once it’s going it should be fine. The ingredients are nice and fresh and this is essentially a vanilla/balsamic mix, quite old school at heart.

mySpark nearly combines the spicyness of myMantra and the ambery subnotes of  myJoy with the champa qualities of mySerenity and indeed the ingredients given are patchouli oil, halmaddi and sandalwood. Like myMantra, this is something of a spicy, somewhat cologne-like masculine scent. Once again the perfume/oils being used in this stick are nicely defined, including a light touch of sweetness, in fact the way the florals and woods mix is lightly reminiscent of a good oud. This is the kind of champa I tend to gravitate to on a personal level and found this stick quite bracing and enjoyable.

When I got to writing notes on myZen, I realized I had gotten some aromatic fatigue, particularly because it is the lightest and airiest incense in the catalog. It was one of those moments where I was struck by how careful the incense making is here. In fact this seems to be almost the perfect meditation incense, not so loud it will distract you. The ingredients are sandalwood, halmaddi champa flower, the sandalwood the most pronounced ingredient in the middle with the champa flower playing lightly around the edges (my first impression was violet). Of all the scents in the catalog, this seems to be the least oil heavy.

Perhaps the best news about myInsens is they’re already looking forward to new scents, in fact I believe I was told there were four more on the way. This is all excellent news, because the combination of quality incense with an intelligent and modern style of packaging is all too rare in the field today. Also it should be mentioned that if you sign up for their newsletter you can get 10% off on your order. I highly recommend any incense lover who likes to share to give a sampler a try, I find it worth it for the box/holder combination alone. That it comes with extremely good incense makes it a perfect package.

Dhuni / Frangipani, Lakshmi, Sandalwood, Temple

It’s going to be tough for me to complain or criticize anything about this latest batch of new Dhuni incenses, so for the critical record I’ll just come out and say that, um, Dhuni doesn’t expand fast enough for me? I’m only kidding of course, but this latest batch of goodies is as close to an incense TKO as I’ve ever seen. Users of Dhuni incense already realize that they’re becoming very close to the premiere connoisseur Indian incense imprint and if these new incenses are any indication they’re getting better with every new scent.

If you want the short review, it’s that I’ve added the first three to our hall of fame and the fourth isn’t entirely out of the running either. It actually struck me burning some of these that the ingredients are so good that at times it’s almost as if you’re experiencing the Indian version of Baieido incense because it’s clear a lot of the aromatic value in these incenses come from very high quality ground wood powder and herbs, the subnotes on all of these pop and catch your attention constantly.

Frangipani is a fairly common Indian incense but I guarantee you’ve never tried one nearly this good. This is an incredibly beautiful and floral aroma, soft, sweet and decadently rich, in fact only Pure Incense’s Pink Sayli even remotely comes close to this incense’s almost archetypal femininity. Other frangipani incenses often seem generically floral, but Dhuni have managed to really extract the essence of the aroma and surround it with the appropropriate base and high level of ingredients. When I first got into Indian incense, it was the sweet and rich luxurious champas that drew me in and this is a great example of one. It’s simple, direct and undeniably pleasant.

Lakshmi is another superb champa style, full of halmaddi and honey, backing an almost even mix of woods and florals, not to mention a thin thread of spice that runs through the middle as well as a touch of vanilla. In fact this contrasts quite nicely against the Frangipani as where that stick succeeds in simplicity, the Lakshmi succeeds in complexity. The main difference is the quality makes it all breathtaking and reminiscent of the golden era with a real nostalgic flair. The last stick I burned before I did this review was mesmerizing, this almost seemed to have Baieido quality level ingredients and the way the burn spun off subnotes was extremely impressive. In fact this is really one of the finest champa styled incenses I can think of.

Dhuni’s Sandalwood sticks to the champa style and is of the same ilk as Happy Hari’s recent King of Sandal, the two Sandalwoods in the now defunct Rare Incense line, and almost any incense you’ve come across called sandalwood champa. However now take that idea and think of it Dhuni style. There are no slight imbalances here at all, the sandalwood sticks to a nice and light woodiness without the intensity of the oils you usually find in other sticks. Rather than a really strong oil-based sandalwood aroma, the Dhuni stick goes for a bit more of a high-altitude evergreen feel, likely due to the huge balsamic hit the halmaddi gives it. Like all Dhunis it’s luxurious and rich, and it’s hard to imagine a sandalwood champa lover who wouldn’t take immediately to this.

Reviewing Temple after three hall of fame level incenses might make it seem this is the stinker in the bunch, but that’s anything but true, if anything it’s just one I’d like to evaluate a little longer. The difference to my nose is that Temple’s aroma is carried more by the oils than the other three incenses and like any incense of this quality level you wonder if the oils might overwhelm some of the powders and herbs. Temple has some citrus touches in the mix, I’m detecting something like lemon or bergamot on the top, but mostly it seems to be largely a mixture of woody oils, maybe a touch of sandalwood at least. Make no mistake this is a beautiful incense, but really what else would you expect from Dhuni at this point?

What else can I say but more, please? Dhuni have really outdone themselves with their latest and can hardly wait for the next expansion.

Mystic Temple / Agarwood, Cedarwood, Chandan Champa, Frankincense, Patchouli Champa

The first time I tried Mystic Temple Cedarwood was just after purchasing some at a store of Haight Ashbury in the 90s. At the time this line was by far the best incense I’d ever gotten to try and I spent months doing my best to stock up on all the great scents they had. But like all great incense companies, the change in ingredients meant that all the recipes slowly drifted and changed until a great deal of the Mystic Temple line is more on the same level as, say, the Nitiraj Aromatherapy incenses. Of course Mystic Temple’s line is much larger so there are still plenty of really great incenses to check out, but I’m always hesitant in reviewing them because I feel like the recipes could have changed since my batch. This sampling of five incenses really only relates to what I still have and haven’t reviewed yet.

Agarwood is a comparatively newer scent, and it’s so close in aroma to the Pure Incense Absolute Agarwood that one might assume the Mystic Temple is also Madhavadas family sourced. In fact it’s so exact, I’ll just refer you to that review. I’d only add the caveat that it might not be quite at the Absolute level (some of those faint and neat camphorish touches aren’t in this one), but it’s still quite close.

The Cedarwood of a decade or so ago was a green stick, the current version is brown. Where the old version had a bewitching, sweet and Himalayan cedarwood oil, much higher quality than any current cedarwood I could mention, this version is dull, more in the pencil wood direction, and rough, like it has a lot of cheap benzoin in it. In fact it’s almost more loban-like than cedar-like. It’s not unpleasant but if you want this style check out Pure-Incense in this case.

The Chandan Champa really surprised me upon revisiting it, my previous impression was that it was fairly generic. It has a superb sandalwood oil on top and it makes the incense. It had the crystally high end scent of old mountain wood on top of a basic champa aroma and it works nicely. Curious to see if this is the same as it has been a while since I bought this (and it’s aged really nicely, something I can say for several MT incenses). Anyway this is well worth investing in, in fact I can’t think of another sandalwood heavy champa with so true an oil. But beware, as times have changed.

Mystic Temple’s Frankincense is the standard Indian frankincense masala, also possibly Madhavadas sources. So this review is still close enough to be true. It has the usual cocoa/chocolate notes this type of masala usually exhibits and a frankincense that’s nice but not quite like the resin itself. Anyway this is virtually interchangeable with Triloka, the Pure Incense and others I’m not remembering at the moment.

The Patchouli Champa used to be a very distinctive champa but for some reason it also has been switched out with a lesser incense in the last decade or so. The scent used to have a really strong patchouli component with a slightly burned-like tinge to it. Here it seems missing or fading and it exhibits that almost crayon-like scent some synthetic champa incenses have. There even seems to be little in the way of patchouli in it at all, unless they were going for a lighter scent. Unfortunately there’s something off about this one now, the smoke seems astringent, as if synthetic elements are at work, and the aroma has little personality.

Nitiraj / Color Aromatherapy Nag Champas / Black, Blue, Green, Gold, Orange, Purple, Red

This line up of Nitirag nag champa incenses seems to be one of the few remaining sublines in their catalog. There are seven aromas, undoubtedly to match up with the chakras, and they’re all created to represent a color in scent (there are no artificial colors on the incenses themselves). The entire line is more or less saddled with a lack of distinction in the same way so much of the Shrinivas line is, lots of aromas that only change  things to slight degrees.

Nitiraj’s Black Nag Champa for meditation lists sandalwood, vanilla and floral oils, which unfortunately doesn’t tell you much. And why would it? Everything is slightly tweaked here from the generic Nag Champa scent, especially the spicy middle and floral top notes, all of which are just gently different. The variation is quite nice, not up to the Shroff and Dhuni quality you’re seeing these days, but not poor either. It actually reminds me a little of the base that is part of the Nikhil flavored champas.

The Blue Nag Champa is for relaxation and contains rose, jasmine and sandalwood, making this somewhat similar to the Shrinivas “Valley of the Roses” incense. Like that incense the floral oils have an almost chemical-like scent and there’s no hint of true rose and very little jasmine. Unfortunately most floral champas don’t work out too well due to the avoidance of expensive ingredients and this is little different. There’s too much of a furniture polish thing going on here.

The Green Nag Champa is about balance and includes citrus oils with garden flowers and sandalwood. It’s quite nice, sandalwood heavy, with the citrus and flowers mixing in nicely and giving the entire incense an uplifting feel. The citrus oils in particular enhance the sense of freshness, strangely, in a way the Blue totally failed to accomplish. And most importantly, everything feels real with no off notes.

Wisdom is the theme of the Gold Nag Champa and the incense includes amber, jasmine and sandalwood. This champa is nice and hevay in the amber department, which gives the whole champa scent a totally different feel. The amber champas found in other lines are similar in style, but the jasmine really pops nicely in the mix (although a better jasmine oil might have made this a classic). Definitely one of this line’s best incenses, no surprise it gets the gold spot.

The Orange Nag Champa aims to evoke happiness and includes sweet woods and spices. It’s another semi-sweet champa, not terribly far from the Green if it had no citrus oils. Because of the lack of flashy ingredients, this also is still within the more specific nag champa aroma. It’s gentle, which is nice, but it doesn’t really have much in the way of a personality. There are Mother’s incenses that do this kind of thing much better, let alone Shroff’s Little Woods.

The Purple Nag Champa has a prayer theme and includes forest herbs and flowers. Another extraordinarily foofy, sweet nag champa, this one is mildly evocative of the sweetness of Honey Dust or Vanilla. Like with some of the other incenses in this line, it lacks a certain personality, althought it does seem to capture its color in a way the others don’t so much. Then again it doesn’t strike me as foresty in any way. Not much more to say, it reminds me of a forgettable Shrinivas offering.

Finally we have energy in the way of the Red Nag Champa which features exotic oils and sweet tropical fruits. At least in Red’s case we have a bit of vigor, probably due to the fruit oil mix (memories of Ajaro or Aastha from the Satya line come up here). But overall, we have the same issues, slightly weak and multiple ingredients combining for mild and unsuggestive aromas. This has sort of a champa mixed with a mild fruitiness that has little definition. It’s not unpleasant, but this just pales next to better incense.

There’s one more Nitiraj line, Masterpiece, although I believe this line may be on the way to deletion. But better than all of these, at least slightly, is Nitiraj’s gigantic Atmosphere brand which as a whole is a little more deluxe than the actual Nitiraj lines. Again, it’s worth keeping in mind that even when I’m positive about the incenses above, this is in no way to indicate these incenses are on the same level as the Mother’s champas, Shroff, Dhuni, Happy Hari etc.

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