Mermade Magickal Arts / Abramelin, Cyprian, Dark Forest, Dark Goddess

So just as I was wrapping up the previous Mermade review, another surprise batch of new creations showed up at the door. It’s funny but I’ve probably never mentioned what boxes from Katlyn look like, although customers are surely familiar, but even the presentation of the arrival has the same care everything else does. It should be noted of course that Katlyn’s talent at art matches the same talent involved in the incense creation, so part of the fun is seeing the labels and stationery that comes with each box. As someone who gravitates towards the motifs of western esoterica, I find the way each incense comes packaged to be a delight and in fact anyone who has been involved in the western mystery schools to some extent will be delighted at the symbolism just on the tiny jar of the first incense to be reviewed here and even the bag the jar sits in. There is an attention to detail that rewards the attentive.

For example, check out the amount of research and information provided by Mermade on their newly created version of the legendary Abramelin ceremonial incense blend. This is a historically documented incense associated with the occult work, “The Book of the Sacred Magic of Abramelin the Mage,” a guide written to teach a student how to converse with their holy guardian angel and largely associated with Aleister Crowley’s philosophy of Thelema. Of course much has been written elsewhere on this subject and so we’ll stick to the incense itself. Katlyn has chosen to create this incense with one part green frankincense, a half part mix of myrrh and storax and a quarter part aloeswood powder. While this seems like a simple recipe the quality of ingredients can have a massive effect on what the final product will smell like and this is I’m sure the first of its kind used with the powerful and lime-like green frankincense. I know this isn’t Katlyn’s first attempt at such an incense and different attempts and styles can make them all quite different from another. This work has a maturity that has allowed for quite a bit of subtlety most of which seems to float around the beautiful and heady myrrh and storax combination in the middle. The frankincense is definitely powerful in this but once heating gets underway all of the parts merge very nicely together with the aloeswood providing a subtle and more fleeting sort of presence. I also love the color of this incense, it tends to a lovely golden like shade which reflects rather perfectly with the intent behind the incense. One wonders if the original creators behind the incense ever envisioned or formulated the incense with such fine ingredients.

Also a simple, lovely and almost overwhelming incense is the labadanum, rose and agarwood combination found in Mermade’s new Cyprian. This mix strikes me as quite different than a lot of the other Mermade incenses. It’s as if the ingredients are all adding up for something very spicy, alluring and somewhat vigorous. The rose scent in particular is beautifully calibrated and reminiscent of some of the old rose and resin mixes, somewhat veiled by the incense’s spiciness, but still very authentic and gorgeous. The labdanum and agarwood are all finely balanced and the whole thing works perhaps because of its simplicity as a combination, allowing the nature of each ingredient to bring life to the blend. Strangely there is a beguiling earth or clay tone in the mix, as a result of the incense’s combination and the fresh incense itself almost seems to have a complex level of hoppiness to it. I was quite taken away with this blend and highly recommend it as a deep intersection of floral, resin and wood.

I reviewed Wild Woods in the previous Mermade installment and Dark Forest is another in Katlyn’s long and distinguished line of forest and woods incenses. This one is definitely a bit closer to center than the ambery Wild Woods and has a very pungent foresty green presence that is practically unadulterated with any note that might move this off center. I’ve admitted my almost unconditional love for this kind of scent before and this one is no different. It’s not complex in a wider sense, but there is a lot of activity within the greenness, made possible by juniper, black spruce, cypress, fir and cedar with strong backing from the black frankincense. There’s a slight note of patchouli on this that fills in around the edges, not to mention and even more fleeting glimpse of vetiver, both elements that just give different kinds of greens to the whole. As always, there’s a bit of sweetness to the evergreen and resin combo. As always, these incenses are bullseyes and tend to be as user friendly as anything on the market.

Dark Goddess is a new vintage of a previously named incense with some similarities, but overall I think this new blend is quite a bit different in scent. For one thing, the patchouli was a big note in the previous incense, here it’s much more subtle and blends with greater balance. As someone who doesn’t mind a healthy bit of good patchouli, and by that I don’t mean the cheap stuff that can overwhelm a drum circle, I love both the old and new Dark Goddess, but certainly like all of Mermade’s work, the most recent vintage is always the mature work. This mix, which includes ingredients that tend to the polar opposite of the blends based in green frankincense, such as black Ethiopian resin and black frankincense, is a very complex incense where the parts interlock like pieces of a puzzle making it just that more difficult to pick out the single elements. All of the resinous material gives the incense hints of molasses, caramel but also something a bit more dry with the herbs, especially the vetivert, giving it all an earthly feel.

As always, these are just a segment of the wonderful work going on at Mermade and it’s always a distinct pleasure to be able to share my impressions. One thing I often notice is later on I tend to pick up new things as I use the incenses, further giving testament to the depth of the art at play here. And so once again I highly recommend newcomers to Olfactory Rescue Service to visit the site, grab a heater and try out some of the luxuries in the Mermade catalog, as they’re all limited editions and vintages that eventually give way to new ones.

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Mermade Magickal Arts / Naga’s Nest, Wild Wood, Scentuality, Kamiwaza, Ensense Antique

Receiving a new Mermade batch is one of my favorite parts of running Olfactory Rescue Service, in fact I can’t really think of too many other companies where I would be hard pressed to come up with a blend they created that I didn’t love. The whole spirit of the operation from the incense to the artwork to Katlyn Breene’s generosity and support makes reviewing the incenses a total joy and as the years go by, the sheer art and experimentation involved, now stretching into actual Japanese and Tibetan style incenses, never fails to elate. If you read this site and have not had the pleasure of checking the Mermade operation out, I’d consider it one of the first stops an incense lover should make. Everything created here is managed to the last detail and the ingredients used are top quality, only to be worked into something of even higher quality. Every chance I get to dish out the hyperbole I relish it greatly and with no reservation. And to see the line incorporate newer incense creators like Gregg King or our very own Ross Urrere only underlines the spirit behind the incense underground. Once I thought that high quality incense could only be found on the other side of the planet, now I know it’s made here too.

Mermade’s Naga’s Nest is a true original. One of the things you’ll notice about Tibetan incenses, particularly the ones sourced from Nepal or India, is that so many of the aromas you’ll find are embedded in very inexpensive woods, often the kind that smell like burning tires and make your eyes water. So imagine if you were to take a Tibetan rhododendron or lawudo incense, strip away all of the cheaper ingredients so that all is left is the aroma itself, and mix those ingredients with good resins and sandalwood adding just the right foresty touch so that the rhododendron ingredient isn’t suffocating anymore. What you have left is a gentle and unique scent floating like a mirage on the top of a good base. The scent is then recognizable from Tibetan incenses but allowed to flourish, and that it does in this blend, which lasted for hours when I put it on the heater. There really is no other incense like this in any market, in fact even the occasional powder incenses don’t sing like this one does. One only hopes Mermade will try their hand at some of the other Tibetan ingredients in a similar fashion.

Wild Wood, on the other hand, is another in the long lineage of Mermade’s forest blends. It’s probably no secret by now that I’m a huge fan of Katlyn’s work in this area, she knows how to craft them in a way where the aroma always tends to be perfectly green, just like you’d smell if you were walking in a forest. This art of using evergreen ingredients and using resins to intensify the scent always makes these a rare treat, and an incense style that might even crossover to friends that can’t abide by strong Indian incenses or heavy woods. Wild Wood is something of an evergreen mix with amber floating in the background, but like all of Mermade’s forest incenses, the green is still up to 11 on this one, with lots of fruity citrus from the combination of two frankincenses, the copal blanco and the pinon resin. The amber subscent acts to give what could be similar to a lot of resin blends a nice richness, and I’m assuming some of this comes from the two balsams in play. Naturally this also comes highly recommended and if you have never tried one of Mermade’s wild nature blends, there’s no better place to start.

The last three incenses here turn over to Japanese styles, with one slight exception. All three of these incenses start with a base of high quality sandalwood and agarwood, but the third element sends all of these to unique destinations. Readers may remember Gregg King’s fantastic Ali’s Roadside Lozenges. The newest variation of it is Ali’s Rare Incense Powder. I have not had the chance to try the latest blend on its own, but recognize its scent from the lozenges, it is an incense created from a staggering number of high quality materials.

Katlyn has managed to take some of this powder and create a meta-incense with it by combining it with the aforementioned base as Scentuality. This blend takes a while to get going on a heater, but when it does, it gets more impressive as it goes and lasts several hours. The mix of ingredients doesn’t tilt in any particular direction, which to my nose creates a kind of bewitching merging, particularly where the spicy and deep qualities of the agarwood intertwine with the complexity of the Ali’s. This creates a lot of rich and wonderful subscents that remind me of the kind of sweet, quasi-kyara candy scents you can find in some of the good Shoyeido wood and pressed incenses. The early scent is powdery and gentle before the agarwood really kicks in. Overall, it’s a fairly mellow incense, more akin to where a Baieido incense might sit and it’s a tribute to both Mermade and King that they’ve created a Japanese style incense of very high quality and complexity with all of the similar grace and subtlety you’d expect. It’s an excellent example of how incense circles and collaborations are improving the work year after year. And for just under $20 it’s quite price conscious and better than a lot of Japanese incenses in that range.

Kamiwaza is an incense in the same family as Scentuality, starting with the same or similar base but using clove, cinnamon, patchouli and borneol from Japanese sources as the “third element” in the incense. These ingredients have deeper aromatic qualities than you would normally find if you were to source them elsewhere and they merge with the base in a rich and spicy way that is a complete delight. The agarwood really pops in this blend, balancing all of the multiple sweetness and spiceness with a solid resin note. If you have ever tried any of Shoyeido’s speciality incenses whether wood chip mixes or pressed incenses you will recognize notes like a fresh roll of Sweet Tarts or a spice tea mix. But like with Scentuality this will likely be at a much more affordable price point and it all works without the use of perfumes and oils. One tip, however, the balance of the scents is probably best achieved by turning the heater a bit lower so the aromatics don’t volatize too quickly, particularly as the woods will go for quite a while.

Ensense Antique also uses a sandalwood/agarwood base, but the third ingredient here is an oud oil called “Encense Angkor.” As such, I would suggest, like with Kamiwaza, to apply gentle heat to this incense in order to not burn off much of the oud oil too fast. This oud oil is of the rich and spicy variety and it melds quite perfectly with the woods and it often seems like the scent dances somewhere in between them. It reminds me slightly of Ross Urrere’s sandalwood and ambergris or souked aloeswood in that the general aroma is woody dry, while having some very complex top notes resulting from the ingredients being very high quality. In particular the sandalwood comes through nicely on this one. All of these blends, as usual, come with the highest recommendation and it has been so much fun to see how Mermade is working in all sorts of incense world traditions, all of the blends created with such a deft and careful touch. And of course all of them are graced with Katyln’s terrific artwork, spirit and presentation, it never feels like any stone is unturned in reaching the final released work. And good news, there are even more blends in queue for review, including a carefully recreated Abramelin incense, an agar/rose/labdanum mix called Cyprian that absolutely wowed me last night, Mermade’s newest forest blend Dark Forest and a new “earthy blend” called Dark Goddess (I’m excited about this one in particular as the description references the old Mermade blend Hecate, an incense I still miss). Stay tuned!

Apothecary’s Garden

Apothecary’s Garden is in Canada and has a number of interesting and “off the beaten track” incense materials, as well as tinctures at his Etsy store. The owner does much of the materials collecting all over the world , which you can read about in his blog.

I have tried the Frankincense Rivae, Papyrifera and Neglecta which are nice a a bit different then Omani Greens or the Somalia. I am experimenting with some of the wild collected sap’s for new blends. Nice Etsy shop and a very informative blog.  I will add the links onto the left hand side of our blog under suppliers and blogs. -Ross

Mermade Magickal Arts/Gaia Tree

When I first started getting into blended incense, I was fascinated with church and forest blends, in fact over the years I’ve gathered more of them than I know what to do with. Many who have spent some time in Catholic churches know the basic scent of frankincense and some of these blends could be quite fine, having that amazing citrus scent as a base. The forest blends often went deeper than this and I’ve run across several whose fruitiness tends towards the scent of green apple mixed with pine, spruce, fir and other evergreen scents. In fact while around here we talk a lot about the wonders of aloeswood and sandalwood, I’ve always really prized the much cheaper and easily accessible forest blends, they’re a great way to scent your space.

Katlyn Breen is turning out to be a master of the art of earthy, foresty scents, in fact I’d probably have to do a bit of research to create a list of all the wonderful blends that have come out of Mermade over the last decade in this vein. And these blends are in many ways much more carefully crafter and deep than the average forest resin blend and many of them go in all sorts of neat and interesting directions. Gaia Tree is one of her newest, listing black frankincense, storax benzoin, arbor vitae, green cedar tips, black spruce, green myrtle, fir, and benzoin and tolu balsam essential oils as ingredients. This is a very rich and powerful forest scent, starting with the citrus of the frankincense base, moving towards the evergreen and apple mix I mentioned earlier, adding a touch of spice that is reminiscent of Mermade’s amazing Mahjoun incense, an almost confectionary level of sweetness and a really strong touch of amber that comes from the essential oils, in fact it’s one of the most wonderful amber notes I’ve experienced in an incense. This is all well rounded with a distinct greenness that comes from the spruce and fir tips, highlighting the name of the incense itself. While so many forest blends tend to scent fairly clean, there is a rich, creaminess to this one that gives it a wonderfully decadent note.

As always if you haven’t made your way over to Mermade, it should be one of your top incense stops. The Golden Lotus incense heater is an absolute must for blended incense and Gaia Tree couldn’t work more beautifully on it.

A few incense notes

It has been a really long time since I posted anything, so I figured I’d drop in and say hello. Life has kinda moved me away from blogging and writing in the past year or two and although I’ve had some sample review inquiries, not much has shown up and with a few exceptions I haven’t had a chance to try a lot of new things, but I figured I’d do a ramble and see what I remember.

First of all, it’s difficult to write about good incenses at all without mentioning Mermade Magickal Arts. Among Katlyn Breene’s many talents, one in particular always stands out to me and that’s the way she can bring evergreens and forest scents out in her incenses, absolutely nobody does it better. As someone whose very first incense experiences as a teenager were pine incense sticks from Cost Plus incense, the scent of woods and fresh evergreen resins are always a huge draw for me, so to sample Mermade’s incense pastilles, especially right around the holidays, was a real treat.

These pastilles look like the little candies they were named after and it seems to me that all three have a wonderfully foresty and frankincense-heavy base that is slightly modified by the title scent. With the Labdanum Incense Pastilles, there are three frankincenses in the mix and a touch of benzoin to go along with the labdanum scent. Just like if you were to open a little tin of citrus pastille candies, the smell from these pastilles is full of the gorgeous lemon and orange hints you get from great frankincense, at time’s the scent is as strong as fruit juice. The Spruce Incense Pastilles are a similar scent but the effects here are less like candy or fruit juice, with the spruce moving the whole thing to a less sweeter place. I would have guessed that this would have been strongly evergreen but in the end it’s really a note, it drifts to being a bit more earthy as it melts on a heater. The Sweet Myrrh Incense Pastilles seem to have a stronger presence with the “title” note and is the most complex of the three. The myrrh, as it always does, balances and modifies the frankincense scents that also moves it away from the citrus notes. Myrrh has always struck me as being a bit “thicker” than frankincense and thus it works to excellent contrast here. As always with Mermade’s work there is a real clarity to the scents and subscents that portray years of experience in creating fine incense and it just always seems that new offerings from Mermade get better and better. I also tried a sample of Mermade’s Majoun Encens which just makes my ability to keep describing these new fantastic blends more and more difficult – I don’t think there’s ever been anything quite like it on the market, a bewildering mix of a base kyphi incense with all sorts of new and mysterious ingredients that just pop with energy, like a mix of spices, cola, various food hints and something just a bit more subversive. It’s an absolute essential purchase in my opinion. And of course if you haven’t checked out Mermade’s heaters yet, you simply must.

I’ve revisited some Shroff incenses of late and I’ve found that the initial semi-dry masala series that came in the yellow boxes has slightly changed. I’ve heard reports of big changes with Jungle Prince. Pearl is definitely a lot coarser and less subtle than it used to be while essentially pitching the same aroma, and Little Woods has changed but fortunately is still excellent. However, the group that came with Sugandha Mantri seems to be holding strong, in fact this group is still one of my favorites. With Dhuni gone, many Shroff incenses are about the best on the market right now.

I tried several of the Nandita scents. These incenses are all essentially perfume based, but they’re all blends that don’t go instantly reminding you of other incenses. Mantra Meditation, Wood Spice, Dehn Al Oudh, and Royal Attar all show up as decent variations on a given thing, but many of these aren’t easy to describe due to the fairly complex oils at work. They’re all extremely affordable but I’d be hesitant to pick one or two of these as a favorite as they’re all pretty close.

Anyway that’s about it. Feel free to use the comments section and let us know what your current favorites are!

Doma / Agar 31, Relaxation, Ribo Sangtsheo, Pyukar, Mandala, Special Incense

Doma Herbal Incense have a rather sizeable line of Nepali incense products that vary from the inexpensive to the premium ($18). Their products vary quite a bit in style, packaging and quality, but for the most part they tend to be pretty standard Nepali/Tibetan fare with the lion’s share of their sticks tending to inexpensive woods mixed in with light aromatic touches. This review covers about six different packages in the line.

The Agar 31 – Healing Incense (as well as the Relaxation) comes in these unusual flat sized boxes that aren’t really all that easily storable when you consider most Tibetan sticks come in long boxes or rolls. This is what I’d call a pencil shavings incense, even compared to other Agar 31 incenses, this has very little in the way of luster. It even has a strange, light floral note in the mix which is very unusual for this style. The black agar doesn’t appear to be very high grade and along with the herbs it just appears to flavor up a very overwhelming and cheap cedarwood base, which ends up being the dominant aroma.

Relaxation, fortunately, is quite a bit better, but that’s likely because the middle is filled up with resins rather than woods. Not sure if we’re dealing with frankincense, benzoin, myrrh or gugal gum here, although I’d assume it’s a mix of some of these that combines with a bit of herbal swank in the middle. It’s akin in some ways to both Yog-Sadhana and the swankier Heritage (or maybe a mix of the two), as well as the Natural Arogya-Karmayogi or Himalayan Herbs Centre Traditional Mandala. I like all these scents quite a bit, as well as this one, as they’re essentially like resin mixes embedded in Tibetan woods. Don’t expect fireworks, but it’s a good buy for the money and it holds up to any of the comparisons.

Ribo Sangtsheo is one of the biggest rolls I’ve ever seen in a cardboard box. The ingredients listed are cardamom, clove, spruce, hemlock, butterworth and benth, but like many inexpensive Tibetans with dictionary lists of ingredients, the incense ends up as the average. I kind of think of a scent like this as sour wood. It seems to have a great deal of pencil shavings mixed in with the other elements. Nagi? Sandalwood? Saffron? Musk? Maybe in microquantities but I don’t even think straining turns up much in the way of aroma. Then again, most incenses with the Ribo Sangtsheo name tend to be for inexpensive offerings and thus have as much traditional use as aromatic, so perhaps in the end this shouldn’t be held up to too high a standard. As an aromatic it’s not much of interest.

Pyukar is not an expensive incense but at least it doesn’t just smell like spiced up pencil shavings. Like one of the other higher quality Domas, the smoke is fairly low and there’s enough sandalwood to give it a bit of dignity as well as some benzoin and a light touch of spice. It’s still a touch on the sour side, but it’s also a bit similar to Red Crystal and thus bears a sense of familiarity. A touch better than fair.

Doma’s Mandala lists sandalwood, musk, saffron, juniper, and cardamom, but the deep red and thin base speak of cedar and/or juniper wood, and once again it’s difficult to suss out the ingredients on the roll (although strangely the saffron does manage to peak out). Overall this is one of those generic red Tibetan sticks with a strong nod to the campfire, with little to speak for it except for a slight sense of high alititude. There’s lots of incenses like these, after a while it’s difficult to really sense any great difference in quality from one to another.

Finally there’s Doma’s premium priced Special Incense which to be fair isn’t really worth a half or third of its price, given that it shares that tier with much better incenses. Still it’s easily the best Doma in this group. Like the Pyukar this is a low smoke incense and I’d guess in this case that’s due to the myrrh content. The scent is very clean and mellow, with quite a bit of resin and wood in the mix. The major difference to me from other Domas is the base wood quality is a lot higher than usual, but that doesn’t mean it doesn’t have it’s share of campfire associations. It does have that red berry juniper roundness, but then so do a lot of incenses at much more affordable prices.

Doma have quite a few other products, but based on the handful I tried here, I wasn’t inspired to check out any of the other incenses. In many ways the level of Doma quality is generally what you’d expect as a baseline for Nepali incense, there’s definitely some cheaper companies and a few much better, but what you’ll find in the catalog will generally be traditional and not too flashy.

Mentsi Khang Bhutanese Incense (Mih)

You’ll need to scroll past the Red Crystals to see this rather obscure incense. It’s fairly unclear from the box exactly what the name is, as “Mih” only shows up on the ends of the box. The box itself carries around 40 sticks, all of which, at least in my box, are kind of bent banana style. With the sort of airy feel to the stick (similar if not airier than the Nado Poizokhang lines, also Bhutanese), it makes the incense seem a little unusual or exotic even.

The ingredients listed are nagi, sandalwood, cardamom, clove, saffron, musk, leaves of spruce and hemlock, butterworth, benth, and other Himalayan aromatic herbs. However while that listing might give one the impression of a complex, multi-spice sort of blend, the results are a lot more consonant than you might expect. It’s actually not particularly unwelcome sorting under the Red Crystal incenses as it has that very woody sort of base, although in this case the woodiness gives way to quite a bit of aromatic depth, implying many of the other ingredients while not highlighting any one in particular. The scent has a peppery sort of vibe with the typical campfire aroma you get from heavy high-altitude, evergreen woods and a fleeting hint of resin or amber.

Overall it’s a rather unusual incense, with an aspect of it managing to trigger subconscious impressions at times, possibly due to what seems like a “fire” element to it with the pepper, heavy woods and strongly consonant finish. At times it seems like a simple incense, until one backs up a little and sees it for the mosaic it is, a picture created from little pictures. And it’s those little pictures that gnaw at you, well beyond the scent’s overall impact as if there’s much more to be found here.