Mermade Magickal Arts: Deep Earth Premium-2013, WildWood Forest, Ishtar

There are a number of new offerings at Mermade Magickal Arts right now, many, like the three below are designed to be used with the new heater they are selling. I have found that a lot of people really like this approach as smoke just does not work for them.

Deep Earth Premium-2013: These blends take awhile to make and let mature, but the process produces a very nice incense.  This years blend is very much a multi layered offering with, at times, some distinct notes coming across and over the general deep resins base notes. This is perfect on the electric heater. I noticed on its page at Mermade that this one has Oud oil added to the mix this time as well as Aloeswood. In fact there are quit a few very high priced ingredients in this mix which all help to make for a great experience. For me this blend tends to work best at night as a way to unwind after work.

WildWood Forest: Katlyn does these forest mixes better then any other I have been able to find. If you are in the middle of a city but need some open space in a hurry, just put this on the incense heater. Very deep forest green notes mixed with resins, how could you lose? This has always been one of my favorite blends from Mermade and having it in this form rather then a triangle/cone or stick seems to work better for me. The no smoke factor lets the forest come through much better.

Ishtar: This is a new blend, using very high quality ingredients. There is a somewhat sweet(not too much so)  base resin note, with the labdanum and woods coming over the top that create a very calming and grounding effect that would be very nice for meditation or any spiritual practices.

This is not a super strong room filling incense, however it does do itself proud and I think quite the treat. This batch seems to be in short supply; hopefully more is on the way.

Shroff Channabasappa / Soft (Semi-Dry) Masalas / Apsara, Exotic Petals, Little Woods (new version), Orange Blossom, Pride, Raja Yoga, Silver Bouquet, Suganda Mantri, Tapasya, Yatra, Yogi Bouquet

Shroff Channabasappa Part 1
Shroff Channabasappa Part 2
Shroff Channabasappa Part 3
Shroff Channabasappa Part 4
Shroff Channabasappa Part 5
Shroff Channabasappa Part 6
Shroff Channabasappa Part 7
Shroff Channabasappa Part 8
Shroff Channabasappa Part 9
Shroff Channabasappa Part 10
Shroff Channabasappa Part 11
Shroff Channabasappa Part 12
Shroff Channabasappa Part 13
Shroff Channabasappa Part 14
Shroff Channabasappa Part 15

Shroff Channabasappa Part 16

I’ve been wanting to write about this group of incenses for a really, really long time now, in fact it should be a measure of my appreciation for them that I’ve restocked every single one once. If there can be one string that ties all of these incenses together is that they’re (almost) all very sublime in terms of their mixtures of notes, the kind of quality that’s like a lure or siren’s song. When I first started to use them, I found it fairly difficult to get a really good impression that I could turn into words and then before I knew it they had sucked me in and I fairly rocketed through all of my initial packages before I could even put words down on paper. So then I ended up restocking them again a few months ago and was a bit more careful and methodical with them. By then there was a new blend called Silver Blossom and some of the original soft masalas were starting to change in recipe. One of these is here, the new version of Shroff’s classic Little Woods.

While Shroff don’t tag these as wet masalas, it’s kind of difficult to really tell what the difference is between the two categories, except, perhaps, that the wets are a bit stronger in terms of perfume content. There’s perfume in these as well but they are much quieter in terms of how much the scent comes out of the boxes when you open them. Think of Darshan or Saffron and how potent they are, these are something of a step down from those. But most of this group is also different than the original group that Little Woods came in, and what they tend to smell like on the burn is quite a bit different from what they smell like in the box. But in all of these incenses’ cases, the more you get to burn them, the more you come to love them and some of these I’d find difficult to do without, especially with all the changes and bad news on the market at the moment. With Dhuni closing up shop, Shroff are now the predominant incense in the Indian export field and the reason why they are is part to do with the subtlety and quality of the last couple of groups.

Apsara lists balsam, jasmine and musk as part of its ingredient list and you’ll see musk pop up at least a couple more times in this group. In particular this is a really crystally perfume musk that really works well with these incenses. With Apsara it’s married to a really sublime and gorgeous floral champa scent with a terrific spicy finish. It’s somewhat reminiscent of pink or even royal amber incenses at times and the mix of what seems like cinnamon (but is probably partially the balsam) and the champa base is perfectly done. As such, it is fleetingly similar to some of the better Japanese florals with a high quality perfume scent at heart. Gentle and seductive, like nearly incense in this liine, this has a subtle quality that always keeps me coming back to it.

With lavender, sandal, and palmarosa in the description, Exotic Petals is a mix of lemon and citrus with a floral and fruity type of center. This is the type of scent I always find reminiscent of air freshener or furniture polish, it’s bright, intense and almost impossible not to get the huge palmarosa hit in front. But don’t let comparisons to these household products scare you off, this is much more well done than a synthetic fragrance, and it has a unique atmosphere that is well worth checking out, particularly for those into “desert flower” type mixes. It has a bit of sandalwood in the mix that grounds it nicely and it has a really cleansing vibe that is good for lifting the atmosphere of your burning area. In fact this one seems quite perfect for summer.

Little Woods has been reviewed here before and has shown up in previous monthly top tens for me, I’ve always stood behind it as one of the best incenses India has to offer. So I was a little tentative to realize that the group it came in has rumored to have changed in scent. The new version is definitely different but the good news in this case is that it’s at least as good as the old version. When I originally reviewed this, I found it slightly reminiscent of the incense known as Woods that started out brilliant and then really took a dive with the recipe changes. However, I’d say the new version might even be closer to that original classic and this seems to be less perfumed in some ways and more evergreen or resinous in scent. As a result it doesn’t feel like we’ve lost another old favorite so much as gained a new one (even if the perfumed version was brilliant). Little Woods is still an evergreen and evocative wonder.

Orange Blossom lists orange and ylang as ingredients. Like an orange cream soda or popsicle, this fruity-citrus champa is one of the best and most unique of its type. It’s not only that it gets its scent right (too many bad memories of off orangey incenses makes me hesitant to approach these), but it does so and manages to be subtle as well. The blossom part, if you will, is nicely defined and gives the scent a lot of sunshine, it’s still distinctively gummy and balsamic at the same time with a touch of the powdery. The combination of elements makes this one perfect overall, but do note these are thicker sticks than the rest of the line and thus the stick count will be a little lower.

Pride sticks out of this group quite a bit by moving away from obvious floral scents and using sandal, aloes and musk as its ingredients. It’s probably the driest in the bunch, stick and scentwise and reminds me a little of Shoyeido’s Haku-Un, a woody blend with a nice touch of aloeswood in the mix. It’s quite different for a champa or soft masala, with peppery hot notes mixed in with the woody/spicy blend. At the risk of repetition, it has a great balance like all of this line. The whole scent has a spicy richness that makes this an earthy classic and could easily be used as a temple incense. Don’t expect this to have any sort of whopping Japanese style aloeswood note in it, but you can tell the ingredient is part of the mix nonetheless.

Raj Yoga is an earthy champa of a different type, and lists rosemary, olibanum and oakmoss among its ingredients. It’s very close to what I’d call a patchouli champa variant with a green, herbaceous character (the oakmoss I’m sure) that is reminiscent of vetivert as well. The middle seems sandalwood heavy and there’s a touch of spice/floral to give it some individual character. It’s all extraordinarily fresh and original, and a great example of why these are all such impressive hybrids, incenses that only work because all the moving parts are in their right places. It’s tough to pick a favorite in this group, but for sure this would be in the running.

Silver Bouquet is one of Shroff’s very recent blends and is a really excellent entry that reminds me of the older champa days. It’s not so much that it reminds me of one scent in particular as it evokes a combination of older notes in a newer blend. Hints of Maharaja or Incense from India’s Silver Temple, a touch of Lotus, a bit of Incense from India’s African Violet fill the mix as well as a bit of nuttiness and a thread of spice permeate. It hits the kind of sultry end you want with a “silver,” with the perfume revealing some cool subtleties through the burn. Amazing, like a quality spiced tea.

When I restocked Suganda Mantri, it was the one incense in the group I bought two boxes of. It’s one of this line’s brilliant pieces of art, a rich, sultry Eastern perfume in champa form. The scent is quite woody (musk and sandalwood are listed) and the subtleties are many and difficult to list. There’s a bit of chocolate, some earthiness, some sensuous florals, especially rose. It has a depth to it all the best Indian masalas have, where the plurality of ingredients come together in all sorts of sublime ways. It may be the best of several examples of why this batch of Shroffs is so good. Perhaps a bit similar to desert flower blends but if so the most superior version of that scent on record.

If there’s one incense in this group that I might have slipped a little bit with, it’s the musk, sandalwood and amber blend Tapasya. It’s a bracing, fruity blend with the usual sandal, orange peel and spices, in fact this could be considered something of an alternate version of the old Maharaj scent. The main issue with it is that either the bamboo stick or part of the aroma cuts through with a slightly rough woody scent that gives it some bitterness. It gives an abrasive note to the scent that prevents it from working properly. Like Pride, it’s quite dry, but not in a good way. In fact as I took notes down on this I went through several sticks just to try and capture why it wasn’t working as well for me anymore and mostly it just doesn’t pop like the rest of them.

Yatra, a mix of jasmine, sandal and musk, is an excellent blend of fruity and floral with a really powerful and crystally musk presence, this is really what this line does well, balancing several ingredients in an unusual and clever fusion. The wood and champa base sits in the middle and they seem to ground both the jasmine and musk so that both are distinct in the bouquet. Sometimes jasmine can be overwhelming, but like with Apsara it is placed rather perfectly in the scent. Very nicely done, fresh with a touch of evergreen in the mix.

Finally we have Yogi Bouquet which lists citrus, musk and balsam. Like Yatra, it has a distinct and noticeable musky quality, although where it’s more crystalline and perfume-like in Yatra, it shows up a bit more sultry here, meshing perfectly with the balsam. The citrus is nicely mixed in and doesn’t kill the incense like it often can when the essential oils are over accentuated. There’s a bit of sawdust in the mix as well and it’s perhaps a touch rough, but the combination makes it quite worthwhile.

This article more or less catches up with the Shroff line to date, although after trying the new Little Woods, I’m curious to revisit some of the other incenses in the group that have probably changed. I tried Pearl again but it’s close enough to the old version to be redundant and reports elsewhere on the site evince that Jungle Prince might not be up to the standards it used to have. Another big change is that Shroffs are now being packaged in 50g packages, which seem a good balance between not having enough and having too much. Let us know in the comments section what your current favorites are in this thread and if you’ve noticed any changes, any observations will be highly worthwhile to our readers.

Shunkohdo: Sarasoju, Zuika koh, Yoshino no haru, Ranjatai

Sarasoju is a nice, pretty straight up sandalwood. I am assuming that besides the wood that there is sandalwood oil as it has a very rich, deep sandalwood scent but you would need to use oil to get it to smell this way. Regardless, I think this is a winner and if you are looking for a sandalwood stick without other spices added into the mix then this could be one of your best bets.

Zuika koh is an agarwood blend that has a large amount of patchouli added in as well as just a hint of Borneol Camphor and probably some benzoin. Of course since people who really know what they are doing produce this, there are probably at least five more ingredients in it that one cannot detect that add to all this :)   I think it is pretty much “oil-less” although it is also fairly strong, not by Indian incense standards, but for a Japanese traditional stick. It has a very smooth delivery and can produce a very pleasant aroma. I tend to use this later in the night rather then during the day as it just seems more suited to the late night hours. Then again it would work well in some retail environments to set the mood.

Yoshino no haru, at least in the long format, is a very thick square stick with a nice green color (I always have wondered if the colors actually mean something, some sort of secret incense code). It has the “greenish/herbal” scent of Foenun Graecum plus some Borneol Camphor and other spices mixed into an agarwood base. I think this is one of the masterpieces of their line as it also, somehow, conveys a slight floral note within all of this that is very elegant. In fact I think this, as well as Ranjatai, are pretty unique in the incense world (although for different reasons). I do not use this on a daily bases, more like once a week, but if I am seeking this kind of scent the alternative is something at twice the price from other makers. It does a great job of living up to its name “Smell of Spring”.

Ranjatai has always been a favorite of mine, as well as many of the reviewers here. My vote says it is still one of the greats. There is a noticeable agarwood scent in the background over which the scent of musk and some spices float. It is truly elegant and captivating. It is also very smooth, which only happens via the use of decent materials and a big dose of skill. There are a lot of sticks from many countries that try to use a musk note. They are all pretty much synthetic smelling sweet concoctions that miss the reality of musk. These guys do it right. Other then their Kyara Seikan (which takes the whole concept up a couple of notches) I cannot think of another incense that comes across like this. For what you are getting the price is really good. Not inexpensive, but worth it nonetheless.

I am planning on reviewing their Kyara line up some time next month (after my bank account has recovered from this months buying spree). -Ross

Small Administration Post

I’ve deleted the “Recent Comment Activity” thread, and felt it was just time for a friendly reminder of what is considered acceptable commenting behavior at Olfactory Rescue Service. Of course as always 99% of you always seem to implicitly understand what’s OK and what’s not and we appreciate that.

The general rule of thumb is you’re welcome to say whatever you want about an incense. I honestly don’t even care how much vitriol one uses if they don’t like something, that’s what we’re here to share. Where it crosses the line for me is when a post is made that implies a person’s character (or lack of) is somehow responsible for their opinion, or that posts are being made in terms to favor one business or another – basically that ORS is somehow a conspiracy. Posts that are simply made to be negative, epecially when there is nothing to back up an opinion except for an assertion, aren’t welcome here. We are a friendly bunch, and I don’t like having to be unfriendly, but will if I think its necessary to keep up the integrity of the site.

Second, we do welcome businesses to weigh in and if you’re part of a business and have commented and it hasn’t been flagged then we are perfectly OK with the activity. But it’s important to keep in mind that many people subscribe to this site by e-mail and if I see an inordinate amount of activity from any particularly business, to the point where the feed starts to look like a sales pitch I will do something about it. Under no circumstances is it OK to solicit sales from our readers unless they specifically ask you a question about one of your products.  Nor is it OK to circumvent this rule by sending people over here to ask those questions. 

Most importantly, my staff or I don’t have to time to discuss or debate these rules, nor satisfy anyone’s sense of what is fair or not, we’ll just make the call we have to to ensure this place stays within the bounds we intend. We moderate all posts and if it gets passed that means we’re OK with it. If it doesn’t then I’d suggest changing the post and trying again. Ignoring or e-mailing my staff or myself (or even commenting in this thread) to nitpick over the rules will likely just have me turn the company reviews private until I get the message across. I don’t at all want to delete them permanently, after all, they are there for the consumer, but what I do want is respect for the boundaries we set.

Anyway hopefully this will be all I have to say on this subject for a while, I have upcoming reviews of a group of Shroff incenses I’ve been long meaning to talk about, the notes are all done, so it shouldn’t be long.

Back to the Future …New reviews of past Favorites

Some of our reviews are getting to be pretty old and there have been many changes in the incense scene since they were written. I was at Kohshi a few weeks ago and stocked up on some of my daily favorites and decided that it was time to “re-review” some of these. So in the near future you will be seeing reviews for produces from Shunkohdo, Gyokushodo and Baieido with more to follow as well as some great new  to ORS stuff as well…there is a really good kyara blend coming to town soon :) -Ross

Mermade Arts New Electric Incense Heater:

Mermade has brought out a new heater, which Katlyn was nice enough to send me for a test run.

It is a completely different experience then the last one. In appearance it is a nice gloss black body with golden lotus flowers around it. It has a ceramic base that the actual ceramic heater rests within as well as a ceramic, vented, top. It presents an overall graceful appearance and would work pretty well in any setting.

It also has a temperature controller that when tested against the IR temperature sensor I used seemed fairly accurate. I do not think it gets as hot as the last model, but since that got hot enough to cook food in, not to mention scorching expensive wood, this is not a bad thing.

I have tested this on some frankincense’s, agarwoods and sandalwoods as well as a variety of blends and it works well. It is also very easy to use. You for sure want to use a piece of foil to line the heating bowl that sets above the actual heating element. I have already recommended this unit to a number of my friends as I think it is a good investment, as well as selling at a good price. -Ross

Kohshi in GQ magazine

Kohshi(Japan Incense) is listed in this months GQ magazine as “ best 25 stores around the world”.

Very cool and well deserved and a major plus for the incense community. I figure Jay and Kotaro are responsable for inceasing the awarness of the differnt incense available from Japan to a huge degree. -Ross

Nippon Kodo / Kurobo Nerikoh

Today I decided to open up my container of Nippon Kodo‘s ”Kurobo” Nerikoh and give it a review. Upon first impressions I am confronted with a sweet, woody and spicy mix of scents, straight from the package. It is slated as having aloes wood and sandalwood, while its name is a phrase meaning “Black Priest” in Japanese. I was initially confronted with a base note of a salty/bitter aloes wood scent, alongside cassia and clove and a sweet floral smell I was unable to identify. I also noticed a slight undertone of a soapy smell (barely noticeable, similar to bar soap). After the initial burn in on charcoal in a traditional koro, (and slight heat increase), the overtones faded to a more woody, bitter aloes wood, and the sweetness tapered off. In my personal opinion, I liked this blend a tad more than the previously reviewed Hatsune, And believe that it will appeal to almost anyone, especially those who love sweet woods.

-John

Ross’s Incense at Mermade Magickal Arts

For those of you who have asked where to get my incense I now have three incense blends available at Mermade Magickal Arts. Ocean of Night, Sandalwood & Ambergris and Souked Agarwood. There are also sample sizes. The Souked Agarwood is a limited run given the cost and availability of the agarwood I like to use. They all use only the finest of natural materials and take quite a while to mature before I sell them.

Be sure and also check out the rest of Mermade’s site as there are many new offerings from both Katlyn and other artists.

Nippon Kodo / Hatsune Nerikoh

Howdy!
Today I will be reviewing Nippon Kodo’s ”Hatsune” Nerikoh. This kneaded blend tends to be a strong, syrupy sweet mix. I ordered a ceramic container of this, and was pleasantly surprised when I received it. It is slated as having aloeswood and sandalwood, while its name is a phrase meaning “the first bird warbles of spring” in japanese. Although slated as having aloeswood in the ingredients, I was initially confronted with overtones/base note of sweet apricot, with a background note of talcum powder and sandalwood. After the initial burn in on charcoal in a traditional koro, (and slight heat increase), the overtones faded to a more woody, sweet and bitter sandalwood, and the apricot faded into the background. Overall I believe this to be a very approachable nerikoh that will definitely appeal to those who love sweet incense.

-John

« Older entries

Follow

Get every new post delivered to your Inbox.

Join 314 other followers