Yamadamatsu’s Gyoka blend is the lowest of the line of aloeswood coils currently available. It has a top note of strong, slightly sweet, spicy, peppery aloeswood, alongside a buttery mid note of medicinal herbs and a touch of lysimachiae herba. Overall it reminds me a lot of a Baiedo blend, but slightly sweeter. The fragrance of this blend has a bit of a learning curve to it, and after a bit of time spent with it, it begins to remind me of an old log cabin, with the rich turpentine and wood scents that one associates with such.
April 7, 2014 at 5:37 pm (Aloeswood, Coils, Incense, Ingredients/Styles, Japan, Musk, Spice (Cinnamon Clove Nutmeg etc.), Uncategorized, Woods, Yamada Matsu)
Tags: gyoka, herbs, Japan, John, Yamadamatsu
This will be the first of my reviews of several Yamadamatsu scents I recently picked up from the wonderful people over at Japan Incense. Fujitsubo means (in the way it is written here) jar of wisteria, and comes in two forms, stick and coil. I am basing this review off of my impressions of the coil variant as I write, and I am immediately confronted with a sticky sweet floral reminiscent of a strong perfume. I get top notes of vanilla and lavender, with mid notes of rose and a base note of talcum powder and a slight, slight hint of spice. There is not a strong learning curve to this mix, as all the scents are quite up front and easy to pull out. At the very lowest end of the Yamadamatsu coils, this incense should be a pleasing treat to anyone who loves strong, sweet in-your-face florals without breaking the bank.
I’ve been noticing something of an uptick in posts by incense companies of late although you probably wouldn’t notice as I don’t tend to let most of these through. Olfactory Rescue Service is a site aimed to be a resource for the incense consumer and so I don’t think it’s a good idea to allow companies to spam the site with links. Most of the time this is really obvious, like when a company will post in a thread that’s over 3 or 4 years old and has had no comments on it in just as long. To me there’s no effort to be a part of the community here, which is one good way for me to be able to tell if there’s a balanced approach to being here.
So what’s the balanced approach? Well, I’m definitely far more inclined to let posts like this through when they’re being informative and specifically addressing a person’s question. But in allowing a post like this through, then I don’t expect the frequency of this to go up to where these comments are dominating the feed. It’s not OK, just because you carry a particular brand of incense, to spam your company link on that page. I don’t buy spam-generated stuff like “I love your website” and then a link to an incense company. You won’t see most of this stuff here because we won’t let it through.
On the other hand, I’d like to think I’m approachable and I do want to get the word out there about reputable and honest incense suppliers and companies. So if you are one of these companies and would like to touch base, my contact information is on the About page. This is a much more effective route to getting the word spread. On the other hand if your company is one of those that makes synthetic perfume on charcoal stick kind of stuff, then this site probably isn’t right for you either.
Also, to many of these companies, this is not an incense retail site except for an occasional boutique kind of thing from one of our staff. So inquiries into sales, will not be addressed or replied to, particularly because this should be very obvious from a cursory look at things here, it tells me you’re not really paying attention.
Anyway questions on this page are welcome here, with the caveat that some things just aren’t up for discussion and browbeating and bullying me or my staff over the rules isn’t something I’ll tolerate or even humor. Yes there are some incense companies that will occasionally post here and the reason they do is because they understand the balance here and what is trying to be achieved. We’d of course like that to be true for everybody.
It has been a really long time since I posted anything, so I figured I’d drop in and say hello. Life has kinda moved me away from blogging and writing in the past year or two and although I’ve had some sample review inquiries, not much has shown up and with a few exceptions I haven’t had a chance to try a lot of new things, but I figured I’d do a ramble and see what I remember.
First of all, it’s difficult to write about good incenses at all without mentioning Mermade Magickal Arts. Among Katlyn Breene’s many talents, one in particular always stands out to me and that’s the way she can bring evergreens and forest scents out in her incenses, absolutely nobody does it better. As someone whose very first incense experiences as a teenager were pine incense sticks from Cost Plus incense, the scent of woods and fresh evergreen resins are always a huge draw for me, so to sample Mermade’s incense pastilles, especially right around the holidays, was a real treat.
These pastilles look like the little candies they were named after and it seems to me that all three have a wonderfully foresty and frankincense-heavy base that is slightly modified by the title scent. With the Labdanum Incense Pastilles, there are three frankincenses in the mix and a touch of benzoin to go along with the labdanum scent. Just like if you were to open a little tin of citrus pastille candies, the smell from these pastilles is full of the gorgeous lemon and orange hints you get from great frankincense, at time’s the scent is as strong as fruit juice. The Spruce Incense Pastilles are a similar scent but the effects here are less like candy or fruit juice, with the spruce moving the whole thing to a less sweeter place. I would have guessed that this would have been strongly evergreen but in the end it’s really a note, it drifts to being a bit more earthy as it melts on a heater. The Sweet Myrrh Incense Pastilles seem to have a stronger presence with the “title” note and is the most complex of the three. The myrrh, as it always does, balances and modifies the frankincense scents that also moves it away from the citrus notes. Myrrh has always struck me as being a bit “thicker” than frankincense and thus it works to excellent contrast here. As always with Mermade’s work there is a real clarity to the scents and subscents that portray years of experience in creating fine incense and it just always seems that new offerings from Mermade get better and better. I also tried a sample of Mermade’s Majoun Encens which just makes my ability to keep describing these new fantastic blends more and more difficult – I don’t think there’s ever been anything quite like it on the market, a bewildering mix of a base kyphi incense with all sorts of new and mysterious ingredients that just pop with energy, like a mix of spices, cola, various food hints and something just a bit more subversive. It’s an absolute essential purchase in my opinion. And of course if you haven’t checked out Mermade’s heaters yet, you simply must.
I’ve revisited some Shroff incenses of late and I’ve found that the initial semi-dry masala series that came in the yellow boxes has slightly changed. I’ve heard reports of big changes with Jungle Prince. Pearl is definitely a lot coarser and less subtle than it used to be while essentially pitching the same aroma, and Little Woods has changed but fortunately is still excellent. However, the group that came with Sugandha Mantri seems to be holding strong, in fact this group is still one of my favorites. With Dhuni gone, many Shroff incenses are about the best on the market right now.
I tried several of the Nandita scents. These incenses are all essentially perfume based, but they’re all blends that don’t go instantly reminding you of other incenses. Mantra Meditation, Wood Spice, Dehn Al Oudh, and Royal Attar all show up as decent variations on a given thing, but many of these aren’t easy to describe due to the fairly complex oils at work. They’re all extremely affordable but I’d be hesitant to pick one or two of these as a favorite as they’re all pretty close.
Anyway that’s about it. Feel free to use the comments section and let us know what your current favorites are!
This will be my first review of the new year!
Today I will be reviewing Okuno Seimeido’s Kunsui Ginsen, or green incense – singing* selection. The stick is your standard brown and is listed as containing “aloeswood and Chinese medicinal herbs”. On first lighting, I smell a hit of salty aloeswood with a touch of pine, with a mid note of plum, and a touch of cassia, nutmeg and sweet spice in the background. Overall I would describe this stick as a mild, sweet, woody floral scent. It is definitely a pleasing aroma, If you are a fan of floral and spice I would definitely give this one a try.
*I think I translated this correct :/
Seikado Gokujo Kyara: There is a style of incense that, in the US, Sho-kaku has come to be the example that we all refer to. Probably because it got here first and is also one of the greats. There are, in reality, a number of other Japanese incense makers who produce similar scents that Kohshi has brought into the US by this point and Seikado’s Gokujo Kyara is certainly one of the best. It has all the wonderful musky notes dancing around the central deep wood/kyara somewhat vanilla scents that I have seen literally stop people in their tracks when first smelling it. There are none of the charcoal notes that some of these mixes have, which I find a little hard to deal with. I think this is a wonderful incense and worthy of anyone’s collection, plus it comes at a great price for what you are getting.
Minorien Kyara Chogo No. 5 ( Five Notes): Kyarazen sent me a stick of this to try some months ago; it was love at first scent! There are the “wet” notes Minorien is known for but they are much more restrained then in the Kyara Ryugen, there is also a much stronger or noticeable overall wood presence then the Ryugen. But what really sets it apart, at least for me, is a sort of honeyed scent that flows in and out of the overall mix. This is not dominating but rather adds to the refined nature of this incense. I think this is one of the best sticks on the market at any price point.
I am working on a Top 10-20 for sometime in December, stay tuned!
Ross’ Comfort incense, a blend of North American and Asian pulverized barks, leaves, resins and seeds, serves up cozy memories of “Home Sweet Home”. Maple syrup, root beer floats, caramel chewies, orange-laced chocolate and sweet anise’s confectionary notes precede distinctive whiffs of celery leaves and toasted walnuts, liberal pinches of ambergris and musk and generous helpings of gourmet agarwood and sandalwood powder for dessert!
When winter’s chill creeps beneath the sills I love to douse cushions of French toast with freshly-tapped maple syrup, stick my finger into mountains of vanilla frosting and chomp on wads of toffee gooey enough to glue my teeth together. Comfort indulges me in these olfactory pleasures without my having to worry about my dentist bill or the needle on the bathroom scale :)
If you would like Comfort to festoon your holiday season, please visit the “New and Featured Products list” on the Mermade Magickal Arts website.
November 6, 2013 at 7:22 am (Uncategorized)
Beth asked me to pass on the note that there has been server problems with the Essence of the Ages website for a few days. She is still in business and hopes to have the site up as soon as possible. It’s a worldwide problem with a certain server so it’s out of her hands.
October 11, 2013 at 10:54 pm (Anise, Evergreen/Forest, Honey, Incense Notes/Samplers, Mermade Magickal Arts, Mint, Resins, Wine)
Tags: Deep Earth, Frankincense, John, Kyphi, Mermade Magikal Arts, Resins, Spice
Howdy! Its been a while since I have written a review, but I managed to scrape some funds together to snag an order of Mermade Magical Arts’ Classical Kyphi by Nathaniel Musselman.
The wonderful people over at Mermade Magical also were kind enough to throw in a few samples with my order, including Deep Earth Premium 2013, so I will be doing a double review today!
Classical Kyphi has a scent that upon first whiff ,smells reminiscent of fresh raisin bread and frankincense. After a bit the cinnamon starts to come through, with a touch of anise. Heated gently on charcoal or an electric heater, this will surely please anyone who enjoys sweet, spicy scents.
The Deep Earth 2013 is hands down a new favorite of mine. I will most definitely be keeping a supply of this on hand, once I have the means to. As stated in the previous article by Ross, it comes across very thick, resiny and woody. Upon placing it on my charcoal censer, I was immediately hit with a strong aroma of labdanum, although curiously it does not list labdanum in the ingredients. Alongside the top not of labdanum, I noticed myrrh, with a scent resembling honey and agar wood in the background. Anyone who is a fan of deep resin and wood scents will definitely love this blend.
Pure Incense / Tuberose, P-Gokula, Pushkar, Pavitra Vastu; Revisits / Connoisseur / Agarwood, Blue Lotus, Parijata, Rosewood
Pure Incense have been kind enough to provide lots of samples for Olfactory Rescue Service review and I recently received a new batch, including four old sticks previously reviewed in order to give a taste of where these classics have been heading as ingredients and recipes change over the years. In my opinion this kind of transparency is to be highly lauded when so many companies just change things completely without notice and I believe it to be a true acknowledgement of the art of incense in that change is inevitable in this field and that your favorites will probably not be around forever. It is good to see that even with changes that new formulas are being added and experimented with and that Pure Incense really do have a way with the perfume notes in their incenses. So let’s start with the new and previously unreviewed formulas.
When it comes to certain floral incenses, a lot of Indian incenses tend to a high level of charcoal in them, after all you can’t really burn rose petals and have the scent smell like roses and so there is a high level of oils in incenses like this. Tuberose is one of these scents and I’m probably not alone in not being a fan of this format of incense. But just like when you compare Pure Incense to their US cousins Primo, the quality level seems to be a lot higher with Pure Incense and I found the base to be, if not pleasant, and least not offputting. I seem to remember Primo’s version being a lot harsher and eyestinging. The oil on the base, of course, is quite nice and while you can still sense a bit of the vanilla floating behind it in the base, the Tuberose is a soft, rounded and cushy floral, somewhat powdery and quite feminine.
The Pavitra Gokula scent, which seems to be a subline of Pure Incense’s Premium collection, appears to be a new riff on their classic Blue Lotus scent. And like anything even remotely similar to the Blue Lotus, this is a very beautiful and bewitching incense, almost like a caramel-tinged floral. It has some similarities to one or two of the Vrindavan incenses elsewhere in the line, and there’s that wonderful hint of sweet and crystal pink that these incenses are topped off by. The Gokula has an almost candy-like middle, giving it a real complexity (especially when you consider how complex the Blue Lotus perfume is on its own). Perhaps its only weakness lies with the base, but its likely most readers will already know if they’re OK with it or not. And if you’re not sure I wouldn’t let it put you off as the base layer actually adds more than detracts from the complexity. It’s really the kind of direction you want to see a company take, experimenting with their formulas for new takes.
The Premium incense Pushkar also riffs on the Blue Lotus incense, this time combining it with the Vrindavan Champa scent. I believe it is with some modesty that Pure Incense hasn’t ranked this with their Connoisseur level, as the crystal pink floral scent mixed with the Blue Lotus oil is really a product of master craftsmanship. The mix has some similarities to the line’s brilliant Rosewood incense as well in that the scent seems to have a bit of woodiness in the middle to give it a nice breadth. It’s almost like a mix of pink florals and evergreen foresty scents. It’s truly well worth checking out, a really fine entry to their line.
The Pavitra Vastu is notable for not having any flower oils in the mix and is instead a mix of herbs. The result is a spicy, tangy herb and wood heavy blend with a hint of citrus in the middle. It’s a very robust and hearty incense that has more than a hint of orange tea in the mix, although it really doesn’t get too spicy. After a couple of sticks, I wasn’t sure about how complex this could be, but it is nicely balanced and has a nice clarifying affect on one’s surroundings.
As could be expected the Connoissuer line has changed in scent in the few years since I reviewed them last. It would still be a good idea to revisit the reviews here and here in order to see where these new reviews get their basis from. I only had a stick of each of the new version to sample and so I can only really approximate the changes, but none of them are particularly severe, which leads me to speculate that the changes are mostly via the ingredients.
The Connoisseur Agarwood has, unsurprisingly, changed the most, which is what you’d expect. Of course it’s important to note again that Indian agarwoods differ a lot from the Japanese, but the Pure Incense version from a few years ago was easily the best of the Indian agarwoods, with a wonderful deep and resonant foresty camphor like note that gave it a huge amount of dimension. This new version (marked Autumn 2013) doesn’t strike me as being quite as woody and I wasn’t sure with just one stick if that note was as strong as it used to be, but the incense really hasn’t lost the agarwood scent at the center. It just seems maybe a little more concentrated, and it isn’t overshadowing the vanilla note in the base like it used to. But I think if I was coming fresh to this I’d still enjoy it a lot, there is really no other Indian agarwood on the market with this kind of scent. It doesn’t have a perfume based scent like other Indian agarwoods, and so it’s still quite dry and stately.
The new (Sept-Dec 2013) Connoisseur Blue Lotus is quite close to what you might remember from my original review and in a way is a lot more difficult to describe since essentially what has changed is the perfume oil(s). None of the subtle notes have disappeared so much as changed in just the way you’d expect from the flora the oils were distilled from. The overall scent still has the soft and floral notes the original did and honestly I don’t think this has changed for the worst, it’s at least as good as the stick I previously reviewed. And this is really a special incense, there’s no other like it on the market.
The Connoisseur Parijata seems to be a much milder incense this time around and seems to lack a bit of the punch and personality of its predecessor. Keep in mind again I’m only evaluating one stick and the nose has the ability to close up on some occasions. But this one strikes me as light and airy and so the base comes through quite a bit and seems to render it a bit more generic than I had remembered it (I still need to dig out the old stick as I’m going mostly on memory here). It’s a bit powdery, woody and sweet but ultimately I found the burn a bit too mellow to get my attention.
On the other hand the Connoisseur Rosewood was an improvement to an already excellent incense and I found this new version to be absolutely superb in every way. It’s hugely rich, floral and fruity, having those fine wine-like qualities all good perfume oils have. And like all good oils, the scent has lots of subnotes, all of them red or pink. It’s hard to quantify why this is much better than most Indian rose incenses, maybe the hint of wood or spice in the background helps to make up for the bitter notes often found in these sticks. Nonetheless this is superb and the biggest upgrade in an already fine group.
It’s good to see Pure Incense still going in what has been something of a difficult market of late and nice to see they still have a commitment to quality and connoisseur level scents.