Aromatic Vaporizer Set available at Mermade Magickal Arts

I just wanted to quickly mention that Mermade Magickal Arts is, for a limited time, offering a newly updated Aromatic Vaporizer. I believe the initial count on these devices is 30 and dropping, so if it’s interest to you, you’ll want to act fast!

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The Rising Phoenix Perfumery / Musk Rose Bakhoor, Resin Bakhoor, Ambergris Souked Sandalwood Powder

I’ve been really looking forward to writing about Rising Phoenix since I started corresponding with JK DeLapp some months back. It may not be known to all readers but there’s really an amazing community of incense artisans in the United States now and often even when it looks like I’m posting about a new company with new incenses, I’m actually posting about veteran work in the field. We’re talking about high quality incenses on the level of Katlyn Breene and Ross Urrere but with a distinctly individual direction and focus that is expressly JK’s. Two of three of these incenses are intended to be in the middle-eastern Bakhoor style and yet while they carry forward the qualities of this style of incense, they avoid all of the trappings of the cheaper stuff and instead move closer to what might be considered mid to high end Japanese incense quality. The other incense, while not a bakhoor, has a similar level of quality. All three are fabulous incenses made with numerous high quality aromatic ingredients covering multiple levels of activity whether one heats or uses them in charcoal and those who have enjoyed the work of other artisans we have featured here should immediately line up at Rising Phoenix Perfumery’s Etsy store before the incenses are gone.

The first of these incenses is called Musk Rose Bakhoor. Like all three incenses, this one comes in a 3.5g sized glass jar wrapped in Japanese Washi paper. The incense is a fine earthy powder that is immediately redolent of the finer materials in incense. I remember a day when you couldn’t buy a good rose incense, but even fresh from the jar you know you’re onto a good thing here. The ingredient list is impressive with the wood base combining sandalwood and four different kinds and origins of aloeswood. On top of this blend we have a mix of Russian Centifolia Rose (an attar I assume), Champa and an all natural and extremely fine Hina Musk. You would think almost any one of these top ingredients could suffice for a great incense, but all three of them together make for an exceedingly complex and heavenly blend of scents that deliver an aromatic epiphany over and over again. These are the types of fine scents whose descriptions couldn’t possibly live up to the billing, the kind of subtlety lost in cheap floral incenses. There is one caveat here though, this is the kind of aloeswood heavy incense that the Golden Lotus incense most of us use from Mermade Magickal Arts isn’t quite hot enough for even at maximum and so in order to fully experience the whole scent, I had to experiment with the blend on charcoal as well (good news though, I believe there will be new methods of heating on the way in the near future from MMA that should allow the woods to come out more). It is truly hard to encapsulate how much goodness is going on with this blend. The rose hits you first as any good rose scent does, but the finer ones have personalities that transcend the usual experience of walking through a rose garden and this one is a scent you could just fall into. The champa will bring back memories from the years when champa-based incenses were at their best, I had multiple hits of deja-vu with every use of this incense, I’m not sure any other word could describe it better than awesome. One wonders just how much the champa and musk ingredients modify the overall scent as I also seem to pick up more of it a bit later in the heat when the sandalwood starts to come out. I’ve always found it interesting as well how Sandalwood can work so cleverly in an aloeswood heavy mix, although this may have been the way it works with a low heat. Needless to say there’s so much going on this incense that it will take many uses to really explore all the directions its going. It’s quite simply a masterpiece.

Rising Phoenix’s Resin Bakhoor is something of a high-end take on frankincense and myrrh resin mixes.  I was charmed to learn that this incense actually started as an Abramelin incense because you can actually sense that this is the origin, particularly from the way aloeswood and frankincense are mixed. This has a similar type of base to the Musk Rose Bakhoor, although in this case even if the aloeswood mutes a bit at low heat it doesn’t affect the scent quite as much as the previous incense, simply because the resins here are really arresting. There’s a real melding of scents here to create something quite new and special, a real eye to how each ingredient modifies another. Frankincense and myrrh are kind of the peanut butter and chocolate of the incense world anyway, but I really like the way the limier aspects of the green frankincense meld with the good quality Ethiopian myrrh here, it’s as if they were one resin with multiple faces. Some of this is due to the benzoin and labdanum in the mix, both of which seem to intensify the overall fruitiness going on at the top. And what a fruitiness it is, not just the typical lemon or lime qualities you usually get with resin mixes, but a sense of age and subtlety as well, which is a nice trick that is enhanced when the method of burning or heating makes sure to bring out the deeper qualities of the aloeswood and sandalwood. It’s actually somewhat rare to see a resin blend formulated with such a wide array of fine materials and even rarer to find one where every ingredient counts in the mix.

Rising Phoenix also offer various types of aloeswood and sandalwood, and offer as an option with their Indian Sandalwood Powder, An Ambergris Souked Sandalwood Powder (scroll down). Those who have had the pleasure of trying Ross Urrere’s take on this theme will recognize the style, where the crystalline, high-end scent of fine, fresh sandalwood is modified by the salty and sublime scent of ambergris. However, Rising Phoenix’s version of this uses (Golden) Irish Ambergris, rather than the more common New Zealand sourced material, which makes me want to eventually compare the two. I find this style of incense to be simple in terms of getting a two-scent, highly clear aroma, which is a good thing as the materials being matched here contain enough complexity in their own right that they would be drowned out in a more complicated blend (ambergris in particular does not shout, it sings). And of course if you’re only familiar with sandalwood in stick incenses, then experiencing what fine powder is like is a must as its better qualities are always revealed in a heat. In fact I would even think this would work quite at well at lower temperatures as a little goes a long way.

It is good news to see these incenses on the market and better news to know that even more styles are planned! Those of us who await every new Mermade blend with that sense of pre-Christmas anticipation will likely start finding themselves doing the same thing with Rising Phoenix. But this company doesn’t just have us awaiting the next blend, it encourages people to learn about and create their own aromatic products. You can find informative videos at this link. To see more than the introductory video, all you have to do is sign up with your name and e-mail address. And with new methods of heating and burning on the way, there should be more informative videos to share with you all in the near future.

Mermade Magickal Arts / Dionysos, Icaro +

One of the things I’ve been noticing of late is that I can often have a Mermade incense in queue to review (the latest two are the fantastic Heart of the Sun and Honey (Amber Champa) incenses) and then they’re already gone by the time I make a move to writing about them. So it should be said that in general Mermade vintages are going out to higher demand, so it behooves oneself to move quick on these things, perhaps even quicker than waiting for our reviews as unfortunately we can’t get to everything in time as much as we’d like to. Olfactory Rescue Service is of course well pleased that more and more people are experiencing Mermade and Katlyn’s bountiful creations as I can’t imagine a time where we wouldn’t have good things to say about them. The latest creations could be gone by the time I get this posted and it would be a shame as both of these are comparatively unique to the roster and well worth checking out.

Another thing I’ve been noticing is how Mermade’s linking of myth and magick to the incenses give them a sort of power in their own right. Dionysos is one of these and the label immediately puts in mind the feral Greek wine God and his intoxicated entourage. When the first notes of the incense arise from the heater, the scent is grape, berry and wine all of some mysterious vintage. But woven through this central note is the wildness you’d associate with this God, an evergreen, balsamic and grassy mélange that speaks of remote pagan locations. Two of the incense’s notes are Greek Aleppo pine resin and Bay laurel leaves, both of which work with frankincense, myrrh and labdanum to give this scent a noticeably different feel to it. It’s a brave creation and has that touch of the weird to it that helps to get these images rolling.

Icaro moves across an ocean from frankincense and pine to copal blanco, elemi and Breu Claro, from European forests to the rainforests of Brazil. The comparison between these two incenses shows how different scents can be. It is something of a hot, dry incense especially in comparison to the liquid resin-like qualities of Dionysos but it’s also defined by an intense cactus-green scent that likely comes from the ground ayahuasca that is buried in the copal-heavy mix of ingredients. This combination speaks to the shamanic myths of the area and strangely enough I’m also reminded of how close to the word Icaro (defined at the Mermade link), the Greek figure Icaros sounds, and how both speak of long voyages and journeys. Once again, we’re seeing new directions being assayed by Mermade and this is a heady combination that has an impact similar to the Dream Snake of many years ago.

I was sent other current samples of Mermade works, including two variations of a stick version of Pan’s Earth, one an aloeswood version thereof. I had enough to know these were beautiful and heady blends that speak of how strong Mermade’s stick incense has been getting with new variations (and this goes for the Honey/Amber champa sticks to which I’m looking forward to more of after I rocketed through my tube of the amazing things). Mermade is also selling Styrax Benzoin, which comes looking like a fragile geode of dark crystals sparkling in part due to the added tincture/essential oils. This nurturing of the natural brings out a very gentle amber-benzoin scent on a heater, mild and unassuming and avoiding some of the harsher qualities of cheaper benzoin.

I also received a sample of small disc-like lozenges of Deep Earth, but when I opened the little package, I lost one of them as it shot out of the package into that same dimension lost socks go. The other landed on my heater where its familiar but variant scent reminded me of how much I love the lineage of this incense, I believe I still have samples going back at least five vintages.

In summary, it’s just always a joy to go through Katlyn’s latest work and share it, but don’t forget these incenses are getting more and more fleeting as people learn about this venerable company, so it doesn’t hurt to grab a vial or two right away. Also, next review I should have some incenses from a new entry into the nicely growing US field of incense artists, a “newer” company I have really been looking forward to talking about…