Haiku Contest

In another thread, one of our readers, JohnPawn, told us that he had some incense he’d like to give away and suggested a contest for the box. This incense is an ORS favorite and I’m always up for some fun so I was happy to indulge. Note that this contest, its winners and such, are all determined by John and his son, the judges, not by ORS, but I’m happy to make a place for it to happen. So here is the contest and rules…

Hey Everyone!

 

How about a little contest?

 

I have a box of last year’s coveted Dzogchen Monastery Lotus Ground incense (minus a few sticks) that I would like to give away.  I enjoy it, but it doesn’t move me.  I would rather this rare incense find a home where it will be treasured.  You can read about this wonderful prize here:

 

http://www.essenceoftheages.com/dzogchen/dzogchen1.html

 

As you may know, a haiku is a traditional, three line, Japanese poem with 5, 7 and 5 syllables per line, respectively.  Contestants are kindly asked to reply to this post with their own original, incense related haiku.  The best one wins the prize.

 

Now you might say, “Hey JohnPawn, why are you offering a Tibetan prize for a Japanese poem?”  There are two reasons for this.  First, I don’t know of any short form Tibetan poetry and, second, I don’t have any Japanese incense that I want to give away.  Sometimes we just have to live with life’s little ironies.

 

The judges will announce the winner approximately one month from today on May 16th, which coincidentally happens to be the 365th anniversary of the founding of the Dzogchen Monastery.  Or maybe it isn’t.  Either way, that is the day that the judges will reveal the winner based on their own arbitrary and undisclosed criteria.  And, of course, the judges’ decision will be final.  The judges will be myself and my youngest son.  Even though my son is only 12 years old, he has a wicked nose and a keen ear for poetry…although I will admit that he has a tendency to favor art of the scatological nature.  We’re working on that.

 

The only other caveat for the winner is that they must have a U.S. address.  Obviously, this is due to shipping costs.  Mike made the suggestion that I could request a non-U.S. winner to pay for the additional shipping charge.  However, I would prefer not to have money involved.  I know that this will exclude many readers from the prize, but hopefully our international friends will understand and still want to participate.

 

All entries must be submitted as replies to this post and be time stamped as of May 14th, 2015.  It would also be appreciated if you also stated if you were a U.S. or non-U.S. resident.

 

To get you in the mood, here are two haiku that I whipped up this morning…

 

Haiku #1

Smoke soars thick and sweet

Was wonderful but now gone

So too was our love

 

Haiku #2

New to Tibetan

With one wiff the woman asks,

Who sent the poo scent?

 

Here’s hoping people will participate!

 

-JohnPawn, Co-Protector of the DSS

Essence of the Ages

I’ve been hoping that I wouldn’t have to address this issue, but I have had multiple personal e-mails and posts about long and extreme delays (4-6 weeks) ordering from Essence of the Ages in the last couple of months, perhaps longer. First let me address this. While Beth’s page re: Olfactory Rescue Service on the Essence of the Ages site has been invaluable to giving this incense site greater visibility, and I would assume that the reviews here have also directed traffic her way, Olfactory Rescue Service is not a wing of the company, it is completely independent from Essence of the Ages and will remain so, otherwise it could not function with any semblance of objectivity. On the other hand, because of the symbiosis between the two sites, I consider Beth a friend and for a very long time I have been able to recommend her business wholeheartedly.

And so I am caught between a rock and a hard place. On one hand, my empathy goes out to her for what has been a very difficult time. On the other, the reports of late packages continue to proliferate. Some of these reports are polite and well measured and most of these you don’t see because they are going straight to me. Those that are angry have come here and yes I do allow these posts to come through, we would not be objective if we hid those, as incense lovers you have the right to know if there are problems and I would think that the fact you can read these reports here shows that we are doing our best to be transparent.

However, if there is any middle ground at all here, it’s that in several of these cases, writing her directly about the problem seems to have cleared some concerns up. This is recommended BEFORE posting on this site. One thing we do understand is that there are often two sides of a story. Now when I say this, I’m not talking about the long delays. I understand why they are aggravating people, quite frankly I’ve heard enough reports of delays to be hesitant ordering myself until things clear up. I’m talking about the details. Beth has the ability to answer these reports, it’s something I would allow any vendor who would like to tell their side of the story; however, I won’t let these exchanges turn angry.

Second, from here on out, I will not be answering e-mails about Essence of the Ages anymore, I am not on the payroll. If I wrote back. I would just be saying what I said above. Write her or call her. I can’t tell you why there are delays other than for the reasons we know already. I do know some details but also understand that these aren’t likely to mollify anyone who has shelled out cash with nothing to show for it (yet) even if privacy didn’t prevent me from sharing them. And yes, if Beth chooses to add to this further here, I’m OK with it.

Kyarazen’s Artisinal Incense: Song of Rain and Sea of Clouds

Sea of Clouds

The unlit sticks of Sea of Clouds smell dry, bitter and woody with a hint of borneol that adds its customary energetic uplift. I think I smell a sprinkle of dry white pepper and a hefty amount of sandalwood. The burning stick initially smells vanillic sweet. Then creamy sandalwood waltzes in, smooth and wavy and very light on its feet, smelling of mellow woods and coconut. It’s so strange that I can’t smell the camphor at all. I imagine it’s the invisible charioteer, content to drive the gently drifting and weightless wood skyward without contributing a scent of its own.

When I smell sweet agarwood incense I’m always charmed and feel as though I’ve rediscovered something very wonderful, however the bitter sticks are the ones I come back to again and again and again. Sea of Cloud’s bitterness is tempered by age-earned ease and gossamer grace, a welcome, unburdened bitterness that makes me feel determined and secure as I enjoy it’s meditative flight.

Sea of Clouds is an agarwood kiss, a breath of wood spirit, a floating puff of sylvan stillness. It takes me away, not on a wild adventure or a child’s fanciful daydream, but on an intent, silent pilgrimage made in earnest joy.

 

Song of Rain

As soon as I removed Song of Rain from its plastic sleeve I was really surprised! I wasn’t expecting to smell such strong, thick, sweet spiciness! The unlit sticks smell very ambery- lots of caramel (is that benzoin?) – accompanied by cumin, turmeric and cassia. A bittersweet chocolate makes me wonder if patchouli is the source of the herbal element. Before it’s lit, Song of Rain reminds me of a gourmand-smelling zukoh, but while it’s burning the sweet and spicy notes recede and woody and subtly animalic notes become much more prominent.

This is not the song of a suburban Spring shower. I smell the rainforest after a stampeding downpour, the sweet loaminess of sodden earth, the sour bitterness of fungus-laden bark and the damp thickness of heavy air. It’s easy to imagine green crested lizards scurrying beneath sinking rocks, birds of paradise seeking shelter under the spreading canopy and the drenched gray coats of squirrel monkeys glistening silver with sun-warmed droplets. While many amber incenses are way too sweet for my personal taste, Song of Rain balances sweet spiciness with herbal, earthy and plum skin agarwood notes. It’s a rain I’d happily sing in and a song I’d happily sing!

 

 

Kyarazen Premium Handmade Incense now available on Etsy

Dear Readers,
I’m happy to let you know that two of Kyarazen’s Premium Handmade Incense can now be purchased here:
https://www.etsy.com/shop/Kyarazen

(See 3/8/15 ORS post for reviews)

I hope you enjoy them as much as I have!

Kyarazen’s Artisinal Incense: Enko, Old Sage and Zen Moon

Kyarazen has spent the last two months creating a trio of luxury incenses. Each embodies a unique character and personality and creates a different mood and atmosphere. That an artist can compose olfactory poetry, using nature’s raw materials, is truly amazing and inspirational! Thank you, Kyarazen, for sharing your painstakingly crafted reflections. I feel very privileged to have had the opportunity to try them.

ENKO

Kyarazen’s Enko is a larger than life scent- one that unabashedly fills a room with its hypnotic presence. It immediately reminds me of the interior of a traditional Chinese medicine shop where the mysterious scents of roots, barks, herbs and fungus, seashells and mineral extracts, and animal and insect components, are compounded into remedies that have been used for over 2000 years.

Enko has a rustic vigor that settles on my shoulders and burrows into my clothes with confident persistence. It is primarily a bitter scent, whose liveliness and energy are enhanced by warm herbs (turmeric, spikenard), woods (sandalwood), spices (pepper?) and salty mineral notes (shells).

Rather than unfolding note by note, the elements fuse to create a very dynamic and dense scent. This combination of vibrant buoyancy and weighty substance is unexpected and intriguing. I find myself inhaling it’s unfamiliar, medicinal aroma more and more deeply, and feeling invigorated by its penetrating presence.

To me it is very much an earth toned scent- russets, ochers and ambers; the scent of rugged escarpments and expansive plains. Although it is a quintessentially Chinese scent, Copeland’s Fanfare For the Common Man celebrates the same strength and openness that Enko, more humbly but not any less passionately, encapsulates.

OLD SAGE

Old Sage is an exceptional sandalwood incense that continues to perfume the air with the sweet scent of Santalum album long after it has finished burning.

Held breaths of silence punctuate this milky, opalescent fragrance that wraps its user in a haze of tranquility and mellowness. The fragrance is so intoxicating that I long for its reappearance during those vacant, scentless intervals.

Old Sage is more restrained than Kogado’s Hoshinohayashi, and its creamy notes are tempered with a hint of dry bitterness and salty mineral odorants. Inhaling the smoke has a strong physical effect: lured into a complacent daze, I’m happy to drift away, my chin nodding to my chest, my shoulders limp, my mind a puddle of blurred and melting images. Perhaps this smooth, undulating incense has already become an addiction? If so, it is one I willingly and wholly embrace.

Mutton jade; an anniversary pearl; a carnelian snuff bottle with sloped shoulders. Massenet’s “Meditation” from Thais. Golden mercury.

ZEN MOON

Zen Moon is delicately transparent. It is luminous, ethereal and elegant yet it radiates dignity and calm. The scent drifts in and out of my consciousness, dry and aloofly bitter, a cool, crescent moon sickling crystal waters. Intermittent surges of resinous sweetness, wavy lines of lactones and wisps of earthy herbs add complexity, dimension and depth to the scent, but the composition is, above all, a reverent homage to the stately and austere woody scent of agarwood.

Unlike Enko, a sustained note that never vacillates, Zen Moon is a fugue, its shadows and overtones embellished adornments of Aquilaria’s meandering melody.

Silver solitudes, a wooden box embossed with almost forgotten memories, the permanence of impermanence, Bach’s Partita No. 2 in D minor.

Kyarazen wrote “What I had wanted to achieve with Zen Moon is to create a special space, a hollow, omnipresent clear quietness, and the incense presenting itself in that background, weaving through the air, allowing the perceiver to experience wafts of scent like the clouds that drift slowly past the full moon in stainless light.“

He has certainly succeeded.

For more information about these incenses please see:

http://www.kyarazen.com/making-incense-sticks/

One Incense Grab Bag for sale

I’ve got one incense grab bag for sale. Each one includes over 10 incenses (total) from India, Tibet, China and Japan and range from high to low end, mostly traditional incenses with an exception or two. The incenses range mostly in the 3/4 full or higher range also with an exception or two. All are stick incenses except for one exception. Some of these are rare and difficult to source or discontinued. I am looking for $80 for the box inclusive of shipping in the US. If you’re interested in purchasing or are interested in international shipping, please contact sigil23   [AT] comcast.net  Thanks!

Agarwood and Incense links at White Lotus’s Blog

Christopher at White Lotus has done a nice job this month of putting up lots of posts. Some that caught my eye are one on Agarwood and others on incense making and incense.

White Lotus is one of the best places to look for E.O.’s, Absolutes and such for aroma therapy, perfuming and incense making.

There is a wealth of information at the blog and also at the White Lotus website itself. Check out the pastime newsletters as well as the recipes. Its well worth a look. Plus they carry very nice oils. Devastated many a paycheck there :)

-Ross

Mermade Magickal Arts / Abramelin, Cyprian, Dark Forest, Dark Goddess

So just as I was wrapping up the previous Mermade review, another surprise batch of new creations showed up at the door. It’s funny but I’ve probably never mentioned what boxes from Katlyn look like, although customers are surely familiar, but even the presentation of the arrival has the same care everything else does. It should be noted of course that Katlyn’s talent at art matches the same talent involved in the incense creation, so part of the fun is seeing the labels and stationery that comes with each box. As someone who gravitates towards the motifs of western esoterica, I find the way each incense comes packaged to be a delight and in fact anyone who has been involved in the western mystery schools to some extent will be delighted at the symbolism just on the tiny jar of the first incense to be reviewed here and even the bag the jar sits in. There is an attention to detail that rewards the attentive.

For example, check out the amount of research and information provided by Mermade on their newly created version of the legendary Abramelin ceremonial incense blend. This is a historically documented incense associated with the occult work, “The Book of the Sacred Magic of Abramelin the Mage,” a guide written to teach a student how to converse with their holy guardian angel and largely associated with Aleister Crowley’s philosophy of Thelema. Of course much has been written elsewhere on this subject and so we’ll stick to the incense itself. Katlyn has chosen to create this incense with one part green frankincense, a half part mix of myrrh and storax and a quarter part aloeswood powder. While this seems like a simple recipe the quality of ingredients can have a massive effect on what the final product will smell like and this is I’m sure the first of its kind used with the powerful and lime-like green frankincense. I know this isn’t Katlyn’s first attempt at such an incense and different attempts and styles can make them all quite different from another. This work has a maturity that has allowed for quite a bit of subtlety most of which seems to float around the beautiful and heady myrrh and storax combination in the middle. The frankincense is definitely powerful in this but once heating gets underway all of the parts merge very nicely together with the aloeswood providing a subtle and more fleeting sort of presence. I also love the color of this incense, it tends to a lovely golden like shade which reflects rather perfectly with the intent behind the incense. One wonders if the original creators behind the incense ever envisioned or formulated the incense with such fine ingredients.

Also a simple, lovely and almost overwhelming incense is the labadanum, rose and agarwood combination found in Mermade’s new Cyprian. This mix strikes me as quite different than a lot of the other Mermade incenses. It’s as if the ingredients are all adding up for something very spicy, alluring and somewhat vigorous. The rose scent in particular is beautifully calibrated and reminiscent of some of the old rose and resin mixes, somewhat veiled by the incense’s spiciness, but still very authentic and gorgeous. The labdanum and agarwood are all finely balanced and the whole thing works perhaps because of its simplicity as a combination, allowing the nature of each ingredient to bring life to the blend. Strangely there is a beguiling earth or clay tone in the mix, as a result of the incense’s combination and the fresh incense itself almost seems to have a complex level of hoppiness to it. I was quite taken away with this blend and highly recommend it as a deep intersection of floral, resin and wood.

I reviewed Wild Woods in the previous Mermade installment and Dark Forest is another in Katlyn’s long and distinguished line of forest and woods incenses. This one is definitely a bit closer to center than the ambery Wild Woods and has a very pungent foresty green presence that is practically unadulterated with any note that might move this off center. I’ve admitted my almost unconditional love for this kind of scent before and this one is no different. It’s not complex in a wider sense, but there is a lot of activity within the greenness, made possible by juniper, black spruce, cypress, fir and cedar with strong backing from the black frankincense. There’s a slight note of patchouli on this that fills in around the edges, not to mention and even more fleeting glimpse of vetiver, both elements that just give different kinds of greens to the whole. As always, there’s a bit of sweetness to the evergreen and resin combo. As always, these incenses are bullseyes and tend to be as user friendly as anything on the market.

Dark Goddess is a new vintage of a previously named incense with some similarities, but overall I think this new blend is quite a bit different in scent. For one thing, the patchouli was a big note in the previous incense, here it’s much more subtle and blends with greater balance. As someone who doesn’t mind a healthy bit of good patchouli, and by that I don’t mean the cheap stuff that can overwhelm a drum circle, I love both the old and new Dark Goddess, but certainly like all of Mermade’s work, the most recent vintage is always the mature work. This mix, which includes ingredients that tend to the polar opposite of the blends based in green frankincense, such as black Ethiopian resin and black frankincense, is a very complex incense where the parts interlock like pieces of a puzzle making it just that more difficult to pick out the single elements. All of the resinous material gives the incense hints of molasses, caramel but also something a bit more dry with the herbs, especially the vetivert, giving it all an earthly feel.

As always, these are just a segment of the wonderful work going on at Mermade and it’s always a distinct pleasure to be able to share my impressions. One thing I often notice is later on I tend to pick up new things as I use the incenses, further giving testament to the depth of the art at play here. And so once again I highly recommend newcomers to Olfactory Rescue Service to visit the site, grab a heater and try out some of the luxuries in the Mermade catalog, as they’re all limited editions and vintages that eventually give way to new ones.

Mermade Magickal Arts / Naga’s Nest, Wild Wood, Scentuality, Kamiwaza, Ensense Antique

Receiving a new Mermade batch is one of my favorite parts of running Olfactory Rescue Service, in fact I can’t really think of too many other companies where I would be hard pressed to come up with a blend they created that I didn’t love. The whole spirit of the operation from the incense to the artwork to Katlyn Breene’s generosity and support makes reviewing the incenses a total joy and as the years go by, the sheer art and experimentation involved, now stretching into actual Japanese and Tibetan style incenses, never fails to elate. If you read this site and have not had the pleasure of checking the Mermade operation out, I’d consider it one of the first stops an incense lover should make. Everything created here is managed to the last detail and the ingredients used are top quality, only to be worked into something of even higher quality. Every chance I get to dish out the hyperbole I relish it greatly and with no reservation. And to see the line incorporate newer incense creators like Gregg King or our very own Ross Urrere only underlines the spirit behind the incense underground. Once I thought that high quality incense could only be found on the other side of the planet, now I know it’s made here too.

Mermade’s Naga’s Nest is a true original. One of the things you’ll notice about Tibetan incenses, particularly the ones sourced from Nepal or India, is that so many of the aromas you’ll find are embedded in very inexpensive woods, often the kind that smell like burning tires and make your eyes water. So imagine if you were to take a Tibetan rhododendron or lawudo incense, strip away all of the cheaper ingredients so that all is left is the aroma itself, and mix those ingredients with good resins and sandalwood adding just the right foresty touch so that the rhododendron ingredient isn’t suffocating anymore. What you have left is a gentle and unique scent floating like a mirage on the top of a good base. The scent is then recognizable from Tibetan incenses but allowed to flourish, and that it does in this blend, which lasted for hours when I put it on the heater. There really is no other incense like this in any market, in fact even the occasional powder incenses don’t sing like this one does. One only hopes Mermade will try their hand at some of the other Tibetan ingredients in a similar fashion.

Wild Wood, on the other hand, is another in the long lineage of Mermade’s forest blends. It’s probably no secret by now that I’m a huge fan of Katlyn’s work in this area, she knows how to craft them in a way where the aroma always tends to be perfectly green, just like you’d smell if you were walking in a forest. This art of using evergreen ingredients and using resins to intensify the scent always makes these a rare treat, and an incense style that might even crossover to friends that can’t abide by strong Indian incenses or heavy woods. Wild Wood is something of an evergreen mix with amber floating in the background, but like all of Mermade’s forest incenses, the green is still up to 11 on this one, with lots of fruity citrus from the combination of two frankincenses, the copal blanco and the pinon resin. The amber subscent acts to give what could be similar to a lot of resin blends a nice richness, and I’m assuming some of this comes from the two balsams in play. Naturally this also comes highly recommended and if you have never tried one of Mermade’s wild nature blends, there’s no better place to start.

The last three incenses here turn over to Japanese styles, with one slight exception. All three of these incenses start with a base of high quality sandalwood and agarwood, but the third element sends all of these to unique destinations. Readers may remember Gregg King’s fantastic Ali’s Roadside Lozenges. The newest variation of it is Ali’s Rare Incense Powder. I have not had the chance to try the latest blend on its own, but recognize its scent from the lozenges, it is an incense created from a staggering number of high quality materials.

Katlyn has managed to take some of this powder and create a meta-incense with it by combining it with the aforementioned base as Scentuality. This blend takes a while to get going on a heater, but when it does, it gets more impressive as it goes and lasts several hours. The mix of ingredients doesn’t tilt in any particular direction, which to my nose creates a kind of bewitching merging, particularly where the spicy and deep qualities of the agarwood intertwine with the complexity of the Ali’s. This creates a lot of rich and wonderful subscents that remind me of the kind of sweet, quasi-kyara candy scents you can find in some of the good Shoyeido wood and pressed incenses. The early scent is powdery and gentle before the agarwood really kicks in. Overall, it’s a fairly mellow incense, more akin to where a Baieido incense might sit and it’s a tribute to both Mermade and King that they’ve created a Japanese style incense of very high quality and complexity with all of the similar grace and subtlety you’d expect. It’s an excellent example of how incense circles and collaborations are improving the work year after year. And for just under $20 it’s quite price conscious and better than a lot of Japanese incenses in that range.

Kamiwaza is an incense in the same family as Scentuality, starting with the same or similar base but using clove, cinnamon, patchouli and borneol from Japanese sources as the “third element” in the incense. These ingredients have deeper aromatic qualities than you would normally find if you were to source them elsewhere and they merge with the base in a rich and spicy way that is a complete delight. The agarwood really pops in this blend, balancing all of the multiple sweetness and spiceness with a solid resin note. If you have ever tried any of Shoyeido’s speciality incenses whether wood chip mixes or pressed incenses you will recognize notes like a fresh roll of Sweet Tarts or a spice tea mix. But like with Scentuality this will likely be at a much more affordable price point and it all works without the use of perfumes and oils. One tip, however, the balance of the scents is probably best achieved by turning the heater a bit lower so the aromatics don’t volatize too quickly, particularly as the woods will go for quite a while.

Ensense Antique also uses a sandalwood/agarwood base, but the third ingredient here is an oud oil called “Encense Angkor.” As such, I would suggest, like with Kamiwaza, to apply gentle heat to this incense in order to not burn off much of the oud oil too fast. This oud oil is of the rich and spicy variety and it melds quite perfectly with the woods and it often seems like the scent dances somewhere in between them. It reminds me slightly of Ross Urrere’s sandalwood and ambergris or souked aloeswood in that the general aroma is woody dry, while having some very complex top notes resulting from the ingredients being very high quality. In particular the sandalwood comes through nicely on this one. All of these blends, as usual, come with the highest recommendation and it has been so much fun to see how Mermade is working in all sorts of incense world traditions, all of the blends created with such a deft and careful touch. And of course all of them are graced with Katyln’s terrific artwork, spirit and presentation, it never feels like any stone is unturned in reaching the final released work. And good news, there are even more blends in queue for review, including a carefully recreated Abramelin incense, an agar/rose/labdanum mix called Cyprian that absolutely wowed me last night, Mermade’s newest forest blend Dark Forest and a new “earthy blend” called Dark Goddess (I’m excited about this one in particular as the description references the old Mermade blend Hecate, an incense I still miss). Stay tuned!

A note to Ross: Floral Hearted Night

Hi, Ross,
A friend was kind enough to send me a sample of Floral Hearted Night. It seems like a different direction for you to have gone and, to me, it’s a very successful one :-) Although this incense smells unmistakably floral, it doesn’t accost me with out-of-control indoles, as some “big white flower” essential oils do, or suffer from boring flatness, a problem with some mass-produced sticks. I do love the scents of plumeria and tuberose, which share a similar thick and sweet headiness and can sometimes be overwhelming. You manage to imbue them with a delicacy and demureness that I never would have associated with either flower. Honey Abs. adds a subtle, very slightly booze-y twist, and agarwood and sandalwood add creaminess and weight to this true-to-life blend. Civet rounds out and augments the floral notes, and ambergris, though not obvious as stand alone “star”, contributes to the delicacy and intricacy of the scent, while adding its unique, mineral sparkle to the composition. Every once in a while I catch an animalic, musky drift that adds a provocative and slightly carnal twist to the incense. The overall effect is of young, white flowers just beginning to open their translucent petals, set against a backdrop of somewhat woozy woods that are doing their best to hide their more wild, Faun-like natures.

So, now there is a floral incense I can say I unequivocally like and, at last, I can smell summer blooms in winter without lifting a shovel! Your incense may be called Floral Hearted Night, but I know it’s going to brighten many of the cold and gray winter days that lie ahead. Thank you, Ross!

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