New Incense Forum

Leslie from Leslie’s Incense Review has created a new incense forum. It looks like the old Incense Trader’s forum isn’t up anymore but there should be opportunities to chat and trade at the new forum. Do go over and sign up!

Ganesha Incense/Nag Champa, Jagannath, Agarwood

Ganesha Incense is a new company creating traditional Indian incense and based on my review package, ships from Thailand all over the world. Their incenses come in 100g containers, large tubes with easily removable lids that are really nice, you can actually set them on their base and they stay upright and are very easily accessible. There is no inner packaging (they’re essentially cardboard), so I’m not quite sure if the incense is protected over time, but based on what I sampled, I’m not sure it’s necessary as the lids fit snug and everything smelled nice and fresh.

It’s never stated on the packaging but I wouldn’t be surprised, based on some of the offered incenses and the base of the incenses if these were sourced in the Madhavdas family, the same venerable incense creators behind the Primo, Pure Incense and other lines. If not, there still seems to be a similar base at work, a mix of vanilla, sandalwood and charcoal. But like most of the incenses sourced through Madhavdas, Ganesha incenses do differ in overall scent and aren’t just the same incenses being sold under different names. As we have found out, this base can be solid for connoisseur and high quality incenses.

Based on the three incenses in the package, Ganesha seem like they’re off to a very good start. But first of all, a bit of a preamble as I haven’t reviewed a Nag Champa in a while and there is some history behind the style. Nag Champa incenses today are generally better than they were ten years ago, but if you go ten years earlier you go back to a time where they were much more impressive. One of the things I remember about the older Nag Champa is that the sticks were very gooey, it wasn’t uncommon to find smashed sticks where the consistency of the material was still quite wet. This has been attributed, sometimes from myself, to the use of halmaddi in the stick, a material that keeps an incense in a sort of state between wet and dry. However, I haven’t seen a single new Nag Champa incense since Olfactory Rescue Service has been active whose consistency matches the “historical” Nag Champa (not even Dhuni’s) and so I’ve come to the impression over the last few years that something in the mix has been lost since Satya Sai Baba changed hands and that it could be something more than just halmaddi. Halmaddi was (or may still be) on the CITES endangered species list and for a while it was very rare, and the Nag Champas during this period were very dry and mostly downright unpleasant. Fortunately incenses have been popping up since this dry period that clearly contain it and thus we’ve had a bit of a renaissance with the blend such as with the Mother’s wide range of champas. Halmaddi tends to give champas a uniquely balsamic middle which tends to balance nicely with the oils being used.

There is one important difference in the newer blends, however, and that is most of these are quite a bit skinnier than the “historical” champas and so the actual materials being used often don’t overpower the scent of the bamboo stick in the middle and this tends to cut through sometimes. I wanted to mention this as it’s not specific to Ganesha’s Nag Champa, all the new ones have it. But I also wanted to mention it because Ganesha’s version is very very good and I know the owner has made a strong effort to release a really authentic scent and even with the history given above, I’d easily think about this as the market’s go-to Nag Champa. It has a nice halmaddi base, a good balance between the sweet and dry and a touch of depth that all the good incenses in this style have. And unlike some other types of Nag Champa, I actually found myself enjoying this MORE with every stick, rather than less, which is not often the case. Overall I do wonder what a thicker stick with similar materials would be like, other than obviously more expensive. And I have been informed that as the company goes forward there will be more attempts at connoisseur level scents, which of course we look forward to with great anticipation.

Ganesha’s Jagannath is a Nag Champa variant and it’s a sweeter mix of spices and ingredients that is vaguely reminiscent of styles like Vanilla and Honey Dust as well as Maharaja, but unlike either lineage Jagannath is not a clone. This one has been exciting to try as where Nag Champa is an old familiar, Jagannath has just that right amount of newness to keep me pulling for it and learning more about the scent. Like the Nag Champa, there’s something stately and restrained about Jagannath, and my experience with it was that after a few sticks I started to notice a bit of depth to it, something that a lot of sweeter incenses can easily overwhelm. Ganesha’s incenses are true Indian style but don’t seem primed to overwhelm you with perfume like a lot of Indian incenses, their claim to natural scents really seems to bear out. Even last night I pulled out another stick and was even more impressed, like all good incenses you notice more with increased use and this one really does have a lot of subtlety to it.

Nag Champa and Jagannath are two of Ganesha’s Silver incenses so it’s perhaps impressive at this point to note that they also have a Gold line as well (4 different incenses so far). The Gold incense I was sent was the Agarwood. As noted before when reviewing Indian agarwoods, they are very different from the Japanese scents. And there aren’t really that many of them, only Pure Incense’s blends come to mind at the moment. But I am really impressed with this one, it has a really astounding depth to it and seems quite superb especially for its price range. Given how expensive Agarwood is, to keep it at the 100g/$19.99 price there has to be some clever trickery involved in the makeup, and I was quite impressed by not only some of the spicy oud-like characteristics here but the authentically woody scent that pops up, some of which I would expect to be from the sandalwood in the mix as well. The combination of the base and all of these elements adds up to a very complex incense with some of those dark fruity notes you find in some ouds. It’s also very different from any of the Pure Incense Agarwoods. Like the Nag Champa and Jagannath, the more I sample the Agarwood, the more I like it.

Overall I’d say Ganesha Incense is off to a very good start and I’m certainly looking forward to trying any of their other incenses in the future (these were only 3 types out of approximately 15-20). The scents, presentation and solid price range have obviously had a lot of thought put into them. I’m not sure if the company plans on releasing smaller packets in the future or samplers, which I would think would be key to success and longevity, but I can also imagine that most Indian incense fans sampling these would wish they had 100g if they didn’t. We have a new winner on the market here.

Mermade Magickal Arts – Dia de Los Muertos, Pachamama, Sweet Earth, Sandalwood Oud Antique, Ali’s Rare Incense Powder 2015, Kyphi 2016, Oud Kyphi

As mentioned in my New Year’s post, Mermade Magickal Arts incense goes fast these days, although many of their incenses come back as vintages. This, of course, is a credit to the venerable Nevada institution who never fail to keep improving their art form. In recent years we have seen all sorts of new directions from them, including a line of central/southern/meso-American incenses, forays into Japanese style oud and sandalwood mixes, hybrids of these with resin and oud ingredients, and even a successful jump into Tibetan incense. Personally this continual high level of excellence and creativity has me watching the site fairly often, which means that the reviews here can come from samples or purchases. Sometimes I can’t get to reviews fast enough before certain scents rocket out of the inventory. So it’s worth keeping an eye out whether at the site or especially on Facebook for the next creation. Anyway I hope to tackle some recent new incenses here. The last time I looked all of these were available for purchase but it’s worth acting fast these days. The two new Kyphi vintages just went up after the New Year!

The first two incenses on this list fall roughly in the central/southern/meso-American category and are somewhat superficially similar in that both are blends of white copal, black copal and palo santo. In Dia de Los Muertos (Day of the Dead), the emphasis is on the two copals with the palo santo wood being a slight, although noticeable touch. Copal has been called the frankincense of the west for good reason, but when it comes to the really quality forms of it, copal really has a strong and powerful personality all of its own, a much denser, earthy undertone to it that only the darkest frankincense resins and myrrhs touch on. Mixing the white (blanco) and black (negro) copals tends to be a perfect match, just like frankincense and myrrh, chocolate and peanut butter, salt and pepper etc. It gives the overall aroma the bright, lemony-piney notes of the white copal with the more subdued and mysterious elements of the black copal. I really love how in the middle it’s all so foresty but in such a different, more temperate way than how we describe it when we think of something green. It’s worth noting that lower temperatures on a heater won’t volatize the copal quite so quickly and allows the scent to dreamily work its way to your attention.

Pachamama incense uses a similar list of ingredients but I believe the locations from where the copals come may be different and there is a much higher ratio of Palo Santo in the mix. The ingredients list Palo Santo resin and wood from a recent shipment of really extraordinary Palo Santo which almost revolutionized my opinion of the wood. This is a really powerful and aromatic, with some minty overtones I had never noticed from previous samples, and is certainly worth grabbing on its own. It has an immense presence in this mix and the results end up being quite a bit different from Dia de Los Muertos as a result. The copals here really share the scent rather than dominate and strangely enough, I’d say that this actually seems more resinous and less woody than the previous incense, with a really impressive amount of complexity given the short list. Pachamama whispers of shamanic ceremonies in deep rainforests, rays of sunlight through leaves and the rich fertilized earth of an unspoiled nature.

Sweet Earth seems to touch on a lot of the same aspects of Pachamama but with a totally different palette. While Palo Santo remains in the ingredients list, we’re back in the more familiar territory and base of a (honey) frankincense and myrrh mix. The incense is a marvel in terms of how the incense reflects the name, how the whole scent profile comes from such an earthy base, that sort of freshly tilled, post-harvest scent of leavened soil, loam and clay. There aren’t really the notes of more citrusy frankincenses which allows the mellower honey scent to merge with the liquidambar storax and create the sweetness of the name. The poplar buds/Balm of Gilead is a scent I’m not particularly aware of on its own, so there was a complexity in the incense I found to be quite evocative and fresh. In some ways this incense is about half familiar (I was reminded of the previous Dionysos in part) and half completely new and unique, yet it’s overall quite inventive and original, and most importantly quite addictive.

Moving across the Pacific, we have Mermade’s latest Japanese-Oud hybrid incense Sandalwood Oud Antique, perhaps a follow up to the previous Ensense Antique. These incenses fall in the premium category due to the list of rare and high level ingredients being used, in fact there seems to be quite a high level of agarwood going on here from several sources, always a treat. This underlies the high quality sandalwood in the mix which is mostly dominant but the real twist here is the use of two oud oils. These oils as a mix strike me as being rich, spicy yet not overpowering, a merger that is aimed to create an equality with the finer wood qualities. Like with previous styles, there’s a really nice Japanese, almost candy-like mix that reminds me of certain work from, say, Shoyeido. Towards the end of the heat, things get quite spicy. Overall it’s a very classy blend, very stately.

We’re also seeing vintages of old classics come through, which is always heartening. One of these classics is Gregg King’s Ali’s Rare Incense Powder. I have reviewed this venerable scent once or twice in the past (I seem to remember the first batch of it being a mix of “lozenges” and powder) and have never seen it as anything less than a mandatory incense treat. Be sure to look at the list of ingredients in the link to see just how many fine ingredients are here, what’s always been extraordinary is that not only do they all mix well, but none of them are buried in the overall scent. It makes it once of the deepest and most complex incenses on the market. The sandalwood is perhaps the most noticeable link among all the ingredients in its luxuriant and most resonant guise, but for me I really love the way the vanilla works in this incense. Vanilla in so many cheap incenses is just a headache waiting to happen, in Ali’s Rare Incense Powder it is a delectable treat. Anyway for further impressions on this blend, it might be worth digging for previous reviews as there’s never been a batch of this that didn’t impress and I’ve never felt the quality to waver in any way.

And as it’s the beginning of the year, it is also Kyphi time and the 2016 vintage is as good as you could possibly expect. In fact I think I would need a time machine back to ancient Egypt to find a market kyphi that’s better than this one. The problem on my end is as these vintages improve with every year I’m running out of superlatives to describe it (sifting back through previous Kyphi reviews is also recommended here, I would think all of them still apply). You would need the equivalent of a Wine Spectator expert who could sift through the many subtleties of such a complex incense to really describe this Kyphi, as in many ways it is the fine, aged wine of incense and actually shares the qualities of really good spirits in terms of power and quality. In fact this is an incense where so many ingredients come together and end up merging into one totality where it can be actually difficult to make any differentiation from one ingredient to another. What’s even more impressive is there’s a second blend called Oud Kyphi which is a form of the original with added oud and agarwood before the incense becomes cured. It’s just like when you don’t think the Kyphi could get any more stunning, along comes this upgrade. Surely this could be one of the finest boutique incenses ever devised, it’s certainly not the kind of scent you’d double task to even if you’re able to. It’s a virtual whirlwind of complexity and astonishment, the kind of scent that could only truly be approached by fine poetry.

As I finish this up I also want to mention I’ve really been enjoying the Labdanum resin from Crete. When you think of how many great incenses from Mermade are made from such excellent quality material, it behooves one to occasionally check out some of the material on its own. I’ve tried labdanum before, but some of it can come with some nasty off notes. No worry, there are none of those here, quite to the contrary. So don’t forget to check this out as well as the palo santo wood and some of the many fine frankincenses and copals Mermade carry. There are many treasures to uncover here.

Happy New Year!

Hello all, wanted to give a bit of an update here. First of all if you scroll down the page and keep your eye on the links to the left you’ll see a category called incense blogs. ORS is always supportive of those writing about incense as we believe every opinion assists the consumer. In that spirit I wanted to introduce you to a new blog: Lesley’s Incense Review. Lesley is just getting started but has already penned quite a few reviews and the enthusiasm and information is already impressive. I encourage you to support the site and of course if you’re an incense blogger or reviewer and would like to be added to our links, please contact me using the address on the About page.

I do have a couple of reviews on the horizon. One is relatively brand new company, the other is the latest batch from Mermade. I did want to bring this up though, the secret is out with Mermade and batches go really fast now to the point where I have to check on stock before I post. This of course is good news, that Mermade is thriving, but unless you’re quick you could easily miss some of the goodies. Their Forest Balsam, for example, was a major treat, one of the best incenses of 2015, but it went in and out of stock like a shot. I got to try one stick of Mermade’s marvelous Absinthe and it was gone before I could stock it. I wanted to review Xochi after purchasing it, but it had already disappeared when I went to look at the ingredients again, making me think I might have grabbed the last one. You get the picture I’m sure, so this is a heads up on the latest batch of Wild Wood which I hope won’t be gone by the time I get there. And based on early samples, the 2016 Kyphi vintage may be the best yet.

Anyway thanks to all of our readers and new subscribers. It is actually quite amazing to think that even though reviews are a bit sparser of late, the new traffic seems to be quite steady and your e-mails and notes have been heartwarming and encouraging. All the best to you all in the new year.

Oudimentary Sale for the weekend..Oud and wood for the holiday’s!

Oudimentry is having a sale this weekend. 35% off, which is a great deal. Go check them out. They are also, at least to my knowledge, the only “brick and mortar” store of its kind in the USA.

Be sure to take a look at their videos, they are really well done and very interesting on so many levels. These guys actually go into the agarwood growing areas to get their products. -Ross

BLACKFRIDAY

A quick note…

Hope everyone is doing well. I’ve had a bit of an uptick on various personal incense “advice” inquiries of late and unfortunately at a time where other activities are keeping me busy. I do intend to reply to most of these under the right circumstances, but at this point I’d have to say that inquiries that include asking me to do free research or to recommend incenses or resources for (usually start-up) business purposes I’m going to have to pass on, I’m afraid I just don’t have the free time to do these even when offered something in return. You can, however, ask for assistance on our Ask Olfactory Rescue service page. Although this won’t necessarily guarantee you a response, you might find some assistance among our other staff members or readers. If you’re unsure of the parameters of what is acceptable on this page, feel free to write me at the address on the About page, if questions are way off I won’t pass them through. I also highly recommend looking at the Review Information link (and some others) on the left if you’re a business asking for reviews as there are a lot of incenses that we won’t review here as part of our remit is to encourage the use of higher quality incenses which leaves out a lot of lines (like Gonesh or Hem for example) on the commercial market.

The other thing I would suggest before writing me personally, is to look around and get an idea of what Olfactory Rescue Service is about before writing me. I’ve had at least one or two inquiries that betray the lack of even getting a general idea of what we do here, like asking me to carry a line of incense (this isn’t an incense business it’s a resource) or include a business-run guest blog here. We’re not a business and don’t feel our readers will benefit from an invested interest here, although we certainly encourage others to create their own incense blogs (and I’ve always said, if you have one, we’re happy to link to you here). Anyway feel free to discuss here, and I’ll try to weigh if and when I can.

 

Kyarazen Monthly Newletter

Kyarazen posts a more or less monthly digest of informative articles, covering everything from fine tea to fine agarwood. I found this months to be most informative and timely, covering the two obvious lines of soil agarwoods on the market, as well as in depth information and pictures of what you should be looking for when you put large amounts of money out for wood which in many cases is coming from 1000’s of miles away with a “no return” policy. The article clearly points out how to tell the difference between what used to be traded as opposed to what is being sold in the last few years as meager copies. While many incense users only notice this as a decline in the quality of the incense stick they used to love, it was most noticeable in the quality of wood being sold out of Singapore, Indonesia, Malaysia, and today, even from Japan as the last of the old logs are consumed. While I got to see only a sampling of this decline during my 25+ years of trading in the wood, it is hard to beat Kyarazen’s view from Ground 0, so to speak, in Singapore, as well as the vast amount of research that he has done over the years. I really appreciated seeing the pictures of what is no longer possible to obtain (barring a lottery win, inheritance, etc.), as well as concise and easy to understand information. The article can be read here http://www.kyarazen.com/soil-agarwoods/

A few words on the Kyara offer (closed)

I have closed discussion on this thread now that it as died down. The primary reason for this is because I’ve spent quite a bit of time listening to everyone involved, believe that everyone has had their say at this point, and do not want to get into it any further.

I had temporarily turned the previous offer from JK De Lapp private, but the intro paragraph has been edited, so please reread. One of my staff writers strongly believes that the wood pictured in the offer is not kyara. I’ve also received some documentation from JK on what’s being offered that I have not had a chance to digest yet, but at this moment I don’t think this is going to avoid controversy. Now while I do, I am going to allow comments on this thread if people want to discuss this issue. I am saying up front that civility is absolutely required here, discussion about the wood and the subject is fine, but no attacks on people please. I have respect for both JK and my staff, yet I am definitely not the person to judge the outcome of this. But I do want to make sure the post reflects any concerns.

Yellow Kyara, a message from J. K. DeLapp

The following is a message from our good friend J. K. DeLapp at Rising Phoenix. Please direct all inquiries to the e-mail address below. Comments are disabled on this post. There has been some controversy over this offer (including a member of my staff, someone highly respected when it comes to this subject), so I would like to direct your attention to the comments section of this page which I have opened up for discussion. These comments include JK’s documentation about kyara, which, even if you’re not going to go for the offer, is very informative and interesting and worth the read. I want to reiterate that JK runs a sound business and the controversy over whether this is kyara or not should not reflect on his ability to deliver on this offer. I have allowed civil discussion in the above linked thread because it’s not for me to make the call on what is kyara or not, but at least it should give the buyer information in order to make their choice.  – Mike

Hello!

I’m in the process of getting my hands on some Kyara dusts – namely Red and Yellow Kyara dust.

Reliable supplier whom I’ve done business with for a long time.

The material is sourced from a construction company that uncovers the materials on building projects (as most Kyara is buried in the soil between 1-5 meters). So – this is definitely ethical material. 😃

The dusts are of superb quality, comes from “breakaway” loose pieces when the chunks are unearthed, and is ideal for making compounding further into incense – or using as is. Less than rice grain quantity is needed for use on it’s own – and will fragrance a room for hours. I use it in my clinic to great affect!

Whereas the price of buying Kyara is often closer to $750 per gram, these Red and Yellow Kyara dusts are being offered at the nominal price of $75 per gram.

I’m purchasing a fairly large quantity (part of why I’m getting a great price) – and could use a little help with the hefty bill of the large score.

Would be great if folks could handle picking up 1 or 3 or 5 or 10 (or more) grams!

**This is a once in a lifetime opportunity to pick up the rarest of incense materials at a fraction of the market price.

Payment would be up front – and I’ll have the material direct from the source in 3-4’ish weeks. I can then ship the quantity you’ve purchased directly to you.

A little goes a LONG way in compounding incense (used kind of like “salt and pepper” in food…just a pinch is all that’s needed) – or can be used as is for the most luxurious experience.

Again – this is for Red Kyara and/or Yellow Kyara dust. This is known as “breakaway dust” from larger pieces (as they are cleaned of any loose pieces), which is why I am able to get such a phenomenal price on this incredibly rare material.

This offer is a bit time sensitive – so if you’re interested – please do speak up ASAP!

If interested – please do email me ASAP at: JDeLapp@TheRisingPhoenixGroup.com

Thanks! 😃😃

PS – a photo of a 53.2g piece of Yellow Kyara that I have – as an example of the quality these dusts come from:

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A few guidelines to think about before posting a complaint here.

I’ve tried to make Olfactory Rescue Service a place where you can share complaints about businesses, but what I had in mind was when there is a serious problem, like if someone runs off with your money for good. And yet I’ve let some minor complaints through and unfortunately what this has done, particularly in Essence of the Ages case, is send people over here en masse to complain about things that actually should be directed to the business itself. We do realize that over the last year or two Essence has changed the shipping times from within a few days to seven business days. This is now clearly stated on the site. And seriously if it goes over a business day, let’s not complain. I realize we want our incense as fast as possible but let’s not pretend that most incense businesses are corporations on the level of Amazon who have the infrastructure to deal with things in a way one single person running a business can’t. One thing I have noticed is that when Beth gets a complaint here, she will respond to it and 4 times out of 5 there isn’t a counter response, because her logic is tight. On the other hand, I think people need to pay close attention when something is out of stock. If you don’t want to wait for something to restock let her know that on the order when you place it. Believe it or not, I don’t work for any of these businesses and yet I’m having to play middleman in a way I don’t really have as much time for at the moment due to other concerns. But I do know that Beth is good people and I’ve probably let out the leash too far on letting things pass through here and I’d bet money the incense orders would go out faster if she didn’t have to keep explaining herself or replying to repetitive emails. Just have some patience. Be good people yourself.

From now on, one’s complaints must be serious for me to let it pass through. You see some of the complaints here have been petty about people who have been almost extraordinarily generous. Complaints about Mermade for example better be damn convincing, because the evidence is far more in favor of extreme generosity than it is about making mistakes about orders. If I have to be honest by allowing complaints against people who process orders above board, I should be equally honest when I know the business integrity of someone as well. Let us be kind to each and understanding to each other.

Also, and I think I’ve said this before, if you’re a stranger complaining, I’m going to be very likely about deleting complaints unread, because unfortunately most of you don’t come back when your complaint is responded to by the business. People who read these complaints should pay attention to the responses and not automatically assume a complaint is valid if a business follows up.

Finally, let’s be clear about who runs Olfactory Rescue Service. It’s not any of these businesses. It’s me and my staff. I will explain the rules as kindly as I can and I will do the utmost to be honest and fair. But I have no fear of moderating severely when these rules are not respected. I would prefer the site to be as drama free as possible.

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