Ramakrishna’s Handmade Incense / Special Nag Champa, Special Loban, Special Ramkrishna, Dhuni

In my past few years of exploring Indian-styled incense from multiple different establishments claiming things like ‘all-natural’ and ‘handmade’ and similar, I kept wondering if there was some sort of smallish operation doing things in a more old-fashioned way, using the more traditional ingredients rather than perfumes and synthetic substitutes that are common in 95% of the Indian Incense world.

The problem is that if you read everyone’s marketing copy, they all claim they are “all-natural” using traditional recipes. So in the end, the proof is in the product.

I first was suggested by a friend that I might want to check out this expensive shop on eBay that sold handmade incense. It took me a while to get around to it because it didn’t look all that fancy. Finally, I made my order. I have been excited to try everything they make since making this order. This is really wonderful incense.

If you find yourself interested in purchasing a larger assortment and don’t want to pay eBay prices, the seller, Goa Bay Trading, will also sell to you in rupees on their website and send you a Paypal invoice and add 1000 rupees for shipping/handling. I’ve been finding their service good, though the site seems a bit sketchy since it doesn’t have a proper checkout, they send you a Paypal invoice.

I’m going to start with a few I think are winners. First, they put ‘special’ in front of several sticks and this seems to mean that the sticks are thicker with extra halmaddi, so much so that you have to peel these thick sticks apart from each other.

Special Nag Champa

I am relatively new to appreciating Indian-style incense. I don’t truly know if this is what the old incense was like but this stick was kind of mashed because it is so soft, flattened in places. It is a thick hand-rolled masala dusted with brown finishing powder. As a Nag Champa, this goes in some kind of apple-pie and orange blossom direction with cinnamon, apple, and orange blossoms. I don’t get the typical salty sandalwood/Champa flowers scent of a nag champa but then when I dig down and put my nose in the smoke I start smelling like these thin angel hair threads of nag champa smells mixed in with the other smells. The more I lit these, the more I like them. They have a complicated bouquet dancing around a recognizable core of the “Nag Champa” scent. I’d rate this 9/10.

Special Loban

I have encountered Loban to smell like a wide range of things, despite it actually supposedly translating to benzoin. Note in the picture that this one crumbles and be careful because I had this fall apart as it got exposed to air. This is a natural stick with a very soft masala that crumbles a bit but can be mushed back together, it is finished with a brown powder that marbles into the moisture of the masala. This is unlike any of the Loban sticks Vedic Vaani or other suppliers sell, and is a really strong masala that seems to be made from halmaddi and loban and sandalwood and smells like all three are the highest quality. The smells blend together and create a magic carpet ride of scent that I imagine Mike will say reminds him of something he used to get from Mystic Temple. I really like this one, definitely a 9/10.

Special Ramkrishna

This is a deluxe version of “Ramkrishna” in all dimensions, it is thicker, softer, and easy to mush around, in fact, they kind of stick together and you have to ‘peel’ the sticks apart in the package. They’ve been misshapen by shipping somewhat. Otherwise, this is the regular Ramkrishna turned up to 11, it is sweeter, more expansive, the floral note is both more present and more mysterious, and feels like instead of an attar they went for the real essentials. This is a very charming stick and makes me immediately happy to be smelling it. It’s really just a very familiar smell yet somehow this is like going from a Prius to a Rolls Royce while keeping the whole smell mostly the same, there is none of the ‘cosmetic’ smell I got from the non-special Ramkrishna, just what I take to be geranium and a maybe a drop of rose. 8/10


Like most Ramakrishna’s, this appears like many others, natural stick, soft charcoal masala, and light brown powder finish. This has a sharp musk different than other musks, it has a sweet and vanilla note but otherwise, it’s got a funky BO-but-in-a-good-way kind of scent. Also, urine notes but also in a good way. I realize that adding ‘but in a good way’ to both BO and urine might be suspect but I have a hard time describing this musk other than it has notes from both but neither are the repugnant notes. I really tend to like when incense gets funky and takes me to a barnyard or similar olfactory experience. This is one of the more animal-like musks I’ve encountered and surprisingly more musky than the ‘Musk’ or ‘Kasturi’ sticks from these artists. 9/10


Mayraj / Loban Bathi; Pradhan Perfumers / Royal Life; Saranya Traders / Saranya Supreme; Sree Trading Co. / Sree Sidhi Ganesh; Sri Aurobindo Ashram Cottage Industries / No. 14 Sandalwood; Unknown / Mysore Sandalwood

In addition to the range of Meena Perfume Industries incenses Everest Traders sent me, included were a varying batch of Indian scents as well as a varying batch of Bhutanese incenses, the latter of which I will cover in the next installment. The following are incenses from a number of different suppliers, some of which I don’t believe I have seen imported here, at least not often.

Loban incenses are an unusual breed. As far as I’ve been able to tell loban can mean benzoin or frankincense or resin mixes and you’re not usually told which; however, I’ve tried enough Indian frankincense sticks to know most of those don’t smell like lobans. The Absolute Benzoin at Temple of Incense or the Asana Sutra from Happy Hari are examples of pure charcoal benzoins and these are a bit closer to the loban but also not exact. The TOI Big Cleansing incense is probably the closest although in this case there’s more of an herbal quality to that incense that won’t often be found in a pure loban. And the Loban Bathi from Mayraj (I think that’s the company but the package is so thin it’s hard to tell) is about as down the middle of a loban as you will find. The thing about lobans to me is that if you’re familiar with lower grade resins you may know they can have scents that smell like heated stone or even gravel. It’s something I became familiar with through inexpensive Catholic church mixes, which are far and away from like the great frankincense you can get through Mermade Magickal Arts. On the other hand a brilliant high end loban like Vedic Vaani’s Kawadi Golden Loban can move away from this into almost candy-like sweetness and a definite resin presence. This one is more in the middle, it may be one of the most definition perfect loban incenses you will find, there’s some gravel/stone in the mix but there’s also a very nice resin note in the mix and yes a hint of the candy that gets more refined as the quality goes up the scale. It looks largely like a dusted charcoal but it’s a tiny bit softer than I would expected. I’ve never been the hugest fan of the style but outside the VV I just mentioned, this is one of the best I’ve tried and certainly a pleasant burn. Maybe the only issue is these are thin packages with maybe 5-6 sticks, so they’re about a dollar a stick.

Pradhan Perfumer’s Royal Life is a beautiful mix of perfumes for sure. The sticks are much smaller than the average but they pack an aromatic punch that is closer to a champa style incense. This is what I consider a traditional perfume in that it has some elements of the way some Indian incenses have been for decades and if they have moved or changed any ingredients it still seems like a wonderful, nostalgic mix. There’s a touch of licorice or something in the aroma which has always been an element I love in certain Indian incenses (the short-lived Ascendance that Mystic Temple used to bring in one was like this), but this also has some level of wood in the mix among with a lot of sweetness and a big floral bouquet. The stick is a little soft so there’s probably a bit of halmaddi in the masala. Very nice overall and it makes me wonder if the company has it in a longer stick. This one I’d certainly consider purchasing on my own.

Saranya Supreme takes us back into the flora/fluxo category, very much a cousin to the Sai Flora with the thick sticks. Unlike some floras/fluxos this one seems like a thick dusted charcoal stick from its firmness, but it ultimately does a similar thing to most incenses in this style. This mix seems to lean a bit to a smoother sort of aroma which I assume in part because it doesn’t seem to have additional ingredients like most floras/fluxos and there’s a bit of a resin fruitiness in the middle that is a touch loban-like. There is also a touch of a strange woody note that is hard to get my nose around on the outsides that I don’t tend to detect in floras/fluxos usually. Ultimately it’s definitely a different take on the style, a description that’s hard to define further as these types seem to be complex and loud (and this one stings my eyes a little bit), but when I brought out the next incense I was quickly reminded that the central floras and fluxos are much wetter scented and not nearly as dry as this one. For newcomers I’d start with Sai Flora because it’s somewhat more generally available than many of these incenses and acts as a good central base from where to understand the style.

The Sree Trading Co.s’s Siddhi Ganesh works much better as a flora to my nose than either the Sarayna Supreme or Sai Flora. Over the years I’ve often seen floras fall into two categories by sight, the lighter toned sticks like Sai Flora and then those like this one that are colored dark brown and have a different sort of scent profile as a result, while still being unquestionably “flora.” That sort of crystalline brassy top note which always seems to be present in this style merges with a slightly softer base that seems to have a bit of halmaddi mixed in with the charcoal and dampens that top a little bit in a way that often balances it a little. This does have the sort of crayon-like notes I tend to find fairly often in floral incenses and the base is very similar to probably a half dozen or more incenses in the Vedic Vaani catalog who often just change the top note. There’s some level of something like plum or prunes in the mix, but also an interesting spice mix that balances it on the other side. This is a neat incense overall, with some brightness that helps ensure the oil mixes don’t bog this one down too much, which is something I find occasional with dark brown masalas like this one. However, I would say a full stick might go too long a way so I’d test this at a half stick first as it’s very fragrant. But it’s certainly one of the better fluxo/floras I’ve tried.

I believe I received a sample of the Sri Aurobindo Ashram Cottage Industries #14, Sandalwood from Padma Store some months ago and getting a full package from Everest Traders reminded me of one thing in particular, that often one or two stick samples are often not enough to really get into an incense. I found after my third stick from this package I started to like this one a little more than on my initial take. My initial take on the whole line was that most of the ones I had tried were very average incenses so keep this comment in mind.

As the history goes, in India, sandalwood trees were overharvested leading to shortages, which also led to a more careful cultivation program in more recent times. However even though this is happening, there is a lot of evidence that scents like sandalwood are actually created synthetically now. Short of actually looking over the shoulders of the incense creators in India, which I would unlikely be allowed to do, it’s difficult to tell what is in sandalwood incenses these days, sometimes Indian sandalwood is used but Australian sandalwood and wood from other countries is also used. You can have sandalwood incenses that are mixed with the other woods and more lower quality. Overall a whole range of different sandalwood scents are available. For me the high end sandalwood incenses that remind me of the old days tend to be a few that Temple of Incense or Absolute Bliss, or if you like the Madhavadas style, Pure Incense has a few as well.

So with that in mind I would place this #14 in a more inexpensive category in that it does not have much of a real sandalwood note to it, but feels like maybe cheaper wood or wood that has had some of the oil extracted might be the base for this incense. It comes across a bit more like a floral mix and the note on top will be different from what you have experience. Back in the day some of the Incense from india drier masalas used to have aromas quite like this and they’re usually really inexpensive. This Cottage Industries line is actually pretty large and while it looks like Everest Traders also have an Amber and a Mattipal, I believe if you’re in Europe, Padma Store has quite a number of different blends from this company in addition to these.

The last Indian incense package I was sent was 100g of something labelled as Temple Grade Mysore Sandalwood; however, I do not detect any sandalwood, scent or otherwise, in this incense at all. For $4 for 100g batch you would basically not expect it to, but since this is an incredibly inexpensive incense I decided to just evaluate it on its own. There’s something intriguing about the incense for sure. It’s a dusted charcoal with maybe a tiny bit of softness to it. It seems sort of like a mix of a sort of sweet champa-like base with a note I remember from previous Asta Sughanda incenses from long ago, a bit like that paper meets vanilla smell, but also there’s something like a rubber tire note to it that flirts between being a kind of weird subnote and a bit too intrusive. In fact given the number of sticks in this I burned at least five before I started writing this. I would guess that the intention of this batch was to give a sandalwood note but the mix was off in some way, it’s something I think importers run into occasionally. And so there seem to be some components in the mix that are kind of interesting. But ultimately I don’t think this one works and it reminds me in ways of some accidents I’ve been able to check out.

Mermade Magickal Arts / Kyphis, Incense Cakes; Espirit de la Nature / Giroflee Ordorante

It seems like with the new kyphi mechanism in play that there’s been a substantial creative outburst at Mermade in the winter months. Combine that with ORS being in something of a downtime, it can be really hard to keep up and deeply go into some of these new and wonderful scents that Katlyn has been whipping up in winter months, so I thought I’d do my best to try and do some sort of overview to catch up on some things. As I’ve mentioned before, the catalog window for a lot of Mermade goodies is short and often ORS reviews can shorten them a bit more, and even when I start a review page in draft, I have to keep tabs on what is still live or not by the time I’m ready to publish something. And this too, of course, goes for the Espirit de la Nature incenses that show up. It’s often like watching a car zip by.

So let’s start with the Mermade kyphis. I covered Kyphi #2, Goddess Temple, here. I believe the #3 was the green Emerald Temple variant and the #4 was the Amber Kyphi (pictured left), all of which are now gone, at least for the present. If you read the #2 review then you will realize these are largely intriguing variants of the same sort of kyphi base with a new front. All of them are wonderfully etched in detail and I’m just generally of the opinion that if you see a Mermade kyphi go up for a sale then it’s a good idea to start planning an order. The amber variant did not last long at all and it is a really wonderful incense, with the back half connected through this kyphi lineage and the front a wonderfully perfect amber scent, distinct and almost definitive. And I think the #5 variant here (coming soon, will link when live) will be Goddess Temple with Oud (pictured right). I just have a few early samples of this one from Katlyn’s last package but I might have to separate this one from the “usually special and magnificent” to the “particularly special and magnificent” category. I love the way the oud in this one sort of tinges and modifies the kyphi lineage of all these previous incenses. It does so in a way that might create the most significant change of this line of incense. It feels less like it has a new top note and more like the oud has just deeply infused itself into all aspects of the scent. When you think of kyphi as this sort of aged melange of ingredients that all add up to something like an aromatic vintage, the #5 seems to be a really cool leap sideways that might make you feel like you’re trying kyphi all over again.

Another project Katlyn is working on is “incense cakes.” There are three different ones that are all very recent, Cakes for the Queen of Heaven, Rose of Isis and Dionysos. These are all essentially a mix of resins, woods, herbs and spices that are all formulated into small little discs with a stamp applied and mostly mixed in with another natural ingredient. The first blend is subtitled a Mesopotamian incense and includes cedar wood and essential oil; Suhul and Yemeni myrrh; Iranian galbanum; styrax – liquidambar; labdanum resin and absolute; black frankincense; and juniper herb and berries. Not sure if my botany is up to this guess and it’s not in the ingredients, but the cakes look mixed in with eucalyptus leaves or something visually similar. You can actually really suss out the specific ingredients in this mix and one thing I like about it is that a lot of these are not as common in available incenses so you really feel like the styrax and labdanum are quite forward here and the evergreens give it all a more herbal quality than a green one. It all adds up to a nicely mysterious mix that reveals a cool creative take on a regional scent.

Rose of Isis is a bit more straight forward a blend, with the rose and sandalwood mix out in front. The rose comes from three different absolutes, and the sandalwood is the quality Mysore, but in addition there’s Sahul myrrh, Saigon cinnamon, Hougary frankincense, and benzoin; the mix dusted with agarwood powder. I’ve long understood Katlyn to have a really deep connection with Isis energy and have experienced a number of her crafts in this vein both on and off the market to know she is a vessel for it. The rose here is lovely and powerful, redolent even in the fresh tin, in the way that a friendly rose absolute can lead to it being a bit like valentine’s day candy. But there’s not just that element, but a really genuine scent of the actual rose flower that is paired with that. As the heat continues the rose note will tend to fade into the background more, with the myrrh and cinnamon comng in louder towards the late heat. The sandalwood seems a bit milder than you might expect, mostly due to the powerful rose front, but it tends to tie everything together in the background.

Dionysos is something of an incense cake version of one of Katlyn’s older incenses with the same name. In fact this review is still probably fairly spot on in many ways and here you can get this almost vintage spirits sort of vibe just over the fresh cakes in the tin. Part of this I believe is the black currant bud absolute. As a kid who grew up in England in the 70s, black currant was almost ubiquitous in sweets and I loved it. Here it’s modified by some of the other ingredients into kyphi-like age, like a fine intoxicating spirit. There’s classic incense resins (undoubtedly part of what carries the currant), agarwood, juniper berries, sweet tobacco absolute, cassis (also black currant), galbanum and a pinch or two of sativa. I sort of roughly classify this kind of incense into Katlyn’s later summer blends, there’s this sort of feeling of heat and harvest at work, ripe berries, hay and herb. One you definitely would want to pull out at a party, an event much richer with the god of wine in attendance.

There were also a couple new Encense du Monde incenses in the Mermade catalog of late but one blew out incredibly fast and the other might be gone by the time I get this incense live (3 left! Going, going..). This last one left (well they both were!), Giroflee Ordorante, is naturally up to Bonnie’s incredible talent, an incense that boasts a very involved ingredients list: “Matthiola longipeta ssp bicornis enfleuraged [night-scented stock] while still on the stem into benzoin, palo santo and tolu balsam resins, propolis, rose extract, palo santo wood, sandalwood, rosewood, cloves, cinnamon, vanilla, patchouli. Bound with reduced organic honey. Powdered with monarde fistulosa- rose variety.” What I immediately notice with this Nerikoh style blend is the mintiness and balsamic qualities combined, but it’s sort of the layer a lot of complexity sits on, a complexity I am not sure I’d even have the time to get into before this very original blend disappears. I’m not even familiar with what appears to be the main note, the night-scented stock, so I can’t place it in the aroma exactly. So in many ways Giroflee Ordorante is certainly unlike any nerikoh style incense I’ve tried in a Japanese catalog, but it stretches the form in quite the innovative way. These little pellets pack both a massive and quiet aromatic punch with that almost trademark creative touch Bonnie has that feels like fractals disappearing into infinity.

And I’d be amiss to not mention that the latest batch of WildWood is in stock, and while I haven’t tried this latest one yet, it’s certainly in a lineage where I have loved every single one and it is something you’d have to consider a Mermade evergreen classic.

Mermade Magickal Arts + Esprit de la Nature / The Mothers – Ancient Winter Remembrance, Emerald Temple – Katlyn’s Kyphi “Green”

So right about when we turned to ORS holiday time, Mermade Magickal Arts went all festive on us and released a bunch of really yummy new treats. I love all of Katlyn’s work but I might have particular favorites in the whole axis of evergreen/green/winter seasonal incenses that she does and so it was impossible for me not to make an order, and then when I got everything wonderful in, I’m like oh my god how do I share what I am experiencing and write about these on holiday time when a lot of Mermade blends rocket out the door in a few weeks time (or sometimes before I can even write anything). Well I’ll give at least these first two a shot, and although this might not be up to usual review standards, for sure these incenses are up to the usual high Mermade (and Esprit de la Nature) standards. These are two really wonderful incenses.

But let’s first start with one that a periodical and greatly admired contributor to the Mermade catalog has created. As many may be aware of, Be en Foret of Esprit de La Nature is also one of the great artists of heatable incense out there and her new blend The Mothers – Ancient Winter Remembrance is an absolute triumph of the style, one of the finest conifer incense blends ever made. I am still marveling over the complexity, beauty and triumph of this stunning incense, it is literally not to be missed. Look at these ingredients: balsam fir (Abies balsamea) bark, needles, resin, extract; Amanita muscaria mushroom; juniper (Juniperus virginiana) berries; spruce (Picea rubra) needles; hemlock (Tsuga canadensis) needles and extract; cedar (Thuja occidentalis) tips; mugwort (Artemisia vulgaris) flowering tops; rosemary (Salvia rosmarinus) leaf extract; tree mosses (Psuedoevernia spp and Usnea spp); pinion pine (Pinus edulis) resin; and poplar (Populus tremoides) buds. All of these ingredients are bound with black elderberries (Sambucus nigra) and homemade hydromel (mead) and mixed with the Amanita muscaria mushrooms.

So the first thing one must look at is that in the overall sense of things we’re usually used to pine scents, perhaps balsamic scents and so forth when we talk about evergreens and conifers. It’s that experience of walking through a forest in cool mountainous air and experiencing the whole unified scent that so many plants combine to create. But there are so many different sorts of plants being used in this one that the aroma becomes so complex it actually starts to become somewhat kyphi-esque in its profile. I mean just sitting here after a second heat and trying to describe everything that goes through my head as I experience this is virtually impossible. First without any listing of something like frankincense, this still has a very resinous scent that one must chalk up to the various tree extracts and materials. The Mothers has a very pleasant, somewhat spicy fruitiness in the mix that is amazingly enjoyable, but this mix isn’t facile, it is deeply complex, aged and beautiful. I smell orange peel and marmalade, caramel, honey and wine, and where Katlyn’s green incenses tend to speak the voice of the Sierra Nevadas with a much greener finish, Be’s has its own unique character that is separate enough that you are likely to find both different species of the same genus. I’m not sure I can speak quite to how something like the amanita speaks through the scent, but the incense does feel like a conglomerate of smaller voices and there is a slightly psychedelic edge on all of this that adds to the choir’s unity. It is that sense of mycorrhizal fungi as a symbiosis of plant and fungi and, as the aroma spreads, human life as well.

Sort of in the reverse (or maybe inverse?) direction of this is Katlyn’s Emerald Temple, a “green” kyphi. One of the reasons I found this fascinating in the description is I sort of imagine kyphis more as brown, purple, or maroon, so I really liked the idea, given Kat’s skill with greeny goodness. The ingredients on this one, always a big list with kyphis, include fir balsam raw resin, green frankincense (Sacra of Oman), copal blanco, fir balsam Absolute, Cedar (Thuja) essential oil, Benzoin Essential oil (molecular distillation), and Chios Mastic. All dusted in green fragrant Arbor vitae (green cedar) powder. I would guess this kyphi is made with the production techniques of the previous kyphi we reviewed. Like some green mixes this also crosses over into lime-like territory, particularly due to the green frankincense and some element of the copal. My grandmother and a few other members of my family used to live in Key Largo for many years and could whip up a great key lime pie, which is what this scent reminds me a lot of with that mix of lime and sweetness. Even something like a lime Jolly Rancher kind of captures that front note. Of course this notable green frankincense note is really just the lead for that typical melange of caramel, wine-like, raisin tinged kyphi base, something that tends to remind me of autumn, except the lime pushes it all into different territory. It’s a nice little divergence from the kyphi norm and a cool little experiment that’s well worth looking into if you like the kyphis that come out of this venerable outfit.

But even as I come to a close here, I really want to remind folks to act fast. I just realized that Katlyn’s stupendously great Lord of the Rings inspired incense Elvish has already gone out of stock, and I can only imagine these two and the wonderful Southern/Central/native American inspired Lucida and the Tibetan inspired Golden Tara are soon to follow. These incenses, as always, show Mermade on the very cutting edge of cross-cultural experimentation with incense scent and culture and I often can not write fast enough to keep up with their demand and in many ways that’s a good thing as it shows their great appeal.

The Mother’s India Fragrances / Frankincense (Sweet), Guna Nagchampa, Meera Nagchampa, Neem Nagchampa (Part 1 of 2)

[Please note that in the writing of this it got really long, so I decided to split up the review into two segments and will be using the same top picture for both.]

I got wind of the first five Nag Champa incenses from Mother’s Fragrances probably late 2008 or early 2009. For my nose these were easily some of the best Indian sticks on the market and all five scents were amazing, particularly Ganesh Nagchampa which was something of a revelation. It wasn’t actually until a bit later that I was told they were using halmaddi in their incenses, but I felt Mother’s had really devised an incense recipe of their own with these five that set them apart from everything else in the market at the time. So I wouldn’t have called any one of them a traditional Nag Champa, but they were great nonetheless. Soon after I posted this original review, Mother’s in India got in touch with me when they released their expansion of 14 new Nag Champas, which I review in two parts. They were exceedingly generous, well beyond the usual samples I receive for review, and sent me something like 5 20 stick packages of not only the new 14 aromas but the original five as well. I was just blown away, but after this they also sent a package of aromatics, including a jar of halmaddi to show what they used in their incenses. I was just amazed at the transparency and kindness of the company, moved even. And while not all 14 incenses hit me in the same way as the original five, I still found much to like including my second favorite in the whole series, Om Nagchampa. But overall all 14 seemed well in line with the original 5 and my enthusiasm for this line was at a huge high.

Not very long after this, Essence of the Ages did a restock on their incenses including smaller packages of 12 sticks each. I didn’t buy many but I had mowed through at least my Ganesh and Om stock (I probably gave packages away too) so I restocked a few of each of these in the 12 stick packages. I remember when I first opened them, I thought something had changed. I wasn’t quite sure because the general aroma was still the same but everything felt a bit thinner, like there was less halmaddi or the perfumes were not as complex anymore. Soon after this I was contacted by someone different at Mother’s who wanted to send me the first half of their second expansion. Still very generous, multiple packs, a second mailing of aromatics. I review this group here. My enthusiasm of these was more tempered and I was starting to notice that not all of the oil mixes were working out really well. But, perhaps as a result of the less enthusiastic reviews, I was never sent the second half, nor really motivated to ask if they were coming.

Mere Cie was the US importer on these incenses (although all my contacts up to this point were directly in India) and I believe the owner of the company changed hands somewhere here (indicated by the slight change in name to Mere Cie Deux). But I was always left a bit puzzled by the remaining stock of Ganesh and Om I had left, every time I’d return to them the difference between them and the original stock became more and more obvious. Not only that but over time they both developed mold in a way that the original incenses haven’t. This isn’t an unheard of thing mind you, but I live in Sacramento where its is extremely dry and mold is very unlikely to occur, in fact other than this one and probably the Om, I’ve only seen it happen in uncured resin mixes where it’s a foregone conclusion.

This isn’t a huge deal mind you, the packages must have been something like 10 years old and anyone is likely to use them a lot quicker than I did, so I would not take this as an indication of anything but this curiosity I had over this stock and what I had previously received via samples, because none of the even older sticks have developed the same issues. Once ORS reopened I felt like I needed to add caveats to the first three series of reviews, to warn people that these reviews may no longer apply anymore. I take absolutely no pleasure in doing so, but one of the largest difficulties of reopening ORS (in fact it had a lot to do with closing it in 2016) is dealing with these recipe changes, particularly when it comes to incenses we were in support of. This is a huge thing when the lion’s share of a site’s reviews are at least five or six years old and as many as 14. But to me the changes are also unconfirmed yet, because there are other reasons that might be in play like just a batch that didn’t come out right and so forth. The aim is to be objective and not punitive.

I know Tara, Mere Cie Deux’s new owner, had asked to send samples my way and finally I have received a new set of packages from her of seven new-to-me incenses and a small sampler package of three herbal incenses. I want to first thank her for sending them. Again, please understand that I try my best to objectively review the incenses as much as I can, even if I might not like a particular scent I know other people have different tastes and I want to write in a way that people can identify if they might like something that I wasn’t as enthusiastic about. The issue over whether something is bad incense is something I mitigate by not reviewing samples of particular styles like most dipped incenses and so forth. I don’t regularly do things like Gonesh or Hem or oil-based hexagonal boxes of Indian incense or WildBerry or stuff like that. There are other forums out there including the Incense group on Facebook that have large groups of fans who like certain dipped styles and so forth and I just make it a habit to stay away and let them be. In fact even Mother’s has lines of charcoal and oil incenses that I think are outside the framework of ORS. However if they are masalas or Nag Champas then they are entirely within our framework.

So I wanted to set this context for when I opened the new sample box. Immediately what I noticed was a very strong and unusual wood or herbal note that permeated absolutely every single incense in the box. I literally began to go through most or all of the incenses to hunt down what it was because it seemed to me to potentially pose an aromatic conflict with some of the incenses. I didn’t know if maybe the herbal samples had contaminated the champas or if the note was part of the new base of incenses or if it was just one of the nag champas. As I initially went through them I found that this note seems to be part of the base of these new incenses. I don’t know if any of the line’s earlier incenses have switched to this new base or of it’s specifically formulated for these incenses, but I also noticed that this note is largely part of the unburned stick and not really part of the actual burn. I’m still not sure what to make of it. Mind you it is not an artificial or unnatural scent, it’s just strangely different and not a note you would imagine would compliment halmaddi.

But it’s important to bring up I think because this batch of incenses is actually very interesting, maybe even experimental in some ways. It’s one reason I wanted to sort of give a precis of my Mother’s journey to date because these are quite a bit different. If you look at pictures at Mere Cie, you can still see the lighter champa base on the older incenses and while I’d still love to rest my thoughts on whether the early lines have changed or not, the seven under review here appear to (mostly) be completely different incenses with a very new and unusual halmaddi-masala mix. There’s the unusual wood or herbal note I mentioned above but the base also can be something more like sweet chocolate, almost confectionary in a way. As you can see from the names of the incenses, we’re covering a lot of ground here that’s very unusual in the world of nag champas, in fact we’re stretching the definition of this way past where Mothers originally took it and into new territory. Don’t get me wrong, as I sort of adjusted to what I was smelling. I found these all to be intriguing incenses and increasingly fascinating as I went forward. You can find these for sale at the Mere Cie Deux website on the champa page.

So first of all there’s the Frankincense (Sweet). While this isn’t labeled as a Nagchampa on the package like the rest of these are, it still roughly fits into the same format and that addition is actually listed in the insert in the package. It’s a bit more akin to the sorts of masalas I used to see in the Triloka, Incense from India and other lines, where it would be brown colored and very sweet. Different from say the Happy Hari/Temple of Incense formula. But the same masala/halmaddi base used in all the rest of these incenses is here as well, and this sets it apart from the usual sweet frankincense masalas. There is some actual level of the resin, like it’s crushed up in the mix some, but it’s not a level of top flavor that really strongly outweighs the base. And this sort of sugary, confectionary, chocolate feel to it is really dominant here in a way some of the other champas in this batch don’t have because of the more divergent top notes. The other ingredients listed for this incense are Indian benzoin (where it supposedly gets its more balsamic tones from), gugal resin, cedar wood oil and a trace of Assamese oudh. In my hunt for that earthy note I mentioned above, I did guess it might be the gugal as its in the same family of myrrh and I’ve noticed this sort of wood-like quality that comes from the actual plant wood itself rather than the resin alone. Anyway overall this is a pretty intriguing incense for sure. It’s unlike most other Indian frankincense sticks, champas or otherwise, and the cedar oil also works nicely with the balsamic and resinous qualities. It’s a very friendly incense that I think most will like.

Guna Nagchampa is simply Coffee Nagchampa (or maybe more accurately Mocha Nagchampa), which is something I thought I’d never see myself write. This is a stick that reminds me a lot of Nippon Kodo’s Paris Café Fragrance Memories stick. Now one of my favorite smells in the world is a high quality brewed up coffee, but I tend to think of that aroma without the cream and sugar. When you have this sort of sweet halmaddi base you’re really going for something more like a mocha or latte sort of aroma. And to my nose this is a bit more superior to the NK stick simply because the halmaddi base seems more natural as a sweetener than extra perfumes. Because there are so many Japanese sticks that really only reach an approximation of coffee, I think this one might move into the lead as one of the most attractive coffee aromas outside of coffee itself. It’s a modern for sure and there’s nothing like premium bean about it, but Mother’s often tend so close to traditional ingredients this actually feels pretty authentic. But once again, you’ll be a struck by the interesting chocolate-y base as any of the coffee top notes. It’s funny but I always remember liking Nestle’s Quik for chocolate milk as a kid, but there was always some secondary powder I remember liking a little less that smelled a lot like this incense, but for the life of me I couldn’t dig anything up (maybe Ovaltine?). Anyway yeah this one’s a very interesting take on it, although you really have to think halmaddi rather than champa with this kind of thing as this doesn’t smell anything like a mainline floral Nag Champa. And that’s OK.

After really starting to love the Absolute Bliss Natural Beauty Masala, Meera Nagchampa with its mix of sandalwood and cedar wood top oils is really a pocket sort of aroma for me and maybe my overall favorite in this grouping. This is a champa a bit more akin to the early incenses I reviewed (links above) but for me this is something of a perfect top note with a really great mix of the two wood oils. It’s not a complex incense, it doesn’t get too sweet in the mix which really allows the natural fragrance of these two great incenses to mesh and meld. If you like cedar this is a no brainer for sure. Very nicely done and proof simplicity is often a net positive.

Neem Nagchampa is a very unique mix, with neem leaves from the azadirachta indica tree. Neem leaves are an herbal aromatic that repel insects, and seem to be used for other unconfirmed medicinal reasons as well, but it’s the first time I can remember it being used in an incense. Now I have never smelled these leaves, but they appear to be part of the Indian lilac tree, but if I am getting the note right the leaves are a somewhat pungent, green scent and certainly herbaceous in the way we normally think of it. So in a lot of ways this is the first top note in this series that I think is quite unusual and experimental as a mix for a “nag champa.” But I’ve said it before, exploration and new scents are exactly what you look for in new incenses, so I definitely laud the company for trying some new things out. Overall this isn’t a sweet nag champa like many of the others in the series, the base seems a bit modified to sort of pull the Neem note out on it, and I’d dare say it seems to be successful in presenting this almost as an alternative to a lemograss or citronella sort of scent.

As mentioned above, my writing over the ORS Mother’s journey went on longer than I expected, so I moved the remaining three nagchampas and the Herbal Ambience samplers to a second installment that should be live in a few days.

Temple of Incense / Nag Champa Gold; Oudh Masala; Dhoop Cones / Absolute Sandalwood, Benzoin, Frankincense, Lavender, Oudh, Rose, Vetiver

Temple of Incense Part 13
Temple of Incense Part 14
The entire Temple of Incense review series can be found at the Incense Reviews Index

Wrapping up the Temple of Incense reviews is everything else I managed to get that was in stock. After these reviews, the only things missing are the Palo Santo cones, and the Bakhoor aloeswood chips which I may review at a later date. Also, want to note that both Mike and I figured we had covered Nag Champa Gold but I’ll insert that here as we both didn’t manage to review the ToI version of this famous stick.

Starting with Nag Champa Gold, one of the flagships of the HH line is also a flagship here. This is essentially the same stick. For those unfamiliar, this is a very dry and astringent version of the famous nag champa scent. It has gold flakes/dust that comes from mica. I was told that this is actual waste from statuary production and since mica doesn’t tend to add anything to a scent it is purely aesthetic, like eating gold leaf. The stick itself is a yellowish bamboo core with a extruded charcoal-based masala dusted in tan and gold dust. The oil of the magnolia in this is exquisite and scents the stick before you light it. After lighting, the saltiness of the sandalwood and a touch of halmaddi/vanilla to give it some sweetness. My understanding is that if you used to like this stick a decade ago that it has a touch less halmaddi in it which makes it drier and more astringent. Overall, this is still one of the better Nag Champas on the market.

Absolute Sandalwood Dhoop Cone is an all black charcoal cone with oils added. This should not be confused with incense sticks of the same name because this is not similar in any way. This has some of the same oils I think go into Sandalwood Extreme, as this is a fairly good representation of Mysore sandalwood in all it’s salted butter notes. There is a touch of something sweet like maybe a hint of benzoin in here as well but it only seems to come out and play briefly before it gets coated in santalum smells.

Benzoin Prayer Dhoop Cone has a different format for cones, this is more like a thick cylinder that might be as big as 3-4 of the other sized cones. My biggest complaint on this is that they are harder to light without a graduated tip, but they give off a bigger smoke/smell and burn a lot longer. If you like the Benzoin Absolute stick that they make, this is a great continuation of that scent. This is a less sweet version of benzoin, while I’m still not an expert on the resin localities, this one doesn’t have the vanilla mashmallow scent and instead is something more like baking marzipan cookies and gunpowder. This is possibly my favorite of the cones I’ve reviewed in terms of scent.

Another in the cylinder format, Frankincense Prayer Dhoop Cone is different in that instead of being an all-charcoal base, this looks like pressed sawdust. This is a good representation of the boswellia sacra resin, it has a clean, citrusy scent that is a bit crisper and cleaner than the Frankincense stick they offer. Great for any application where you need 20 minutes of constant frankincense aroma, this is a room filler because of the thickness, and it has been a favorite in the family when I light one because everyone in the house smells it.

Lavender Dhoop Cone returns to the cone-shaped charcoal format and does a good job of bringing out a few different formats of lavender. Opening the jar, it smells like my favorite version of lavender oil, the one that captures a bit of the ‘green’ note like you’re in a field of lavender. When you light this, it becomes apparent that this oil is pretty much the only ingredient as you’re met with a mixture of both the fresh lavender and the more ‘warm’ lavender that I associate more like with soap and dryer sheets, the smell of relaxation. This really has a very clean feel to it and the marketing copy on the jar says it will ‘balance all seven chakras’ and I do enjoy how this seemed to have brightened the room a little bit.

Oudh Dhoop Cone is another cone-shaped charcoal formatted cone. Essentially, this is a cone version of the Oudh Masala, or at least, this is what my initial impression is upon lighting this black cone. It has a strong ‘cologne’ presence of oud here, where they are using distillation techniques that compress the scent into a much thinner profile without all the extra bells and whistles of the nearby plants and animals mixed into the scent. This is oud. Oud oud oud. As the cone has burned a bit, I can tell now that this is a bit different than the oudh masala, and it has a lighter, sweeter note than the Oudh, which is earthy and strong. Either way, I love how this scent is coming out and I definitely want a lot more of this.

Oudh Masala comes in a 60g Miron glass jar and is a powder meant for a electric burner or charcoal. I picked this up because of the name conjuring the HH reference and because I’m a huge fan of the stick. This is hard to describe, but if you’ve experienced Oudh and Himalayan Spikenard, this is like combining the best aspects of both of those and cranking up the intensity and the resiny goodness as loud as you can handle. In fact, if I put too much on at once, it gets overpowering because the oudh cologne scent is right there in the middle. If you enjoy powder incense format, this is so oily that you can actually just make a little pile and light it on fire. You won’t consume 100% of the powder but it burns most of the way by itself it’s so dense and resinous.

With Rose Prayer Dhoop Cone, we have another cylinder format, but like the Frankincense Dhoop Cone, this one isn’t made of charcoal, instead it looks like crushed rose petals and something like makko. Infused with what must be a mixture of oils, we get a fresh rose scent with a slightly sweet undertone like the roses are central to a bouquet that also includes something sweet like candied rose as well. Overall, this is a really good cone and the size of it means it burns a bit longer than the conical ones. This is good for people who really like the rose to smell fresher. That candied rose is under the central rose scent, which really is very good and reflected in the price point. It smells like rose petals and confectioners sugar. Really nice.

At Last, the Vetiver Dhoop Cone. Vetiver is always a wonderful scent when it is done right. My husband and I love vetiver essential oil and for many years used the oil as a perfume and received many compliments. This is a sweeter version of khus. This black cone seems to be charcoal with oils and I’m guessing they’re using all the best. There is a touch of what I detect as sandalwood in here, or maybe it’s just another note of vetiver I’m unfamiliar with because so rarely in incense do you get vetiver by itself for a conversation, most of the time it’s in a chorus.

Temple of Incense / Amber, Amber Supreme, Benzoin Absolute, Big Cleanse

Temple of Incense Part 6
Temple of Incense Part 8
The entire Temple of Incense review series can be found at the Incense Reviews Index

I am a relative beginner in the world of Indian incense. While in my incense journey, Indian style incense was the first I encountered, it was during that time period in 2013-2015 that, for the most part, Indian style incense was mostly overly bombastic with shrill single notes that chased me out of the room or had me putting it out hastily. Smells like burning hair and cheap cologne would have made many of my descriptions back then.

So recently, I encountered Happy Hari for the first time, years after the founder died. This opened a door and I quickly began searching for more, almost coinciding with Mike reopening ORS. Learning about Temple of Incense sent me in a scramble. My first order was for one of everything. I have not been let down by this exciting journey and I decided to share the reviews in alphabetical order, leaving out the ones that Mike has already reviewed.

Our first stop is with Amber. As someone who first encountered King of Amber, this is exactly the same. For those who don’t know King of Amber, this is an extruded resin stick. It has a thickness and a heaviness to it that makes it stand out from most other masala sticks(other than other resin sticks like it). It also takes a while to light, showing that there is more resin than oil to make this stick.

I’d love to call this ‘Amber Absolute’ or ‘exemplar’ of the amber scent but it is more like ‘Egyptian Amber’ in that it comes across more like the soft Egyptian Musk type of smell you can get in attars and even in multiple brands of incense sticks. However, I don’t want you to imagine the cheap and artificial smell that can come from those $5 perfume bottles. Rather, this is more that they took actual resins and oils to create this from natural sources, and the result is this amazing, bewitching, soothing scent that everyone in the family comments on when I burn it.

The best thing about this compared to so many other incenses with ‘amber’ in their name on the market, this never crosses the line into cloying. It maintains a atmosphere of mystery with the soft amber scent. Since amber is common in so many western perfume blends, my nose always picks up amber in many Indian incenses as ‘perfume’ yet here it remains solidly like I expect honey amber resin to smell, with that touch of something else that grounds it a little bit, perhaps labdanum or similar, and it adds that mystery and musky type of note that keeps this from getting too sweet.

Next is Amber Supreme. Instead of being a thick, extruded resin stick, this is a handmade masala finished with a light brown dust. The name makes me imagine that this is going to be stronger, faster, better than Amber, but supreme can mean other things, like restraint, discipline and regimen. In this case, this is a much more muted version of the amber smell, it is less sweet and has a little more of the ‘baby powder’ note of amber in it, but again, none of this is the artificial amber or perfume amber. This doesn’t cross into cloying, or sweet, it remains subtle and restrained, which is two words I rarely trot out in a review of anything Indian style. I also want to a address how different the sweetness is between the two. Amber has a sweetness like honey and this one has a sweetness more like confectioners sugar, which helps support the more bitter aspects of it’s scent.

I would suggest Amber Supreme for anyone who finds Amber to be too strong for their tastes, this also lacks less additional ingredients so it is more like ‘pure amber’ or ‘amber absolute’ than the previous entry. Definitely do not burn this on the tail of Amber because you will barely notice it.

Similar to Amber, Benzoin Absolute is a thick resin extruded onto a bamboo core. As someone who has loved Meena Supreme in the past, my initial hit off this was ‘Oh, so ToI renamed Meena Supreme to Benzoin Absolute’. But that lasted for just a moment as I realized this lacked the other perfumes and finishes of Meena Supreme and instead has a scent profile that would represent maybe 50% of the Meena scent.

What you get here is what I call the ‘Indian’ interpretation of benzoin, as this doesn’t come across as the burnt marshmallow note I associate with the plain benzoin, so either the locality or the processing is different here and this benzoin is less sweet and has a few more metallic and maybe even confectionery notes, like a bitter marzipan.

Big Cleanse is a thick charcoal stick with oils and maybe a bit of resin. The website sells it as a smudging stick and I think it might be good for exactly that sort of thing. It has a very herbal smell, reminding me of the German bitter teas like 7×7, and because of that, I like how this smells, though many who I have burned this with have commented on how they don’t like the bitter and acrid notes coming off it.

If the three sweet incenses reviewed here are yin, this has enough yang bitterness to balance all of them at once. While the purpose of this blog isn’t to wander as far into the spiritual nature of incense, this is clearly more for intention and cleansing than for sitting and pleasantly enjoying. However, I’m also someone who has spent years drinking bitter Chinese teas and similar kinds of things from Europe and so I don’t mind a little bit of bitter here and there, especially if you consider some of these sweeter incenses like Amber dessert.

Mermade Magickal Arts / Royal Pastilles + Golden Lotus Heater (Revisit)

I had to do a little digging to remember the last time I had reviewed Mermade pastilles, and it looks like 2014. I’m assuming I must have missed some interim batches somewhere in between. These pastilles have always been a neat little treasure but I had almost gotten used to thinking of them as variations on resins, although done in a way that they kind of resemble candies. I do remember a Turkish Delight themed incense that I think may have had some relevance to this topic. But I mention all this back history in order to show there’s been quite a bit of creative evolution within this theme as it is. The description of Royal Pastilles includes black frankincense, Yemeni myrrh, Sumatran benzoin … ground finely and carefully melded with labdanum absolute and raw labdanum resin bits. This mixture is “then hand-cut into triangles and dusted with extra fine Agarwood powder.” What strikes me a lot about this particular blend is that these resins almost tend to be a little over to the quieter end compared to the more citrusy green and hougari frankincenses. It creates a lot mellower of a melt overall which doesn’t tend to overpower the woods quite as much, so there feels like kind of nice balance of qualities between both. Once again the way Katlyn has blended the resins and oils to create the main aroma feels almost like some level of bewitching spirit within, I’m almost starting to feel like these are almost potions. There’s just this feeling of some level of brewing and aging within that helps the combination end up being a sum of its parts. In fact this one seems to have some vague hints of Mermade’s Kyphi on a bit lighter of a level. It is fun for me seeing the creativity flourish on such subtle levels.

Which brings me around to something we’ve already talked about for a quick second on ORS and that’s that Mermade finally has the Golden Lotus Heater back in stock again. I’m not sure how long they were out, but it is a wonderful thing that they are finally available again. Ross first reviewed this heater back in 2013. In an era where planned obsolescence is almost a given with electric equipment, my experience with incense heaters is they last a long time (I have a Shoyeido heater and a Golden Lotus and they both still work fantastically 10 and 8 years later) and take this from someone who has left his on overnight accidentally more times than I can have counted through the years. If you’re used to just stick incense and combustibles the world of heated incense is almost an entirely different level and over the years I’ve learned to love all styles pretty warmly, but I will say that you can not beat the way heaters deal with resins, particularly frankincense or multiple resin blends (for my nose there’s always some level of charring going on when frankincense is burned or put on charcoal). There are few specific investments I can recommend on ORS but one of these heaters is definitely one of them (I am also informed that the Subitism burner is well-loved, but it is leagues more expensive and likely to be well outside of many budgets). In fact I’m sure there are creators beyond Mermade such as Esprit de la Nature who may very well designs incenses with the Golden Lotus heater specifically in mind for their creations. The heaters are super easy to use, they make loose incense go for potentially hours and they are perhaps most importantly smoke free and mandatory if you are one of those people who love aromatics but not the smoke. So it’s really an essential purchase for the incense head and I might add that heating stick incense on heaters can also reveal entirely new facets of your incense as well.

Mermade Magickal Arts / Sanctuary, Pan’s Earth (2021) + Esprit de la Nature / Lavender Kyphi (via Mermade) (Discontinued)

Here’s another handful of Mermade offerings including one direct from Esprit de la Nature. One I almost missed and the other two newly arrived…

I bought Sanctuary a little while back so I’m not sure if what I’m reviewing here was the first or second batch as mentioned on the page. Katlyn lists the ingredients for this blend of sacred space as Copal Blanco, Copal Negro, Maydi and Sacra Frankincense, Breu Claro, Greek Sage, Palo Santo, Peru Balsam and Fir Balsam. So I think the one thing that this instantly brings to mind is the idea that this is something of a South American blend with a touch of the outside. Space clearing incenses often to tend to be resin heavy, so this checks the box, plus this has that sort of uplifting feel that copals frequently bring to incense especially when they’re high quality. Sanctuary is also a bit of gentle blend, much more so than resin mixes that are frankincense heavy, in fact the frankincenses here seem to have not so noticeable an impact on the overall bouquet. The Palo Santo is fairly obvious as it always is in a mix, and I very much like the way the balsams weave in here as well. Once again Katlyn’s skill at blending multiple ingredients and getting them all to face out in a noticeable way is quite apparent.

Be en Foret’s Lavender Kyphi (picture is just a sample container but cool enough to include – check out the final artwork at the link) is another one of her intriguing variations on the old Egyptian formula. Check out this amazing ingredient line up: “From the Garden: Salted lavender buds and Dominican Sage leaves from my garden, Spikenard root from the Himalayas, Violet leaf extract from France. Resins: Dark Frankincense, Tolu Balsam, Dark Benzoin, Labdanum, Kua Myrrh, Liquidambar, Peru Balsam. A dash of aged Ambergris in Sandalwood oil ● Bound with organic honey and raisins ● Rolled in Agarwood and Sandalwood powder.”

Gulp. That’s a whole lotta goodness there, as is common with labyrinthine Kyphi preparations. Be sets this at a very low temperature kind of melt so you really gotta get in there to experience how complex this is, but of course the lavender is in front just like the name implies. One thing I love about kyphis is there are multiple ingredients, multiple recipes, everyone does them differently, they’re aged and tend to have vintages even among single “authors” and so vary all over the place while still hitting these notes that remind me of the finest of wines or even ales. The second thing I notice off this incense is the honey and balsam scent, a lovely mix that also tends to highlight the spikenard which is a favorite of mine. I do tend to like my lavender as close to the plant as possible, so I appreciate that it’s the kyphi that tends to be sweet here, which is a really nice contrast. And yes this does have that almost thick, wonderful base of a kyphi, more noticeable as the heat progresses, which I always contribute to the raisins and the way they kind of infuse a bit of wine-like goodness to the mix. Anyway I hope you’re convinced on this one, Be has the kyphi juju down!

And if kyphis are a tradition going back to Egyptian times, Katlyn has made something of a vintage out of Pan’s Earth herself. This is one of Mermade’s perennial classics, an almost definitive pagan earth incense, a mix of divine resins with all sorts of herbal notes that furrow their roots deep into the soil. And like kyphi, repeated vintages of Pan’s Earth always seem to improve and get more deep and impressive, and honestly, this one’s even a bit of a quantum jump in how good it is, easily my favorite of all of the good scents under this name. So what’s in the 2021 version? Black frankincense; breu claro; copal negro; vetiver root; aged patchouli; agarwood chips, powder, and oud; Pan’s Earth Special Blend Oil; Arbor Vitae cedar tips; jatamansi; costus root; kua; and Yemeni myrrh. The first thing that always strikes me about Pan’s Earth, despite all of the high end ingredients is that patchouli and vetiver mix. That green, soil-rich earthiness is just right up my alley and has always been the feature that would draw out this god of satyrs (and to be fair jatamansi and spikenard also have a little of it). If you’re gonna talk about Pan you need something feral and dark, something that makes civilization vanish. However to my nose this is actually a bit more resinous than I remember previous vintages, and it almost feels like the aged depth of it actually highlights and provides a well-roundedness to the incense that reminds you that the mystery of Pan still remains and that matched with all that earth is the sense of the universal as well. Perhaps 100s of years from now, some future archaeologists and anthropologists will be trying to make sense of the complexity of Pan’s Earth. Because this great incense is now becoming a tradition like kyphi, where there’s so much to experience, a review may not be able to do it full justice. One subnote melts into another into another. Definitely don’t miss this!

Mermade Magickal Arts / Earthly Delight, Black Flower Lubana, Rite of Spring

First of all let’s just take a look at the remarkable piece of art adorning the little vial of Earthly Delight. What a tremendously gorgeous piece of work. The colors on this piece are really reflective of the sort of aromatic kaleidoscope that this incense provides. The ingredients are listed as Oman Frankincense, Crimson Kua, Yemeni Myrrh, Garden herbs and blooming flowers, Sandalwood and Summer Spices, and Orange Blossom Absolute. Special attention has to be paid to the summer spices as these pop through nicely along with the really beautiful orange blossom absolute. It’s the sort of orange spice mix you might find it a soothing tea and the whole bouquet just pops with freshness. Unsurprisingly the frankincense and two types of myrrh (the kua) make up the base of this incense, and this base has obviously been wonderfully crafted to bring out the orange blossom. I actually really love the way Katlyn modifies various incenses with frankincense to bring out the various citrus types associated with various types of resins. I’ll add that I left this one on overnight accidentally and when I came back into the room it was still quite aromatically active so I’m sure a little of this aromatic powerhouse goes a long way. I will of course highly recommend grabbing this wonder while you can, although I feel like I say this a lot!

From the highly complex to the devastatingly simple … Mermade has done a lubana or few over the years, they tend to be very mild due to their benzoin content and honestly even the highest quality levels of benzoin don’t change the scent profile of it too much. So it’s nice to see one with a healthy share of black Omani frankincense in the mix to highlight the powerful and alluring scent of vanilla in the Black Flower lubana. One reason I like the frankincense here is that the vanilla would probably get a bit thick if paired with benzoin on its own, given benzoin covers a bit of similar terrain, so the frankincense gives the vanilla ingredient something to contrast with and become something of a separate aromatic entity from its base. There’s a bit of a subtle tweak with the labdanum, vetivert and agarwood hints as well. Nicely done and my favorite lubana from Mermade yet.

It’s a fun synchronicity to sit down and review Rite of Spring after getting a nice complete box of Stravinsky with that work on it. Just off the fresh incense this is a deeply pink/red incense as you might imagine with ingredients like Rose de Mai. In fact this seems to have been arranged with love magick in mind and so it has a huge floral hit. What’s impressive about this incense; however, is that once you get past that rosy top, you’re left with the mix of herbs, linden blossoms and honeysuckle that really pay tribute to the spring vibe of the name. Once again this is an incense where the resolution of these ingredients is very high. Like with all Mermade incenses, the ingredients are just superb. There are really just no better floral incenses in the world and each new variation is a wonder. I just had to hold back on dumping the entire vial on my heater in order to see if the metaphysical effects would work!

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