Ganesha Incense/Nag Champa, Jagannath, Agarwood

Ganesha Incense is a new company creating traditional Indian incense and based on my review package, ships from Thailand all over the world. Their incenses come in 100g containers, large tubes with easily removable lids that are really nice, you can actually set them on their base and they stay upright and are very easily accessible. There is no inner packaging (they’re essentially cardboard), so I’m not quite sure if the incense is protected over time, but based on what I sampled, I’m not sure it’s necessary as the lids fit snug and everything smelled nice and fresh.

It’s never stated on the packaging but I wouldn’t be surprised, based on some of the offered incenses and the base of the incenses if these were sourced in the Madhavdas family, the same venerable incense creators behind the Primo, Pure Incense and other lines. If not, there still seems to be a similar base at work, a mix of vanilla, sandalwood and charcoal. But like most of the incenses sourced through Madhavdas, Ganesha incenses do differ in overall scent and aren’t just the same incenses being sold under different names. As we have found out, this base can be solid for connoisseur and high quality incenses.

Based on the three incenses in the package, Ganesha seem like they’re off to a very good start. But first of all, a bit of a preamble as I haven’t reviewed a Nag Champa in a while and there is some history behind the style. Nag Champa incenses today are generally better than they were ten years ago, but if you go ten years earlier you go back to a time where they were much more impressive. One of the things I remember about the older Nag Champa is that the sticks were very gooey, it wasn’t uncommon to find smashed sticks where the consistency of the material was still quite wet. This has been attributed, sometimes from myself, to the use of halmaddi in the stick, a material that keeps an incense in a sort of state between wet and dry. However, I haven’t seen a single new Nag Champa incense since Olfactory Rescue Service has been active whose consistency matches the “historical” Nag Champa (not even Dhuni’s) and so I’ve come to the impression over the last few years that something in the mix has been lost since Satya Sai Baba changed hands and that it could be something more than just halmaddi. Halmaddi was (or may still be) on the CITES endangered species list and for a while it was very rare, and the Nag Champas during this period were very dry and mostly downright unpleasant. Fortunately incenses have been popping up since this dry period that clearly contain it and thus we’ve had a bit of a renaissance with the blend such as with the Mother’s wide range of champas. Halmaddi tends to give champas a uniquely balsamic middle which tends to balance nicely with the oils being used.

There is one important difference in the newer blends, however, and that is most of these are quite a bit skinnier than the “historical” champas and so the actual materials being used often don’t overpower the scent of the bamboo stick in the middle and this tends to cut through sometimes. I wanted to mention this as it’s not specific to Ganesha’s Nag Champa, all the new ones have it. But I also wanted to mention it because Ganesha’s version is very very good and I know the owner has made a strong effort to release a really authentic scent and even with the history given above, I’d easily think about this as the market’s go-to Nag Champa. It has a nice halmaddi base, a good balance between the sweet and dry and a touch of depth that all the good incenses in this style have. And unlike some other types of Nag Champa, I actually found myself enjoying this MORE with every stick, rather than less, which is not often the case. Overall I do wonder what a thicker stick with similar materials would be like, other than obviously more expensive. And I have been informed that as the company goes forward there will be more attempts at connoisseur level scents, which of course we look forward to with great anticipation.

Ganesha’s Jagannath is a Nag Champa variant and it’s a sweeter mix of spices and ingredients that is vaguely reminiscent of styles like Vanilla and Honey Dust as well as Maharaja, but unlike either lineage Jagannath is not a clone. This one has been exciting to try as where Nag Champa is an old familiar, Jagannath has just that right amount of newness to keep me pulling for it and learning more about the scent. Like the Nag Champa, there’s something stately and restrained about Jagannath, and my experience with it was that after a few sticks I started to notice a bit of depth to it, something that a lot of sweeter incenses can easily overwhelm. Ganesha’s incenses are true Indian style but don’t seem primed to overwhelm you with perfume like a lot of Indian incenses, their claim to natural scents really seems to bear out. Even last night I pulled out another stick and was even more impressed, like all good incenses you notice more with increased use and this one really does have a lot of subtlety to it.

Nag Champa and Jagannath are two of Ganesha’s Silver incenses so it’s perhaps impressive at this point to note that they also have a Gold line as well (4 different incenses so far). The Gold incense I was sent was the Agarwood. As noted before when reviewing Indian agarwoods, they are very different from the Japanese scents. And there aren’t really that many of them, only Pure Incense’s blends come to mind at the moment. But I am really impressed with this one, it has a really astounding depth to it and seems quite superb especially for its price range. Given how expensive Agarwood is, to keep it at the 100g/$19.99 price there has to be some clever trickery involved in the makeup, and I was quite impressed by not only some of the spicy oud-like characteristics here but the authentically woody scent that pops up, some of which I would expect to be from the sandalwood in the mix as well. The combination of the base and all of these elements adds up to a very complex incense with some of those dark fruity notes you find in some ouds. It’s also very different from any of the Pure Incense Agarwoods. Like the Nag Champa and Jagannath, the more I sample the Agarwood, the more I like it.

Overall I’d say Ganesha Incense is off to a very good start and I’m certainly looking forward to trying any of their other incenses in the future (these were only 3 types out of approximately 15-20). The scents, presentation and solid price range have obviously had a lot of thought put into them. I’m not sure if the company plans on releasing smaller packets in the future or samplers, which I would think would be key to success and longevity, but I can also imagine that most Indian incense fans sampling these would wish they had 100g if they didn’t. We have a new winner on the market here.

A few incense notes

It has been a really long time since I posted anything, so I figured I’d drop in and say hello. Life has kinda moved me away from blogging and writing in the past year or two and although I’ve had some sample review inquiries, not much has shown up and with a few exceptions I haven’t had a chance to try a lot of new things, but I figured I’d do a ramble and see what I remember.

First of all, it’s difficult to write about good incenses at all without mentioning Mermade Magickal Arts. Among Katlyn Breene’s many talents, one in particular always stands out to me and that’s the way she can bring evergreens and forest scents out in her incenses, absolutely nobody does it better. As someone whose very first incense experiences as a teenager were pine incense sticks from Cost Plus incense, the scent of woods and fresh evergreen resins are always a huge draw for me, so to sample Mermade’s incense pastilles, especially right around the holidays, was a real treat.

These pastilles look like the little candies they were named after and it seems to me that all three have a wonderfully foresty and frankincense-heavy base that is slightly modified by the title scent. With the Labdanum Incense Pastilles, there are three frankincenses in the mix and a touch of benzoin to go along with the labdanum scent. Just like if you were to open a little tin of citrus pastille candies, the smell from these pastilles is full of the gorgeous lemon and orange hints you get from great frankincense, at time’s the scent is as strong as fruit juice. The Spruce Incense Pastilles are a similar scent but the effects here are less like candy or fruit juice, with the spruce moving the whole thing to a less sweeter place. I would have guessed that this would have been strongly evergreen but in the end it’s really a note, it drifts to being a bit more earthy as it melts on a heater. The Sweet Myrrh Incense Pastilles seem to have a stronger presence with the “title” note and is the most complex of the three. The myrrh, as it always does, balances and modifies the frankincense scents that also moves it away from the citrus notes. Myrrh has always struck me as being a bit “thicker” than frankincense and thus it works to excellent contrast here. As always with Mermade’s work there is a real clarity to the scents and subscents that portray years of experience in creating fine incense and it just always seems that new offerings from Mermade get better and better. I also tried a sample of Mermade’s Majoun Encens which just makes my ability to keep describing these new fantastic blends more and more difficult – I don’t think there’s ever been anything quite like it on the market, a bewildering mix of a base kyphi incense with all sorts of new and mysterious ingredients that just pop with energy, like a mix of spices, cola, various food hints and something just a bit more subversive. It’s an absolute essential purchase in my opinion. And of course if you haven’t checked out Mermade’s heaters yet, you simply must.

I’ve revisited some Shroff incenses of late and I’ve found that the initial semi-dry masala series that came in the yellow boxes has slightly changed. I’ve heard reports of big changes with Jungle Prince. Pearl is definitely a lot coarser and less subtle than it used to be while essentially pitching the same aroma, and Little Woods has changed but fortunately is still excellent. However, the group that came with Sugandha Mantri seems to be holding strong, in fact this group is still one of my favorites. With Dhuni gone, many Shroff incenses are about the best on the market right now.

I tried several of the Nandita scents. These incenses are all essentially perfume based, but they’re all blends that don’t go instantly reminding you of other incenses. Mantra Meditation, Wood Spice, Dehn Al Oudh, and Royal Attar all show up as decent variations on a given thing, but many of these aren’t easy to describe due to the fairly complex oils at work. They’re all extremely affordable but I’d be hesitant to pick one or two of these as a favorite as they’re all pretty close.

Anyway that’s about it. Feel free to use the comments section and let us know what your current favorites are!

Pure Incense / Tuberose, P-Gokula, Pushkar, Pavitra Vastu; Revisits / Connoisseur / Agarwood, Blue Lotus, Parijata, Rosewood

Pure Incense have been kind enough to provide lots of samples for Olfactory Rescue Service review and I recently received a new batch, including four old sticks previously reviewed in order to give a taste of where these classics have been heading as ingredients and recipes change over the years. In my opinion this kind of transparency is to be highly lauded when so many companies just change things completely without notice and I believe it to be a true acknowledgement of the art of incense in that change is inevitable in this field and that your favorites will probably not be around forever. It is good to see that even with changes that new formulas are being added and experimented with and that Pure Incense really do have a way with the perfume notes in their incenses. So let’s start with the new and previously unreviewed formulas.

When it comes to certain floral incenses, a lot of Indian incenses tend to a high level of charcoal in them, after all you can’t really burn rose petals and have the scent smell like roses and so there is a high level of oils in incenses like this. Tuberose is one of these scents and I’m probably not alone in not being a fan of this format of incense. But just like when you compare Pure Incense to their US cousins Primo, the quality level seems to be a lot higher with Pure Incense and I found the base to be, if not pleasant, and least not offputting. I seem to remember Primo’s version being a lot harsher and eyestinging. The oil on the base, of course, is quite nice and while you can still sense a bit of the vanilla floating behind it in the base, the Tuberose is a soft, rounded and cushy floral, somewhat powdery and quite feminine.

The Pavitra Gokula scent, which seems to be a subline of Pure Incense’s Premium collection, appears to be a new riff on their classic Blue Lotus scent. And like anything even remotely similar to the Blue Lotus, this is a very beautiful and bewitching incense, almost like a caramel-tinged floral. It has some similarities to one or two of the Vrindavan incenses elsewhere in the line, and there’s that wonderful hint of sweet and crystal pink that these incenses are topped off by. The Gokula has an almost candy-like middle, giving it a real complexity (especially when you consider how complex the Blue Lotus perfume is on its own). Perhaps its only weakness lies with the base, but its likely most readers will already know if they’re OK with it or not. And if you’re not sure I wouldn’t let it put you off as the base layer actually adds more than detracts from the complexity. It’s really the kind of direction you want to see a company take, experimenting with their formulas for new takes.

The Premium incense Pushkar also riffs on the Blue Lotus incense, this time combining it with the Vrindavan Champa scent. I believe it is with some modesty that Pure Incense hasn’t ranked this with their Connoisseur level, as the crystal pink floral scent mixed with the Blue Lotus oil is really a product of master craftsmanship. The mix has some similarities to the line’s brilliant Rosewood incense as well in that the scent seems to have a bit of woodiness in the middle to give it a nice breadth. It’s almost like a mix of pink florals and evergreen foresty scents. It’s truly well worth checking out, a really fine entry to their line.

The Pavitra Vastu is notable for not having any flower oils in the mix and is instead a mix of herbs. The result is a spicy, tangy herb and wood heavy blend with a hint of citrus in the middle. It’s a very robust and hearty incense that has more than a hint of orange tea in the mix, although it really doesn’t get too spicy. After a couple of sticks, I wasn’t sure about how complex this could be, but it is nicely balanced and has a nice clarifying affect on one’s surroundings.

As could be expected the Connoissuer line has changed in scent in the few years since I reviewed them last. It would still be a good idea to revisit the reviews here and here in order to see where these new reviews get their basis from. I only had a stick of each of the new version to sample and so I can only really approximate the changes, but none of them are particularly severe, which leads me to speculate that the changes are mostly via the ingredients.

The Connoisseur Agarwood has, unsurprisingly, changed the most, which is what you’d expect. Of course it’s important to note again that Indian agarwoods differ a lot from the Japanese, but the Pure Incense version from a few years ago was easily the best of the Indian agarwoods, with a wonderful deep and resonant foresty camphor like note that gave it a huge amount of dimension. This new version (marked Autumn 2013) doesn’t strike me as being quite as woody and I wasn’t sure with just one stick if that note was as strong as it used to be, but the incense really hasn’t lost the agarwood scent at the center. It just seems maybe a little more concentrated, and it isn’t overshadowing the vanilla note in the base like it used to. But I think if I was coming fresh to this I’d still enjoy it a lot, there is really no other Indian agarwood on the market with this kind of scent. It doesn’t have a perfume based scent like other Indian agarwoods, and so it’s still quite dry and stately.

The new (Sept-Dec 2013) Connoisseur Blue Lotus is quite close to what you might remember from my original review and in a way is a lot more difficult to describe since essentially what has changed is the perfume oil(s). None of the subtle notes have disappeared so much as changed in just the way you’d expect from the flora the oils were distilled from. The overall scent still has the soft and floral notes the original did and honestly I don’t think this has changed for the worst, it’s at least as good as the stick I previously reviewed. And this is really a special incense, there’s no other like it on the market.

The Connoisseur Parijata seems to be a much milder incense this time around and seems to lack a bit of the punch and personality of its predecessor. Keep in mind again I’m only evaluating one stick and the nose has the ability to close up on some occasions. But this one strikes me as light and airy and so the base comes through quite a bit and seems to render it a bit more generic than I had remembered it (I still need to dig out the old stick as I’m going mostly on memory here). It’s a bit powdery, woody and sweet but ultimately I found the burn a bit too mellow to get my attention.

On the other hand the Connoisseur Rosewood was an improvement to an already excellent incense and I found this new version to be absolutely superb in every way. It’s hugely rich, floral and fruity, having those fine wine-like qualities all good perfume oils have. And like all good oils, the scent has lots of subnotes, all of them red or pink. It’s hard to quantify why this is much better than most Indian rose incenses, maybe the hint of wood or spice in the background helps to make up for the bitter notes often found in these sticks. Nonetheless this is superb and the biggest upgrade in an already fine group.

It’s good to see Pure Incense still going in what has been something of a difficult market of late and nice to see they still have a commitment to quality and connoisseur level scents.

Shroff Channabasappa / Soft (Semi-Dry) Masalas / Apsara, Exotic Petals, Little Woods (new version), Orange Blossom, Pride, Raja Yoga, Silver Bouquet, Suganda Mantri, Tapasya, Yatra, Yogi Bouquet

Shroff Channabasappa Part 1
Shroff Channabasappa Part 2
Shroff Channabasappa Part 3
Shroff Channabasappa Part 4
Shroff Channabasappa Part 5
Shroff Channabasappa Part 6
Shroff Channabasappa Part 7
Shroff Channabasappa Part 8
Shroff Channabasappa Part 9
Shroff Channabasappa Part 10
Shroff Channabasappa Part 11
Shroff Channabasappa Part 12
Shroff Channabasappa Part 13
Shroff Channabasappa Part 14
Shroff Channabasappa Part 15

Shroff Channabasappa Part 16

I’ve been wanting to write about this group of incenses for a really, really long time now, in fact it should be a measure of my appreciation for them that I’ve restocked every single one once. If there can be one string that ties all of these incenses together is that they’re (almost) all very sublime in terms of their mixtures of notes, the kind of quality that’s like a lure or siren’s song. When I first started to use them, I found it fairly difficult to get a really good impression that I could turn into words and then before I knew it they had sucked me in and I fairly rocketed through all of my initial packages before I could even put words down on paper. So then I ended up restocking them again a few months ago and was a bit more careful and methodical with them. By then there was a new blend called Silver Blossom and some of the original soft masalas were starting to change in recipe. One of these is here, the new version of Shroff’s classic Little Woods.

While Shroff don’t tag these as wet masalas, it’s kind of difficult to really tell what the difference is between the two categories, except, perhaps, that the wets are a bit stronger in terms of perfume content. There’s perfume in these as well but they are much quieter in terms of how much the scent comes out of the boxes when you open them. Think of Darshan or Saffron and how potent they are, these are something of a step down from those. But most of this group is also different than the original group that Little Woods came in, and what they tend to smell like on the burn is quite a bit different from what they smell like in the box. But in all of these incenses’ cases, the more you get to burn them, the more you come to love them and some of these I’d find difficult to do without, especially with all the changes and bad news on the market at the moment. With Dhuni closing up shop, Shroff are now the predominant incense in the Indian export field and the reason why they are is part to do with the subtlety and quality of the last couple of groups.

Apsara lists balsam, jasmine and musk as part of its ingredient list and you’ll see musk pop up at least a couple more times in this group. In particular this is a really crystally perfume musk that really works well with these incenses. With Apsara it’s married to a really sublime and gorgeous floral champa scent with a terrific spicy finish. It’s somewhat reminiscent of pink or even royal amber incenses at times and the mix of what seems like cinnamon (but is probably partially the balsam) and the champa base is perfectly done. As such, it is fleetingly similar to some of the better Japanese florals with a high quality perfume scent at heart. Gentle and seductive, like nearly incense in this liine, this has a subtle quality that always keeps me coming back to it.

With lavender, sandal, and palmarosa in the description, Exotic Petals is a mix of lemon and citrus with a floral and fruity type of center. This is the type of scent I always find reminiscent of air freshener or furniture polish, it’s bright, intense and almost impossible not to get the huge palmarosa hit in front. But don’t let comparisons to these household products scare you off, this is much more well done than a synthetic fragrance, and it has a unique atmosphere that is well worth checking out, particularly for those into “desert flower” type mixes. It has a bit of sandalwood in the mix that grounds it nicely and it has a really cleansing vibe that is good for lifting the atmosphere of your burning area. In fact this one seems quite perfect for summer.

Little Woods has been reviewed here before and has shown up in previous monthly top tens for me, I’ve always stood behind it as one of the best incenses India has to offer. So I was a little tentative to realize that the group it came in has rumored to have changed in scent. The new version is definitely different but the good news in this case is that it’s at least as good as the old version. When I originally reviewed this, I found it slightly reminiscent of the incense known as Woods that started out brilliant and then really took a dive with the recipe changes. However, I’d say the new version might even be closer to that original classic and this seems to be less perfumed in some ways and more evergreen or resinous in scent. As a result it doesn’t feel like we’ve lost another old favorite so much as gained a new one (even if the perfumed version was brilliant). Little Woods is still an evergreen and evocative wonder.

Orange Blossom lists orange and ylang as ingredients. Like an orange cream soda or popsicle, this fruity-citrus champa is one of the best and most unique of its type. It’s not only that it gets its scent right (too many bad memories of off orangey incenses makes me hesitant to approach these), but it does so and manages to be subtle as well. The blossom part, if you will, is nicely defined and gives the scent a lot of sunshine, it’s still distinctively gummy and balsamic at the same time with a touch of the powdery. The combination of elements makes this one perfect overall, but do note these are thicker sticks than the rest of the line and thus the stick count will be a little lower.

Pride sticks out of this group quite a bit by moving away from obvious floral scents and using sandal, aloes and musk as its ingredients. It’s probably the driest in the bunch, stick and scentwise and reminds me a little of Shoyeido’s Haku-Un, a woody blend with a nice touch of aloeswood in the mix. It’s quite different for a champa or soft masala, with peppery hot notes mixed in with the woody/spicy blend. At the risk of repetition, it has a great balance like all of this line. The whole scent has a spicy richness that makes this an earthy classic and could easily be used as a temple incense. Don’t expect this to have any sort of whopping Japanese style aloeswood note in it, but you can tell the ingredient is part of the mix nonetheless.

Raj Yoga is an earthy champa of a different type, and lists rosemary, olibanum and oakmoss among its ingredients. It’s very close to what I’d call a patchouli champa variant with a green, herbaceous character (the oakmoss I’m sure) that is reminiscent of vetivert as well. The middle seems sandalwood heavy and there’s a touch of spice/floral to give it some individual character. It’s all extraordinarily fresh and original, and a great example of why these are all such impressive hybrids, incenses that only work because all the moving parts are in their right places. It’s tough to pick a favorite in this group, but for sure this would be in the running.

Silver Bouquet is one of Shroff’s very recent blends and is a really excellent entry that reminds me of the older champa days. It’s not so much that it reminds me of one scent in particular as it evokes a combination of older notes in a newer blend. Hints of Maharaja or Incense from India’s Silver Temple, a touch of Lotus, a bit of Incense from India’s African Violet fill the mix as well as a bit of nuttiness and a thread of spice permeate. It hits the kind of sultry end you want with a “silver,” with the perfume revealing some cool subtleties through the burn. Amazing, like a quality spiced tea.

When I restocked Suganda Mantri, it was the one incense in the group I bought two boxes of. It’s one of this line’s brilliant pieces of art, a rich, sultry Eastern perfume in champa form. The scent is quite woody (musk and sandalwood are listed) and the subtleties are many and difficult to list. There’s a bit of chocolate, some earthiness, some sensuous florals, especially rose. It has a depth to it all the best Indian masalas have, where the plurality of ingredients come together in all sorts of sublime ways. It may be the best of several examples of why this batch of Shroffs is so good. Perhaps a bit similar to desert flower blends but if so the most superior version of that scent on record.

If there’s one incense in this group that I might have slipped a little bit with, it’s the musk, sandalwood and amber blend Tapasya. It’s a bracing, fruity blend with the usual sandal, orange peel and spices, in fact this could be considered something of an alternate version of the old Maharaj scent. The main issue with it is that either the bamboo stick or part of the aroma cuts through with a slightly rough woody scent that gives it some bitterness. It gives an abrasive note to the scent that prevents it from working properly. Like Pride, it’s quite dry, but not in a good way. In fact as I took notes down on this I went through several sticks just to try and capture why it wasn’t working as well for me anymore and mostly it just doesn’t pop like the rest of them.

Yatra, a mix of jasmine, sandal and musk, is an excellent blend of fruity and floral with a really powerful and crystally musk presence, this is really what this line does well, balancing several ingredients in an unusual and clever fusion. The wood and champa base sits in the middle and they seem to ground both the jasmine and musk so that both are distinct in the bouquet. Sometimes jasmine can be overwhelming, but like with Apsara it is placed rather perfectly in the scent. Very nicely done, fresh with a touch of evergreen in the mix.

Finally we have Yogi Bouquet which lists citrus, musk and balsam. Like Yatra, it has a distinct and noticeable musky quality, although where it’s more crystalline and perfume-like in Yatra, it shows up a bit more sultry here, meshing perfectly with the balsam. The citrus is nicely mixed in and doesn’t kill the incense like it often can when the essential oils are over accentuated. There’s a bit of sawdust in the mix as well and it’s perhaps a touch rough, but the combination makes it quite worthwhile.

This article more or less catches up with the Shroff line to date, although after trying the new Little Woods, I’m curious to revisit some of the other incenses in the group that have probably changed. I tried Pearl again but it’s close enough to the old version to be redundant and reports elsewhere on the site evince that Jungle Prince might not be up to the standards it used to have. Another big change is that Shroffs are now being packaged in 50g packages, which seem a good balance between not having enough and having too much. Let us know in the comments section what your current favorites are in this thread and if you’ve noticed any changes, any observations will be highly worthwhile to our readers.

Mother’s India Fragrances / Nagchampa / Aravind, Chakra, Govinda, Pavitra, Radha, Rishi

The initial batch of five Mother’s India Fragrances proved to be a line popular enough to expand, with fourteen new incenses hitting the market about two years ago. The company has chosen to expand the line once again with not only these initial six incenses, but I believe there are also six more, although I have not received samples of these yet. Mother’s nagchampas in some ways are a style of their own, featuring halmaddi, sandalwood and additional ingredients in order to create scents that are unlike any other incenses on the market. For one thing, while these aren’t low smoke, they do tend to be a bit mellower than the incenses put out by Shroff and Dhuni and I know there have been times switching back to these sticks where I’ve found them a bit hard to pick up. So I tried to spend a bit of time with these in order to let them open up.

In essence you could almost call at least four out of these six sticks an expansion in the floral/rose direction. This is an interesting move by the company as I don’t think this niche had been quite as worked out yet in the  previous expansion. However, scents like these are usually considered more modern and less traditional and so I think a lot of these are likely to appeal outside the incense crowd and only those within that crowd who can deal with a lot of rose, geranium and jasmine scents are likely to go for most of these. And so I should probably state outright that geranium tends to get on my nerves quite a bit, so keep that in mind in cases where it pops up that this is a reflection of taste and not artisanship.

Aravind Nagchampa is something of a Lotus Nagchampa (Aravind means Lotus) and it combines jasmine, gardenia, rose and champa flower for the first of the florals here. This is the first of four that takes the Mother’s nagchampa center into a pink, “floral bouquet” direction, perhaps for the first time. All four of these incenses share a very delicate and light floral touch. Like a lot of incenses using low cost floral oils, the mix of oils tends to a bit of a generic quality, yet perhaps the surprise is that the overall stick comes off kind of dry and not drenched in perfume like you’d expect for this kind of style. In fact one thing to realize up front is it often takes a stick or two before the bouquet starts to unfold and in this case the results can occasionally be reminiscent of the actual flowers. In fact, this is actually reminiscent of some of the more affordable and better Japanese florals. As to whether this is reminiscent of other Lotus incenses, I’ll leave up to you, as they all tend to vary quite a bit.

Perhaps the biggest surprise in this first bunch is the Chakra Nagchampa which is one of two here that doesn’t go in the pink and floral direction. Well, you wouldn’t know it from the description, which lists fruits, spices, jasmine, tuberose, cyclamen and lily. Once again, this feels like a distinct move to a more modern and mainstream friendly type of incense and it’s reminiscent of one or two of the Nippon Kodo Yume no Yume blends in the way this combines florals and fruits with spice around the edges. Of course the cyclamen note is almost immediately evocative of NK’s Aqua, but seated in the Mothers’ halmaddi base, the results to my nose are a lot more successful. In fact without the spicyness this might not have worked too well, but instead we have something fascinating. This is possibly the first in this group I’d recommend without hesitation, especially as it’s quite unlike previous incenses in the line.

Govinda Nagchampa returns to the floral (sub)style with a mix of sweet champa flower, neroli, ylang ylang and sweet roses. During my first sticks it was instantly noticeable how similar this is in style to the Aravind, except in this case it feels like the halmaddi/sandalwood center seems to come out a bit more. Govinda isn’t quite as dry as Aravind and the overall scent is noticeably sweeter. But like Aravind this is a noticeably more floral and “flower mix” type of scent than previous installments in the line and so when you look at the overall expansion it makes sense to move in this direction, giving the brand quite a bit more breadth. Like the Pavitra, I found that this mix starts to take off with use and like most of the incenses in the line increased use makes you feel like the creators really sat down and made sure they got the balance right. So if you want to try one of the florals I’d either start with this one or the Pavitra, but be sure to try one before expanding to the others as they’re all variations on a theme.

Pavitra Nagchampa might have been the floral in this group I liked the most, if, perhaps, because I spent the most time with it. At this point in taking notes on these incenses you start to run out of descriptive qualities when the incenses still fall into a pink, rosy, “feminine,” floral bouquet category. Certainly they all vary in scent within these qualities, but how to describe this one is difficult because my initial take was that the the top was a bit too strong with the florals of jasmine, rose, neroli, ylang ylang and balsamic orris. But after a few sticks it started to hit me from outside that such a mix works really well with the champa base, perhaps here the balsamic orris is triggering the halmaddi to bring out some more foresty qualities. Anyway if I was to choose one of the floral bouquet champas here to start with it would be the Pavitra, if only because I think it underlines how clever some of these blends are.

Radha Nagchampa is more dry and robust as a floral and includes white rose and spicy geranium. Anything with geranium tends to lose me and this wasn’t much of an exception, but putting aside the personal preference, you’d have to discuss this one in terms of its rosyness. As such this is perhaps the least bouquet-like as a floral, but it moves in the type of floral direction that I tend to find a bit harsh. It does have the same sort of clever balance the rest of the incenses in the line does in terms of the oils matching up with the base, but as this was the fourth incense so close in style, I was started to really run out of ways to separate this from the rest. In the end I’d probably say start with Pavitra, if you really love it follow it up with Govinda.

It’s perhaps a tribute to how modern this latest batch is that Rishi Nagchampa is described as an incense children love, and sure enough this mix of red roses, fruity jasmine  and blue violets puts this square in the inoffensive and fruity berry category. Generally anything this reminiscent of stawberries or raspberries will tend to be fairly popular but as most incense lovers know, you can only approximate these kinds of scents and in doing so the results often come off a bit generic, sure you won’t offend anyone but the results won’t be particularly exciting either. As a result even though this strikes me as a natural incense, the mix of scents leaves this feel a bit synthetic or dull. It’s lightly reminiscent of the smell of a big vat of gumballs at a candy shop or berry candles. It actually is quite well done overall in that it’s a lot better than most incenses this style, but like most of this new expansion it feels tailor made for people with only a casual interest in incense.

Anyway I hope to follow this up eventually with the other six. It should be said that Mother’s has always been incredibly generous with what they send, in this batch I also got a set of essential oils and absolutes they appear to be selling. All of the ones I sampled seemed to be of good quality (I particularly enjoyed the various cinnamon and cassia oils) so if you’re an incense creator this could be well worth looking into. Overall despite that some of these incenses aren’t to my personal tastes, I think this is a pretty clever expansion with every single one of these not repeating the type of scents we’ve already seen. And if you’re a fan of roses and other florals there’s probably some new favorites waiting for you.

Mother’s Fragrances Incense Making Kits

Equinox Aromatics is offering Mother’s Fragrances Incense Making Kits in two sizes right now. It comes with ten different EO’s as well as powders and equipment. This looks to be a great deal and pretty fun as well.

They have also expanded their incense line up and carry some of the newer “Niche” makers. As well as a good selection of Indian , Japanese and Middle Eastern makers as well as Raw Materials for making your own blends.

myInsens / myJoy, myMantra, mySensuality, mySerenity, mySpark

myInsens is a new company in the US offering natural and premium Indian incense. The owner, Kaivan Dave, contacted me last year about the project and after samples of the incense, I’ve been pretty excited for a while to announce the company’s presence, their web site went live not too long ago.

One of the things you start to notice with Indian incense over time is the distribution structure. It is quite possible to think of several incense companies having separate product, but often certain incense companies in India market incenses outside the country and so, for example, the Madhavadas family provide incenses for Primo, Pure Incense and others.  I mention this because myInsens is definitely providing a new scent profile with their first six incenses, one that will be similar to other Indian incense companies, but with variations that make them well worth checking out on their own. Kaivan has struck me as very careful in the quality and styles he is releasing first and as such all of the incenses in the line have done nothing but open up since I started using them.

But not only are the incenses good, the packaging and presentation is particularly notable. The first thing I thought of when I got my first samples and box was simply why hasn’t anyone thought of this before? Because the box the incenses come in is wonderfully crafted for travel, a hinged box with a compartment for an incense holder. Even if you’re the Japanese incense type, I can imagine you’d love a box like this, with just a little bit of arrangement you can load the case for travel and not really have to worry about broken sticks. The only downside to any of this is that $19.99 for 24 sticks of incense and the box might be considered too steep for some, and I might agree if we weren’t dealing with what is essentially a connoisseur level of Indian incense. But I’d still maintain it’s almost worth it for the box alone, it’s that cool.

myJoy is the first of two reddish colored sticks, both essentially florals. I’m often the first person to complain about how poor some Indian florals can be, so I’m also going to rave about them when they’re great. And in many ways what myInsens has done with the floral incense is one of their selling points. myJoy is the type of floral that many companies attempt and few get right, and it is a real credit to myInsens that this is so beautifully balanced, because a hair outside of this balance can really hurt a floral. In the description, we’re given crushed rose petals and olive oil, the latter perhaps being the first time I’ve heard of the ingredient in an incense. The perfume that centers the stick is just incredibly well conceived, with almost real essential oil quality definition. The beauty of walking through a garden is the subtletly of scent, not some sort of perfume drowning session, so it’s so easy to recommend this, its powdery and feminine sweetness has a true delicacy and sense of nature in it. Pure Incense’s Pink Sayli is perhaps roughly in the same style, but I’m not sure anyone’s done it better than this.

The ingredients given for myMantra are ground patchouli leaves and frankincense powder. I also notice a strong sandalwood presence as a base, and the patchouli holding the center. The patchouli tends to the sweet, I’d guess due to the frankincense powder which gives the overall scent a fruitiness you don’t tend to find in most patchouli incenses. Due to so many elements at play the overall bouquet has hints of vanilla and orange in the mix, which remind me of spicier teas as well as certain colognes. But like all the incenses in this line the effects are quite gentle and always subtle and you never forget their are organics at work, all of which wonderfully unfold duing the burn.

While the whole line is good, if there was a standout in it it would have to be the absolutely world class mySensuality. Talk about raising a rose (and, as the description unveils, raspberry) incense to a new bar. How the company managed to get a rosy incense this authentic at a reasonable price is quite frankly almost miraculous territory. Like with myJoy this has floral definition that you usually only see in the high end Japanese lines (like Shoyeido Floral World). While other incenses in the line have a bit more halmaddi, this is still essentially something of a champa style, balanced to the point that criticisms fall away. The rose/raspberry mix is a real triumph for the company, so rich it almost has wine-like notes. Make sure this one’s in your first sample pack.

mySerenity moves back to familiar territory. This is definitely a champa incense, with what seems like a very nice halmaddi and honey mix. We’re given both lavender and vanilla as ingredients, although the former is certainly not very loud, which I generally think is a good move. The style is quite similar in many ways to Satya Natural, Honey Dust and others and thus is perhaps a bit on the generic side as a scent while still nailing the quality end of it. In fact if there’s any criticism to be made, any stick this thick with gum can be slightly problematic on lighting, but once it’s going it should be fine. The ingredients are nice and fresh and this is essentially a vanilla/balsamic mix, quite old school at heart.

mySpark nearly combines the spicyness of myMantra and the ambery subnotes of  myJoy with the champa qualities of mySerenity and indeed the ingredients given are patchouli oil, halmaddi and sandalwood. Like myMantra, this is something of a spicy, somewhat cologne-like masculine scent. Once again the perfume/oils being used in this stick are nicely defined, including a light touch of sweetness, in fact the way the florals and woods mix is lightly reminiscent of a good oud. This is the kind of champa I tend to gravitate to on a personal level and found this stick quite bracing and enjoyable.

When I got to writing notes on myZen, I realized I had gotten some aromatic fatigue, particularly because it is the lightest and airiest incense in the catalog. It was one of those moments where I was struck by how careful the incense making is here. In fact this seems to be almost the perfect meditation incense, not so loud it will distract you. The ingredients are sandalwood, halmaddi champa flower, the sandalwood the most pronounced ingredient in the middle with the champa flower playing lightly around the edges (my first impression was violet). Of all the scents in the catalog, this seems to be the least oil heavy.

Perhaps the best news about myInsens is they’re already looking forward to new scents, in fact I believe I was told there were four more on the way. This is all excellent news, because the combination of quality incense with an intelligent and modern style of packaging is all too rare in the field today. Also it should be mentioned that if you sign up for their newsletter you can get 10% off on your order. I highly recommend any incense lover who likes to share to give a sampler a try, I find it worth it for the box/holder combination alone. That it comes with extremely good incense makes it a perfect package.

myInsens

myInsens is a new Indian incense company in the US, providing six new traditional scents in modern packaging. Reviews will follow next week, but I wanted to announce for a couple of reasons, first, these are very good incenses, with at least one or two that are notable, such as the extraordinary floral MySensuality. Second, the incenses come in a very well thought out box, which hinges open to include the incense and a burner, making this an excellent and reusable item for travel. myInsens look to be around for a while with several other aromas in the works, and based on these it looks like they’re off to a really good start.

Pure Incense / Amber & Rose, Frankincense & Rose, Parijata, Pavitra Vastu, Saffron & Rose, Yellow Rose

It has been a while since I sampled any new Pure Incense scents after reviewing most of their range in the last few years, so was pleased to receive some samples in the mail, although without much in the way of explanation, I’ve had to put two and two together from looking at their revamped product line. Almost all of the samples came labelled, but at least half of them weren’t tagged as Connoisseur, Absolute, Premium or Classic. It seems  that almost everything I was sent is part of their Premium range, which I assume is just the revamped Absolute range. At the same time I received a sample of Yellow Rose but can’t find it anywhere on the site.

Anyway if you’re new to Pure Incense, I’d recommend looking here for previous reviews and to try some of their long standing catalog before trying most of these, many of which are hybrids of other scents. For those that don’t know, in many ways Pure Incense is like the United Kingdom outlet of the Madhavadas family, in the same way Primo is in the United States, however unlike Primo, Pure Incense extends the Madhavadas line into Connoissuer levels, and many of these like Blue Lotus, Nepal Musk and Agarwood are well loved at ORS. The theme common to most Madhavadas incenses is their base mix of charcoal, vanilla and sandalwood. In many cases the vanilla is strong enough to be part of the bouquet of their scents and so it’s good to know if you like the style early. Fortunately the company is a master at this type of incense, often using very high quality perfumes for maximum enjoyment.

We’ll start with the Amber & Rose which is largely a variant of Pure Incense’s Connoissuer Rose. The amber in this case reduces the heaviness of the floral oil, which also brings the vanilla/sandal base to the fore. You can sense the line’s actual amber in the background, largely because the floral perfumes drown a bit of it out. Overall it’s hard not to like this one, it’s familiar in its elements but other than wishing the amber was a touch stronger, the merging is quite well done: soft, pink and pretty.

The rose element in the Frankincense & Rose is much more subdued to the frankincense and acts to give it a subnote rather than the 50/50 hybrids you usually see from Pure Incense. This is a neat trick as the florals touch the citrus notes of the frankincense a bit more than you usually find in Indian incense. The main issue is this is still very close to the regular frankincense that you might not need both, but given this caveat, I’d go with this one as it’s more complex.

The Parijata is a somewhat generic fruity flora, with quite a sandalwood presence. It delivers a light, powdery and floral pink type of aroma without any particular element standing out. It’s interesting because I remember trying both the Absolute and Connoisseur versions of this previously and thinkings they were quite good, so I was surprised to be a bit lukewarm here. Anyway you’re probably safer with my original review – this sample did say it was Connoissuer but I remember that stick being much better.

Newcomer Pavitra Vastu is a spicy and herbal evergreen incense with a pleasant green scent mixed with a noticeable woodiness. This has some similarities to Shroff’s Amir, a certain saltiness in particular drew my attention to the comparison. It has more of a juniper needle and cedar oil note in front that is very nice. Overall a very masculine, Jupiterian type of incense and one I’d love to try more of.

The Saffron & Rose (labelled Connoisseur if my memory is correct), like other incenses with this mix, comes off somewhat furniture polish-like to my nose. The floral perfume is modified in a way that brings out the lemon or citrus qualities a bit too much. The rose character without the mix is a lot more identifiable (if not totally authentic due to expense). There’s a bit of a saffron note, but it’s not really in the right spot. Perhaps it’s just personal taste with this, but of all the samples I received, this came with the largest supply and over the batch it ended up wearing me out more often than not.

I’m not sure if Yellow Rose has been discontinued, but I couldn’t locate it at the web site. It’s a typical charcoal rose with its incumbent harshness, at least the aroma mixed with vanilla is quite nice, the sort of soft and gentle floral you tend to get from yellow roses. I also got an amber, which I had review before, but even though it struck me as slightly different I’m not quite sure which product I’m looking at.

Anyway I’m still glad Pure Incense is with us, they’ve always been a class act with great incense and beautiful packaging and if you haven’t tried them yet, I recommend checking out a sampler or two.

April 2012 Top Ten

1. Dhuni Frangapani: Maybe one of the best flora’s around. It smells a lot more like the real flower then, say, as essential oil. It is also not cloying or overly sweet. A remarkable incense and well worth the price (actually it is dirt cheap compared to most Japanese scents, I am clueless as to how they manage to do this).

2. Dhuni Citronella: I really like the somewhat sharp top note in this one; it is unlike anything else I am familiar with in incense. The floral notes that follow behind are also very nice and like the Frangapani not cloying. A very nicely balanced scent.

3.Tennendo Enkuu: One of the last words in a dry scented incense. Very elegant and austere as well as a great mediation tool. Lots of Vietnamese Aloeswood make this unique and a real winner.

4. Kyukodo Murasakino: This comes in a truly beautiful wooden presentation case, inside of which is a scroll shaped tube covered in dark silk. The sticks are a deep shade of green and have a wonderful aloeswood base upon which a stunning, somewhat indescribable floralish/spice/perfume set of notes ride. I cannot think of any other maker that does this as well as Kyukodo. This is a real show stopper and is also a very classical “Old Japan” scent offering. They seem to have pulled out all the stops on this one, the word “flawless” comes to mind.

5. Kyukodo Seigetsu: A beautiful Japanese floral based on aloeswood. More overtly floral then Murasakino but less sweet then Azusa. Somewhat like Jasmine but with notes of Honeysuckle and some other white flowers. Like some of the offerings from Kyukodo there is a very slight under tone of charcoal (at least to my nose) but in this case the overall floral is so beautiful that it just does not matter.

6. Mermade Hougary Light Green Superior Frankincense: If you like Frankincense you should get this. It has been hard to get really top quality green Hougary and I am glad that Katlyn has found a source. This has a really clear citrus note riding across the resin backround that is pretty unbeatable. A winner.

7.Baieido Byakudan Kobunboku: One of the all time incense deals and still going strong. Given the recent price increases in sandalwood I was a little worried but having used this for the last ten days or so and compared it to an older box it still rocks. I tend to judge most other sandalwoods by this one. It has a very well done and classic set of spice notes (cinnamon, clove, camphor and lord only knows what else) that add to the blend.

8. Minorien Granulated Aloeswood Blend: A great loose aloeswood blend for the electric heater or coals. Very spicy with a big dose of Japanese/Chinese herbs mixed in at a very reasonable price. Somewhat dry in nature without all the overt green notes that can tend to be in these blends.

9. Yamada Matsu Firebird Select (Houjoukoh Gokuhin): There is a wonderful dry, aloeswood set of notes here on top of which clove, borneo camphor and a host of other notes are riding. The wood really makes this loose mix, which reflects the price. I have found my hand reaching for this a lot since I got it from Kohshi in San Francisco.

10. Baieido Kai un Koh: Because sometimes you just need an incense that can run with the big dogs 🙂 Very deep, thick, strong, multi layered, strong and with an amazing balancing act between dry and spicy, not to mention strong. Not for all occasions but just the thing for some moments. There are a lot of reasons that this has been in so many Top Ten’s at ORS, all of them viable.

 


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