Koyasan Daishido / Koya Reiko, Tokusen Byakudan Sandalwood Koya Reiko, Gokujo Byakudan Mysore Sandalwood Koya Reiko (notes)

Koyasan Daishido appears to be a smaller Japanese incense company that sells incense for use in Shingon Buddhism, although a few of their incenses including palo santo sticks and a zukoh (body incense) seem to assume they’re reaching a little beyond their traditional line in their marketing. Their line up is small and I would guess the three of these incenses could be considered temple or daily incenses. As far as I know, they do not market aloeswood incenses and so much of their line is affordable, although many of their boxes are fairly bulky at even the smallest sizes. These three incenses seem to be part of a line called Koya Reiko, with a regular brand and two different levels of sandalwood incenses. Pictured are the bottom two in this line, although I did receive samples of the Gokujo Byakudan Mysore stick as well. There appears to also be a fourth incense in the line called Renge Koya Reiko, although I have not tried this yet.

The regular Koya Reiko does not list any ingredients, at least at the Japan Incense site or in English on the box, so this will be a bit of a guessing game. Koyasan Daishido does market some other incenses sourced from woods other than sandalwood, so there is likely to be a mix in this base, although none really pop out as individuals during the burn except, perhaps for the sandalwood itself. Some inexpensive Japanese sticks sometimes have a bit of an amber like base aroma to them and sometimes they go more in a spicier Reiryo Koh direction. Koya Reiko may be a bit of both adding a touch of floral to the mix. Overall this is closer to say, the two baseline Kunjudo Karin incenses, although it’s not quite as oiled up as the regular or as candy-like as the Tokusen but it’s still roughly in the ballpark. I don’t detect any real off notes either, it’s soft and genuinely pleasant, if not, perhaps, remarkable. But it is a fair pitch for the price range.

There is some level of the regular stick in the Tokusen Byakudan Sandalwood Koya Reiko, but the amber base is mostly gone in favor of the obvious sandalwood replacement. It creates a drier and less sweet stick but at this level the sandalwood isn’t terribly deep as you might imagine. There’s certainly enough of it that you do know it’s sandalwood and it does actually touch on some areas that are specific to the wood (there’s a level of resin here it’s just not the premium stuff), but it does feel like there are other elements in the stick designed to draw attention to it to some extent. It is probably well worth noticing as well that only the Gokujuo version of this lists Mysore sandalwood, so we can assume that the sources here are anywhere else. But overall this is actually a nice stick. It goes in some directions that remind me of some of Yamadamatu’s lower end blends, although this doesn’t get too sweet. It’s never sharp or bitter, and there’s enough going in it that reviewing something like my fourth or fifth stick of it so far had me leaping a bit to resdescribe it. It also looks to be the same price as the regular while perhaps being the more interesting of the two incenses. Anyway it’s a very nicely done daily.

Somewhere along the line I did end up with a sample of Gokujo Byakudan Mysore Sandalwood Koya Reiko, although I think if I had been paying attention a bit more I would have gone with the box of this over the Tokusen, but so it goes. It’s basically the same packaging but a green box. But it should be worth noting that per stick this is actually double the price of the Tokusen which is probably a decent indication of how much rarer Mysore Sandalwood is starting to get. But the question is, does it make a difference? Well in many ways this comparison is actually a very good one in terms of experiencing why the Mysore wood is so prized. Everything about it is deeper in every way and the resinous qualities take this to a level commensurate with its price level. You stop thinking about how the recipe shifts in order to accommodate cheaper wood because the good wood speaks for itself. To be fair this doesn’t mean this is completely missing other sources, but it’s definitely been crafted so that the good stuff pops. In the end I might need a full box to see how much, as this is a very attractive sandalwood.

Kunmeido / Kyara Tenchi, Tokusen Kyara Ten-Pyo (Discontinued)

These two kyara incenses are the upper echelon of the Kunmeido line. Kunmeido is a personal favorite company for me, largely based on the high quality and relative affordability of incenses like Asuka, Heian Koh, and Shin Tokusen Reiryo Koh. But these kyaras take that range and elevate a similar trend to really rarified heights. ORS has reviewed many of the previous scents in this line (including one of these), but for context, their basic scent, Reiryo Koh, is made from sandalwood, clove, foenun graecum, patchouli, tarmelic/turmetic, and borneol camphor. Very roughly speaking as the ingredients improve the incenses go from a kind of basic spicy blend into really green territories, with a greater sense of refinement. So you start with the basic Reiryo-Koh, then a couple of variations of it (the Shin Tokusen and Aloeswood versions), then Shoryu-Koh, then you hop to green with Heian-Koh. Greater aloeswood content moves towards the great Asuka (the more recent Fuiji aloeswood probably falls more in between these two), and then you’re in kyara range with these two.

In fact in this case you might even describe Kyara Tenchi (I believe this was previously called Kyara Ten-Pyo and was previously reviewed by Ross in 2009) as a kyara-laced version of Asuka. While the stick is now a brown color, a lot of the green features from the Asuka scent still exist here. Kyara Tenchi is really an astonishingly complex incense. It takes that sweet green note from the Asuka and adds a sort of caramel-chocolate layer on top of it to make this an almost delectable sweet sort of kyara, certainly not too cloying, but definitely a bit in the candy-coated range. It’s probably a bit more cooling than the Asuka, maybe a bit of adjustment to match the borneol note more with the kyara in here. It really spirals out all sorts of complexities and sub notes from the level of woods and the match of ingredients, so it’s certainly one you want to get close to and feel out. Asuka on its own alright has a really surprisingly high resolution aloeswood back note to it, so it’s not a surprise this one does as well at a higher level. And honestly what is mostly incredible about it is its price, which Japan Incense has at $110 for a 70 stick roll. For my nose this is an uncommonly good incense for that low a range and while overall I think the level of real kyara in this is probably really small, the way the incense has been created magnifies the impact of it. Overall all of this is why it’s on my Mike’s picks list.

But the only reason the deluxe version isn’t on the Mike’s Picks list is because it was essentially discontinued due to the lack of kyara needed to make it. But every time I circle around to Japan Incense and see Tokusen Kyara Ten-Pyo still showing in stock, I’m almost shocked, because if you can afford high-end kyara range incenses then I would snap this up before it’s gone. If the regular is a 10 out of 10 then the Tokusen has to at least be an 11 or 12. I went on a bit as to how complex the regular version is but it really has nothing on this incredible marvel, it’s literally one of the greatest kyaras ever made that I could barely afford. This is definitely a variation on the regular Kyara Tenichi, but the wood is so high quality that the aroma takes a quantum jump up. It’s the literal, mind melting, 4K real deal. And it’s not just the woods here, it feels like a lot of the other ingredients that have followed this line up to this one are all at that kind of high-resolution brilliance and it means that a good listen will familiarize yourself with all of them independently while watching them interact all in the face of a world-class conductor. In particular it’s almost like it comes back to the Reiryo Koh scent as a climatic final chorus. The better wood also means it will likely be more to the taste of those who like their aloeswoods purer and maybe find the regular too sweet. Don’t miss this one because when it’s gone, it’s really gone. And if we’re seeing any real indications it’s that incenses like this are a vanishing breed.

Nippon Kodo / Mainichi Koh Sandalwood, Mainichi Koh Kyara Deluxe, Kangetsu Aloeswood (Discontinued), Zuiun Selected Aloeswood

The four incenses in question here are among Nippon Kodo’s most traditional scents, a point well worth underlining given the company’s dominant penchant for modern, perfumed based scents. As such, they’re four of the most affordable traditionals on the market and at least one of these is one of the most best selling incenses in Japan and likely on the international market as well.

In many ways these incenses could be considered ground level, “vanilla” type Japanese incenses and given their affordability aren’t bad places to start in terms of getting a quick idea of what the most traditional and perhaps generic scents are. Basically one of these is the ground zero of the green sandalwood style, while the others are aloeswood based, although I type this with slight reservation. It’s quite possible that the use of aloeswood in these incenses comes from blends or oils, as they’re quite different in many ways from the aloeswood based incenses you’ll find from companies like Baieido and Shunkohdo. They’re generally not as heavy or woody and as such are comparable to similar scents in their other lines like Kayuragi or even Morning Star or Morning Star Gold.

At ground zero, the Mainichi Koh Sandalwood (which also appears to be called Viva Sandalwood in roll format) is actually one of the most picture perfect and friendly versions of the “green” every day sandalwood available. This format is basically wood and oil based and the green in this case comes from the color of the stick rather than referring to an herbal nature. That is, sandalwood, probably mixed in with more inexpensive woods, form a base that is touched over with essential oil to form a very mild and pleasant aroma. It’s a style that just about every company touches in some way, from Baieido’s Junenko to Shoyeido’s Sitting Zen to Gyokushodo’s Eisenko to Tennendo’s Yoshino Hills and probably a dozen others or more that all only vary slightly in style/aroma. Amazingly, given that Nippon Kodo doesn’t always fare so well in comparison due to the use of inexpensive perfumes at the base of their incenses, their version of this standard could be the finest of all of them. There’s something about the combination that does not draw out the bitter notes some of these other incenses exhibit with a slight sweet, mintyness that’s gentle and very friendly. This is an incense I often pass up in my collection due to considering it inexpensive and dull, only to occasionally pull it out and realize how wrong I was. And with the 300 stick box going for so little ($7.50!), an up front purchase goes a long way. It’s amazing to think a standard incense could be so surprising, but Mainichi Koh constantly does. And NK deserve due credit for it.

However there’s something entirely misleading pinning “Kyara Deluxe” to their aloeswood version of Mainichi Koh. There’s no legitimate kyara stick in the known universe that charts out to 300 sticks for $18 (if only were it true) amd even if there is actually kyara in this incense it would be like comparing a needle to a haystack, like finding the electron in an atom. While one might recognize a certain aromatic quality that you can find in Kyara Kongo, Kyara Taikan and even Tokusen Kyara Taikan, it couldn’t be considered part of the base, in fact I’d have a hard time saying it’s part of the “and other spices” fraction of the stick.  Mainichi Koh Kyara Deluxe is an incense I’d probably even have a tough time calling an aloeswood, in fact with any affordable Nippon Kodo with aloeswood on tap, there’s an aroma entirely different (I’d even call it whitewashed) to the resinous, acrid heartwood most will be familliar with, as if they were trying to approximate an oil rather than wood. It gives all of the NK aloeswoods an inauthentic feel to them, although in saying that they’re certainly not bad incenses per se. Like Reiryo Koh and Reiryo Koh Aloeswood, one might find the sandalwood Mainichi Koh a more successful incense. MKKD is fairly harsh in a way, with a strong herbal nature and hints of chocolate at core and a hint of spice. It’s not sweetened up or created to be particularly friendly but in the ladder of aloeswoods it’s hard not to see it as a lower rung. Of course, like the sandalwood version, you get a lot of stick for the price and it’s certainly a more pleasant blend than many of the Morning Star lines.

Overall, Kangetsu Aloeswood might be the incense to start with in this vein given it comes in a roll format and has a cheaper start up cost. It’s only vaguely different in aroma from the Mainichi Koh Kyara Deluxe, a bit smoother but also slightly more bitter or sharp. The big difference is there is hints of a slight, legitimate aloeswood aroma in the mix which adds a bit of complexity to the herb, spice and chocolate mix of the MKKD. But it’s generally not enough to move this up from the lower rungs in the style and retains some of the bitterness and harshness that are endemic to cheaper aloeswoods whether legitimate or not.

Zuiun Selected Aloeswood is entirely different to Kangetsu and MKKD. It’s something like an inexpensive variant of incenses like Tennendo Renzan and Kyukyodo Shiun, with a sweet cherry-like aloeswood aroma at center. Zuiun does not have the presence or complexity of either of those classics, at heart it’s a much thinner and airy incense, but it still remains well within friendly territory, as this style is possibly the most accessible of aloeswood incenses. It’s certainly the last one I’d pull out in the style, given that the other two I named are still roughly in the same price range and are far more robust. But I still can’t imagine anyone who would find Zuiun unpleasant based on its own merits.

I’d certainly recommend a number of aloeswoods over any of the three mentioned here, even if you’re paying a few dollars more. But when it comes to green every day sandalwoods it’s hard to mention many that are better without being noticeably more deluxe (such as the finely oiled based Gyokushodo Toshiwa or Shoyeido’s slightly higher end Evening Zen) than the standard Mainichi Koh. It’s really an amazingly friendly and entirely inexpensive Japanese incense that leads the pack of a very standard and common style.

Baieido / Kobunboku, Tokusen Kobunboku, Kaden Kobunboku, Bikou Kobunboku, Bikou Kobunboku Smokeless, Byakudan Kobunboku

If you consider both affordability and quality in your incense purchasing, there may be no better series in the US market than Baieido’s Kobunboku line. From top to bottom it’s a virtual triumph of incense crafting, particularly when you consider that none of these use any overt perfumes or oils in them. The Kobunboku line has perhaps one of the longest incense learning curves available, which to some extent makes reviewing them problematic. If you come back and ask me in a year what I think of them, I’d probably be even more positive as with every stick I notice more and more subtleties and unique qualities. These are not incenses for stuffy noses and short attention spans, they reveal themselves more in introspective mode and as such are perfect fits for meditation, and are categorized both as incenses that are traditional and used for meditation.

Kobunboku means “plum blossom” and each incense seems to be geared as an “expression” of the plum tree, an abstract concept more so than an indication of aroma. All of these incenses are woods first, despite the number of spices that work to contour them all to different scents. Both the regular Kobunboku and the Byakudan version are generally sandalwood incenses, while Tokusen, Kaden and the Bikous add different types of aloeswood to the mix. What’s amazing is that despite the expensive ingredients, nearly all of these incenses are affordable, even the larger boxes (such as with Bikou) that go for $20 have enough sticks in them to last you for years. The more common varieties of the Kobunboku line come in various boxes and even some long stick sizes, making matches for different purposes an effortless endeavor. In many ways this line is the base of a solid incense collection and it’s also recommended that one does not make a decision on their quality based on a single stick, but rather one works closely with a formula over time, so that one can learn the sophistication and brilliant art that goes into making these.

The regular Kobunboku may be one of the best deals for incense on the US market. Few incenses whose rolls go for $7 are as sophisticated, complex or eye opening as this combination of sandalwood, borneol, clove, cinnamon and medicinal herbs. Usually it’s high end aloeswoods that cause obsessive burning behavior on my part but my first roll of the regular Kobunboku was almost impossible to stay away from. As with all Baieido incenses the sandalwood used is of a high, uncommon quality level, less about the wood and more about the resins hiding in the woods. It’s always fresh, crystalline and snappy, absolutely the best aspects of Mysore heartwood. As with all Baieido incenses, the added spices are almost unobtrusive, contouring the incense so that the better qualities of the central wood come out. Where the Byakudan version moves closer to a pure sandalwood, the spices used in the the regular version give it an almost elegant and slightly fruity quality that is common to many incenses with a plum blossom theme, but there are none that capture it more perfectly than Kobunboku. This is one of the rare non aloeswood incenses that has an aloeswood level of complexity and sophistication. It’s dry, elegant and extremely pleasant, an essential purchase for either the Japanese incense newcomer or veteran.

The learning curves get more difficult for Tokusen Kobunboku, basically the “excellent” version of the line. Added to this formula is Kalimantan (Indonesian) aloeswood and in many ways this reformulation is an unfolding mystery, an incense whose subtle qualities are nearly impossible to pick up without some experience. Personally it took me maybe a good 15 sticks before I really started to “get” this incense and when I did it was a revelation. Because Tokusen Kobunboku is both a similar and completely different incense to the regular stick, it’s abstractly similar in approach while totally different in execution. Like the difference between the regular Kunmeido Reiryo Koh and the aloeswood version, the latter is quieter in many ways, insular to the point that the brilliance works on a very quiet level. As with all Baieido sticks, this has an obvious wood contour, but clove seems to come out a bit more, reminding me of Baiedo’s classic Kai Un Koh blend. The contour of the wood and quiet nature of the stick hides what’s an emerging complexity as if the various herbs and spices all reveal themselves in a Zen-like fashion, asking the question rather than revealing the answers. It’s beautifully done, a masterwork of incense, an aloeswood that still charts under $10 a roll. Few companies have an incense this sophisticated for the same price.

Kaden Kobunboku is the “Family Secret” version of Kobunboku and the aloeswood changes to Baieido’s Tsukigase, a soft and mellow Vietnamese type. Where the Tokusen was mellow and smooth, Kaden works a bit hotter and on a livelier level, with perhaps a more obvious complexity. The level of spice here approaches essential oil level, with the cinnamon and clove a lot more obvious and even competitive with the woods for attention. It’s an incense with an aroma far more expensive than the $12 a roll asking price and while this does have a decent quantity of sandalwood, it’s still the Kobunboku that is most obviously an aloeswood incense at heart. It’s a very traditional and even hoary scent and perhaps one to work your way up to as it constrasts nicely to the regular and Tokusen versions. And even with a much brasher approach there is no complexity or sophistication lost here.

Bikou Kobunboku moves in a different direction to Tokusen and Kaden and is unsurprisingly defined as a softer and milder version of the formula. I’m a little further behind on the learning curve with this one, while noticing the same pattern of having each stick improve my experience. It has a somewhat similar wood contour to the Tokusen version but without quite so much of an aloeswood impact, that particular wood only acting as a spice or flavoring rather than being particularly dominant. In many ways it has more in common with the sandalwood dominant Byakudan version and at times even the Sawayaka/Koh version with its stronger cinnamon base, yet there’s really nothing strong or powerful about Bikou, it’s perhaps the most meditative of the entire line.

The smokeless Bikou Kobunboku is certainly one of Baieido’s oddest incenses being that it’s format has more in common with its other smokeless incenses such as the Green Tea, Coffee and Honey formulas. I almost see these as appealing to different audiences entirely with the woodier Kobunbokus for traditional users and the charcoal smokeless sticks for the moderners. So this is perhaps the only stick that bridges both traditional and modern and in many ways I would think it could be difficult coming from either side. It does share its non smokeless version’s milder and woody qualities, but with the smokeless base so much of this impact is removed. The change gives it a bit more of a citrusy vibe to it as well as something of a powdery touch (a touch common to nearly every incense in this format) and I’m left with the impression that it’s something of a picture of the real thing. But perhaps it would thrive without comparisons to the rest of the line, on its own. [NOTE 7/2/21. This link may go to a nonsmokeless version of the Bikou. There is also a smokeless Jinkou Kobonboku available and this may be the closest incense to this review, but it has been so long since this review was done, it’s hard to remember if there were any mix ups.]

Finally, there’s the line’s most poignant sandalwood incense, the astonishing Byakudan Kobunboku. Baieido is already responsible for one of the most deluxe sandalwood incenses available, the expensive and stupendous Byakudan Kokoh. In many ways this could be considered the least expensive variant of that incense, still capturing that amazing crystalline Mysore aroma but perhaps at a lower vibration. I find this stick, fresh, and exhilirating, capturing all the best aspects of good heartwood without any off notes whatsoever. In fact for the price, there’s really no better sandalwood incense available, there are no oversaturated sandalwood oils or harsh wood contents in this stick whatsoever. The spices here do nothing more than accentuate these excellent qualities. At 30g for $11 this is yet another mandatory starter buy and may very well put other sandalwood incenses in a totally different perspective. In fact I’d recommend this one before the Kokoh version, the only (nondeleted) sandalwood incense superior to it.

There’s one more Kobunboku I previously covered, the Sawayaka Kobunboku which has also been repackage under the name of Koh. If the Byukadan accentuates the sandalwood in the formula, the Sawayaka does the same for the cinnamon and is also highly recommended (indeed it’s part of our yearly top 20 for 2008). [NOTE: This incense appears to be discontinued.]

I can think of no affordable, under $20 line better than the Kobunboku series, it’s a line with aromatic qualities far more expensive in impact to one’s olfactory senses than pocketbook. If you’re new to Japanese incense there really are few better starter incenses than what could be found here, and other than the anomalous smokeless Bikou Kobunboku, every single one of these can be solidly recommended. But do take your time with them, these are not scents to jump to conclusion on, they’re perhaps a little smarter than your own nose at first and patience will repay itself manifold.

Aloeswood groups

There’s been some activity in our Ask the ORS thread lately regarding beginning areas to start a Japanese incense collection, which is something we’ve been intending to document on its own page for a while. In replying, I did sort of a basic breakdown of different aloeswood incense styles and thought I’d bring that part of the post over here for discussion in order to eventually make something like this as part of a basic starter document:

Sweet aloeswoods: Tennendo Renzan, Tennendo Kahin-Gold, Baieido Ensei Sweet Aloeswood, Kyukyodo Shiun, Baieido Kun Sho, Baieido Syukohkoku, Shunkohdo Zuika (maybe), Kunmeido Reiryo Koh Aloeswood, Nippon Kodo Jinko Juzan, Shoyeido Sei-fu, Baieido Kunsho Koh (maybe), Gyokushodo Jinko Hoen, Nippon Kodo Kohden Sweet Aloeswood, Nippon Kodo Zuiun, Seijudo Shiragiku
Spicy aloeswoods: Tennendo Kuukai, Tennendo Tensei, Tennendo Johin-Bronze, Baieido Ensei Spicy Aloeswood, Baieido Koh En, Baieido Tokusen Syukohkoku, Gyokushodo Jinko Yomei, Gyokushodo Samei Koh, Nippon Kodo Kohden Spicy Aloeswood, Shoyeido Shun-Yo
Green aloeswoods: Shunkohdo Yoshino No Haru, Kunmeido Heian Koh, Kunmeido Asuka, Shoyeido Ga Ho, Shoyeido Kyojiman, Shoyeido Misho, Shoyeido Horin Gen-roku, Tennendo Shorin (maybe)
Floral aloeswoods: Shunkohdo Haru No Kaori, Kyukyodo Asuza
Spikenard aloeswoods: Shoyeido Nan Kun, Shoyeido Horin Muro-machi, Tennendo Enkuu-Horizon (maybe)
Blends: Baieido Kai Un Koh, Baieido Tokusen Kobunboku, Baieido Kaden Kobunboku, Baieido Tobiume, Shunkohdo Ka Cho Fu Getsu, Tennendo Karafune Yuhin-Silver

The Olfactory Rescue Service Top 25 (Mike and Ross)

Today we introduce to you the Olfactory Rescue Service Top 25. However, unlike our usual top 10s and last year’s combined top 20, we thought we’d do something a little bit different and a little bit tricky. This year’s top 25 is something of a meta-list, in a way we want to capture the best of incense by looking at things from a larger perspective. So instead of having one incense per entry, we’re just going for broke: full companies, sublines, incenses, incense materials, incense supplementals – everything we could think of that would lead to a top tier incense experience. In fact we started at a top 20, expanded it to a 25 to make sure we got everything and ended up with a pretty good group.

Please keep in mind as always that our best of lists are something of a lark. For one thing I think both Ross and I probably find it somewhat difficult to truly tier these in order and so while maybe we like the stuff at the top a little more than at the bottom, maybe, there’s no particular rhyme or reasoning to the ordering and we consider everything on here to be superlative work, perhaps with a few individual idiosyncracies we won’t mention. As a whole though, I think this is a good look at what we consider the best incense related stuff on the US market today and we’ve pared it down only to include what is available here. As each entry often includes several incenses, we’ve left off links to reviews and sites, but just about everything on here has been reviewed previously and links to them can be found in our Reviews Index. So, after the cut, the ORS Top 25. Read the rest of this entry »

Hall of Fame: Japanese Incense

[Page under reconstruction] This is basically an attempt to list the great Japanese incenses under different price categories, including notations when incenses are of a higher quality than their price bracket. This list includes four categories: Luxury (boxes are $150.01 or more), Premium ($50.01-$150), Standard ($10.01-50) and Bargain ($10 and under). Incenses without links have not been reviewed here yet or are newly added to this list, you can also check the Top 10 lists in the index for comments on unreviewed incenses. If you have suggestions to add to this list at any time, please use the comments section.

LUXURY ($150.01+)

PREMIUM ($50.01-$150)

STANDARD ($10.01-$50)

BARGAIN ($10 or less)

NOTES: Most if not all of these incenses can be found cheaper in samplers. Certain incense suppliers also break down some larger boxes into smaller bundles that often would move an incense into a lower bracket. I’ve notated these by asterix (*). Both Kyukyodo Shiun and Yumemachi could be considered to be on this list based on informal divisions at certain incense stores.

A new notation (^) has been added to this list, enabling its considerable expansion in the lower two brackets. For each ^ used, the incense could be considered of a quality high enough to be in a bracket above. Thus incenses marked ^^ or ^^^ could be considered the best incenses for the price on this list. An incense without this symbol would not have made this list in a higher price bracket. Incenses with only 20 sticks have been adjusted one symbol down. The grid looks like this (with A being the highest tier and E the lowest):

L / A B
P / A B C
S / A B C D
B / A B C D E

In the Luxury category, a ^ indicates an A tier incense. A ! indicates a larger stick bundle and is also an extra indicator for value for money, using 30-45 stick boxes as a baseline.

Updated Wednesday, June 8, 2010

Best Incense – February 2008

[For previous Top 10 lists, please click on the Incense Review Index tab above]

  1. Tennendo / Enkuu-Horizon – Enkuu-Horizon is the incense I’d probably burn most often would it grow on trees and there was no such thing as kyara. There are qualities in this incense that remind me of a good aged single malt, as if there was a maturation process involved. It’s dense, woody and extraordinarily complex.
  2. Mandala Trading / Tibetan Monastery Incense (third down) – This is one of the most addictive, consistently impressive Tibetan incenses and one I burn at least every other day. There’s something about the Mandala Trading incense that makes the incenses so potent and this one has a cinnamon/spice mixed with a more traditional herbal base that I just can’t get enough of. One of the best under $10 incenses you can buy.
  3. Kyukyodo / Sho Ran Ko – If I had an objective favorite incense it would be this one and as such it’s hard to knock it off the list even if in the last two months I’ve been conservative in reaching for one of these sticks. One of the finest aromatic experiences available.
  4. Shoyeido / Horin / Muro-Machi – Maybe it speaks for the whole Horin line, but I tend to hop favorites in every given month and could easily see any of the five on the list. Muro-machi’s the newest for me, it’s a caramel aloeswood that combined a rich sweetness with a very high quality of wood. I severely depleted my stock on this one this month.
  5. Shunkodo / Yoshino no haru – Even though many of the Shunkodo incenses don’t breach this top 10 list, I may burn them more than any other incense. The primary reason for this is just that each Shunkodo roll has 140-160 sticks and thus I feel like I can burn them without feeling like I’m running out. Yoshino no haru is similar to Kunmeido Asuka and Heian Koh in that it’s a green aloeswood with a very particular rich and fresh aroma. While this one isn’t perhaps quite as deluxe as the Kunmeidos, I also have a lot more of it and thus burn it fairly frequently.
  6. Shoyeido / Incense Road or Gourmet / Frankincense – I’m just about out of stock on this one so it may be a while before it hits this list again, but I’ve grown to adore this very rich and spicy stick. It’s of the kind (like Horin/Hori-kawa) that tends to even impress friends who don’t normally notice your incense.
  7. Mandala Trading / Himalayan Herbal Incense (second down) – I didn’t warm to this quite as fast as the Tibetan Monastery Blend but I’m starting to like this one almost as much. It makes me think spearmint candy cane. I had left this burning upstairs and ran out for a quick errand. When I came back the whole place was imbued with this fresh, minty, herbal scent.
  8. Shunkodo / Haru no Kaori – While I wouldn’t really put this rather inexpensive aloeswood incense in the same league as Kyukyodo’s Azusa, it’s a vaguely similarly styled incense, combining a floral top note with a slight and unobtrusive woody base. I kept coming back to this incense over and over during the month.
  9. Kunmeido / Reiryo Koh – Eventually I’ll get around to making a top 10 Incense under $10 list and if I do, this trusty classic will likely be in the top half. It’s one of the few non-aloeswood incenses that has an intense complexity to it. I assume the Reiryo root is part of the equation, although in more deluxe Kunmeido incenses you get that depth without the wild and initially intense spice note here. It starts off rough and challenging but really mellows out into a fine incense.
  10. Baieido / Tokusen Syukohkoku – Aromatic fatigue who nail just about anyone who burns more than a few sticks in a given night. I mention this because this deluxe Baieido stick is utterly awe inspiring if you’re coming into an incense burning session fresh. It’s partially the very high quality aloeswood but there’s also a very mild yet complex level of spice that can get lost if the nose is numb. One of the world’s great incenses.

Incense Reviews Index

This page is the master index for Olfactory Rescue Service Reviews. This is roughly up to date for all the important reviews and articles through 4/16/2024. Incenses are usually listed in the order in which they were reviewed unless the catalogs get long. These would be listed alphabetically and noted as such. Also, although a work in progress, anything in italic font is either an obsolete review or discontinued incense.

BHUTAN

Ap Sonam Tashi/Bhutan Jewel Incense

Bhutan Jewel Incense of Bhutan A Traders

Boudha Tibetan Incense

Chimi Poe Jorkhang

Drezang Kuenchap

Himalayan Incense Production House
Kathok Yosel Samtenling Monastery
Kuengacholing Peozokhang 
Lhundup
Lopen Tandin Dorji Poizo Khang
Mentsi Khang
Nado Poizokhang

Shri Lhoman Ngagyur Nyingma Buddhist Charitable Society of Bhutan

Specially Made for Paro Kushoo HRH Prince Namgyal Wangchuk (2023)

Tsenden Poe Zhokang

Tsheringma

CANADA

Esprit de la Nature (Canadian incense artist with uncommon skill who also works through Mermade in the USA)

CHINA

Huitong

Sanbodhi

INDIA

Absolute Bliss (importer, nonbranded incenses)

Anand

Bhagwan Incense# / Good Incense##

BIC

Damodhar & Co.

Designs By Deekay (Reviews removed due to the use of incense names created by a different company).

  • Soul Sticks / King Champa, Sweet Earth, White Sage, Wild Wood (2021)
  • Soul Sticks / Shaman’s Magic, Black Ice, Dragon’s Breath, Dragon’s Blood (2021)
  • Soul Sticks / Go Away Evil, Fairies Dust, Dark Angel, Guardian Angel (2021)
  • Soul Sticks / Aura Cleansing, Good Vibes, Sunpati (Quiet Mind), 7 Chakras (2021)
  • Soul Sticks / Tibetan Monastery, Buddha’s Bliss, Kundalini Yoga, Harmala Hamsa (2021)
  • Soul Sticks / Werewolf, Vampire’s Orchard, Dracula’s Blood, Good Health (2021)

Dhuni (Unfortunately Dhuni, possibly one of the greatest importers of Indian incense, no longer exists. The line has been discontinued due to bad faith on the exporter’s part. They are severely missed.)

El Incenses and Fragrances

Ganesha (Ganesha is currently not in operation, but looking to return.)

Gokula Incense (UK company importing Madhavadas and other Indian lines)

Goloka (Long running Indian company still in business)

Good Incense (see Bhagwan Incense)

Happy Hari (Imported via Absolute Bliss)

Incense from India (Long running American importer, still in business)

Incense Works (This line of incense is still available through Incense Warehouse and has barely changed in years)

Janak Perfumery Works

Kala Perfumery Works

Krishna Store

Maroma

Mayraj

Meena Perfumery Industries

The Mother’s India Fragrances (With the exception of the most recent reviews, recipes and the general style may have changed since they original releases. It looks like all of the aromas are still sold though. We hope to confirm where some of the other incenses are at at some point.]

myInsens (Quickly discontinued as a line.)

Mysore Sugandhi

Mystic Temple (This incense line is still imported through matchlessgifts.com. I haven’t checked the quality in a while (especially from a 2021 perspective), but I credit their incenses in large part for getting me into the hobby in the first place.)

N. Ranga Rao & Sons

Nikhil (This entire line has been discontinued.)

Nitiraj (Indian incense company that still appears to be running)

Padmini

Parekh Perfumery Works

Prabhuji’s Gifts (previously Ramakrishnanda) (One of the better Indian incense importers supplying quality and affordable incenses.)

Pradhan Perfumers

Primo (Venerable US importer of Madhavadas family incenses who closed up shop December 2020. All their incenses are discontinued.)

Pure-Incense (Britain-based importer of Madhavadas family incenses. Pure Incense offer a dizzying array of incenses from the budget to the truly connoisseur. Please keep in mind that reviews prior to 2021 may only be a general guide to the aromas as quality and consistency changes depending on the makeup of the essential oils being used. Reviews of much more recent connoisseur incenses are forthcoming.)

Purelands

Pushkar Temple Incense

Puspa Perfumery Products

R-Expo

Raj Laxmi

Ramakrishna’s Handmade Incense

Saranya Traders

Sarathi Perfumery Works (The Sri Govinda line, at least, has been discontinued)

Scent of Samadhi

Shah Agarbatti

Shantimalai

Shrinivas Sugandhalaya (Most incenses reviewed here were likely made in Mumbai by Nagarj Setty LLP. My plan is to eventually update and review the Bangalore and Mumbai operations separately. I will keep the rest of these as historical records. I can not confirm if the reviews of most if not all of these are still current, as Satya recipes have drastically changed over time.)

Shroff Channabasappa (This acts as a historical record of Shroff Channabasappa imports in the US via Essence of the Ages from 2009-2013. The recipes for many of the incenses changed dramatically in the few years after these reviews were written and very few of those incenses can be purchased anymore as described in these reviews. However, as of 2023, Shroff appears to be making a comeback and issuing their old recipes through various stores so I will be updating these as I reevaluate them. Many of them are very close, although done differently.)

Song of India

Sree Trading Company

Sree Yadalam Dhoop Industries

Sri Aurobindo Ashram Cottage Industries

Surya Trading

Temple of Incense

Triloka (Still active mainstream US importer for Indian incense. Most of the line is fair now.)

Vijayshree Fragrance

Unknown

  • Mysore Sandalwood (2022)

JAPAN

Asayu

Awaji Koh-Shi

DSC00830 (3)Baieido (One of Japan’s premiere incense companies, specializes in woods and is prized by connoisseurs. Incenses listed in alphabetical order.)

Baikundo (also Awaji-Baikundo)

Daihatsu (Modern Japanese company that specializes in more perfume-enhanced incenses and newer, less traditional scents)

Les Encens du Monde (also Florisens) (French importer of various Japanese brands, many of which can be found via their home companies)

DSC00832 (2)Gyokushodo (Venerable Japanese company who use perfumes and oils in their incenses but still largely lean traditional)

Japan Incense (Minorien-produced incense line for Japan Incense. )

Keigado

DSC00807 (2)Kida Jinseido

Kikijudo

Kogyokudo

Kokando

Kourindo

Kousaido

Koyasan Daishido

DSC00842 (2)Kunjudo (Old Japanese company that leans to the modern. Imports much of its line through Florisens/Encens du Monde.)

DSC00799 (2)Kunmeido (Excellent Japanese company with a small but wide range of traditional, modern and high end incenses. Listed alphabetically.)

DSC00789 (2)Kyukyodo (One of Japan’s oldest and most venerable companies. Most of the line was not imported here until Japan Incense started carrying them some years back. One of the largest catalogs in Japanese incense.)

DSC00784 (2)Minorien (see also Japan Incense) (One of Mike’s favorite incense companies with some of the best woody Japanese incenses in existence)

Nihon Senko Seizo

Nippon Kodo (Possibly the most famous Japanese incense company that markets its products all over the world and is found more commonly than any other brand. Well known for having a large range of product and tending to perfumed and modern scents. Incenses have been alphabetized here for ease of location and Sampler Notes are done so likewise at the very end.)

Okuno Semeido

Sanjusangendo

Saraike Kunbutsudo

Scents of Japan

DSC00847 (2)Seijudo

Seikado

Seikundo

Shochikudo (Koho)

Shorindo

DSC00817 (2)Shoyeido (One of the largest Japanese incense companies with one of the biggest presences in the US. Has a wide range of products from high end to low end and traditional to modern. Reviews have been listed alphabetically for ease of location.)

DSC00838 (2)Shunkohdo (Excellent Japanese incense company that leans to the traditional. Some of the best wood incenses on the market).

Tahodo

Taikado Koho

DSC00821 (2)Tennendo (Solid Japanese company that tends to be traditional but can do so either from the woods side or the perfume and oil side.)

Yamadamatsu (Possibly the finest Japanese incense company for aloeswood and sandalwood appreciators. A gigantic range of amazing products, including kyaras, incenses based on a Rikkoku set and several amazing affordable incenses and coils. One of Mike’s recommended incense companies.)

Unknown

KOREA

Sam-Sung

NEPAL

Boudha Tibetan Incense

Chagdud Gonpa Foundation

Dhoop Factory (Possibly the finest Nepalese Tibetan-style incense company, but a bit hard to find now.)

The Direct Help Foundation

Doma

Gurung Int’l

Himalayan Herbs Centre

Khachoe Ghaklil Ling Nunnery

Kuenzang Chodtin

Lucky Incense Co.

Mandala Art & Incense (aka Mandala Trading)

Natural Arogya Dhoop Incense

Natural Nepali Dhoop

Shechen

Tengboche

Thrangu Tara Abbey

Tibetan Yak

Traditional Nepali Dhoop Pvt. Ltd

Stupa Incense Industry

Shambala Incense

Yog-Sadhana

Pilgrim, Heritage

Aajudyo Dhupayan Rope Incense

Pure Frank Incense, Pure Aromatic Jasmine, Pure Aromatic Pine, Pure Aromatic Vetivert

Golden Champa, Trimurti (2022)

PERU

Runcato

SAUDI ARABIA

Al Haramain

SINGAPORE

Kyarazen (Revered independent operator of high class, gourmet incenses)

TAIWAN

Bosen (Taiwan based company that creates many levels of aloeswoods, a couple sandalwoowds and what are like hybrids of Tibetan and Japanese style incenses, all of which lean to the traditional. Their incenses are available through Amazon.)

Zambala

TIBET AUTONOMOUS REGION

TIBET/INDIA

Dhundup Wangyal

Drepung Loseling

Kaqyupda Monastery/Drikung Charitable Society

Lama Chodpa

Menri Monastery

Men-Tsee-Khang

Related

Tashi Lhunpo Monastery

Zongkar Choede

TIBET/TAIWAN

Zambala

UAE

Swiss Arabian

UNITED STATES

Ancient Forest

Dimension 5 (Creator of connoisseur level incense sticks from rare materials)

Epika Earth

Fred Soll (Iconic creator of a pinon pine based incense with oils that are often uncommonly amazing. Natural ingredients, so the incenses have varied through the years, but they’re an American mainstay in incense and one of the country’s finest institutions.)

Gonesh (Charcoal based garbage, avoid)

Holy Smoke

Holy Transfiguration Monastery (Resin Blends)

Incienso de Santa Fe (Fascinating shop of little brick sized incenses made almost entirely from local woods).

Kunhla Incense

DSC00466 (2)Mermade Magickal Arts (Most Mermade incenses are limited editions, so most of these are long gone. However, you can still get a heater and incenses like Deep Earth, Kyphi, Dark Goddess, Wild Wood, and some others often show up in new vintages, so incenses with same names are likely to be the sane in spirit. But this is also a historical record of a wonderful company.)

Nu Essence (one of the original creators of resin and herb based incenses for charcoal or heaters and esoterically minded)

The Rising Phoenix Perfumery

The Scented Djinn

Ross Urrere Aromatics (Amazing incenses made by our dearly departed ORS collaborator and friend. We are hoping to see these recipes and others passed on)

*Incenses marked by an asterix on this page are not currently imported to the US.

PERFUME

Mystery of Musk (Perfumes)
Intro
Part 1
Part 2
Part 3
Part 4
Mandy Aftel..The Room of Many Bottles Full of Good Smells
Fifth Anniversary of the Natural Perfumers Guild

Ouds

Oud – An Introuduction
Oud: Regional Profiling
On the Boardwalk

INTERVIEWS

Interview with Anna Pach/Masahiko Kikuya from Kikuya Seishindo and Kohgen

TOPICAL/MISCELLANEOUS ARTICLES

Synthetics vs. Organics
Everything’s Coming Up Roses – A Valentine’s Day Tribute to the Flower of Love
Musk Scented Incenses – Japan
Air Sponge – The Odor Absorber
Tis the Season for some Frankincense Frenzy and a little bit of Myrrh Madness…
Create Something Beautiful
Incense on the Tree of Life (off site)
Some new books on ambergris and incense.
A Whiff of Japan
Burning Basics for Beginners
Maluku: Wood from the “Island of the Kings”
INDONESIAN SMĂ–RGĂ…SBORD +1
Rokok / Sintren Frankincense Cigarettes

MONTHLY TOP 10/TOPICAL BEST OF YEAR AND OTHER LISTS

POLLS

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